Core Viewpoint - The article discusses the proliferation of unattractive fonts in China, highlighting the recent opening of the "Louis" giant ship in Shanghai as a new landmark that has sparked discussions about design aesthetics and the quality of fonts used in public spaces [1][3][4]. Group 1: The "Louis" Giant Ship - The "Louis" giant ship, standing nearly 10 stories high, is located at the entrance of the Taikoo Hui in Jing'an District, Shanghai, and is the third store inspired by hard cases after Paris and New York [3]. - The ship serves as a combination of exhibition space, boutique store, and dining area, aiming to invigorate luxury consumption amidst a challenging market [3]. - The average cost for lunch is 500 yuan, and for dinner, it is 800 yuan, with reservations extending over 20 days [3]. Group 2: Font Issues in Design - The article highlights a growing concern over the prevalence of unattractive fonts, with a notable critique from Qiu Zhijie, president of Tianjin Academy of Fine Arts, who described the situation as a "cultural violence and aesthetic degradation" [4][6]. - Qiu emphasizes that the lack of proper calligraphy education in design programs contributes to the poor quality of fonts being used in various media [8]. - The article mentions the rise of "ugly fonts" like "Shang Wei Handwriting," which has received mixed reviews, with some praising its boldness while others criticize it for lacking aesthetic value [10][15]. Group 3: Cultural and Educational Implications - The decline in handwriting skills and appreciation for traditional calligraphy is linked to the increasing reliance on digital communication, leading to a loss of aesthetic judgment [16][18]. - The article notes that some cities still respect traditional calligraphy, while others have adopted a more casual approach to font usage, often prioritizing trendiness over quality [18][21]. - Recent initiatives by the government and companies aim to address the issue of poor font usage, with calls for a return to more refined and culturally significant typography [21][22].