从出海作品质量来看，"酷"的评价同样当之无愧。《庆余年》《斗罗大陆》《我们生活在南京》等网络 文学被大英图书馆收藏；《琅琊榜》《甄嬛传》《苍兰诀》《沉默的真相》直至近期的《藏海传》等一 众剧集，都在海外引发追剧热潮；除了有口皆碑的《黑神话：悟空》，《原神》《王者荣耀》等多款国 产游戏也在全球积累了数千万乃至上亿的玩家。 出海"新三样"的热潮背后，是深厚澎湃、连绵强劲的文艺脉动，是精品不断、活力四射的文艺大观。小 说《三体》之后，《流浪地球》系列以及《独行月球》等展示中国科幻电影发展的加速度；《哪吒之魔 童闹海》之外，《长安三万里》《中国奇谭》等接力展开中国动画令人目不暇接的绚丽画卷；而舞台艺 术领域中，舞蹈诗剧《只此青绿》、舞剧《咏春》等更是以现象级的出圈传播，将"酷中国"的文化创造 力和审美想象力淋漓尽致地展现在观众和网友面前。 伴随中国式现代化不断推进，"两个结合"特别是"第二个结合"不断深化，新时代中国文艺将中华优秀传 统文化与人类命运的未来创想，深刻融汇于中国人民创造历史的火热现实，形成了独具魅力的"酷叙 事"。面对加速迭代的人工智能、虚拟现实、物联网等新技术新应用，面对沉浸、交互、定制、众创、 人机 ...

Core Viewpoint - The Central Radio and Television Station is preparing a diverse range of dramas for the summer season, focusing on realistic and historical themes to engage audiences [1][5]. Group 1: Focus on Realistic Themes - Dramas such as "The Age of Quenching" and "In the Name of Law" have gained widespread attention, reflecting the struggles and progress of Chinese manufacturing and providing insights into the judicial system [2][4]. - The summer lineup includes various realistic dramas that explore themes of female growth, the struggles of migrant workers, and historical narratives related to the Anti-Japanese War [2][4]. Group 2: Awards and Recognition - Recent awards at the 30th Shanghai Television Festival highlighted the success of realistic dramas, indicating a deepening of creative efforts in this genre [4]. - The increasing quantity and quality of realistic dramas have positioned them at the forefront of viewership and critical acclaim in the Chinese television landscape [9]. Group 3: International Expansion - Chinese dramas have become a significant cultural export, with 70% of the total audiovisual program export revenue coming from this genre, reaching over 200 countries and regions [11]. - Notable international successes include "My Alashan," which is the first Chinese drama to compete in the main competition at the Cannes Television Festival, and "Blossoms," which won an award at the Busan International Film Festival [11][13]. Group 4: Cultural Representation - The integration of traditional Chinese culture and aesthetics in historical dramas is crucial for expanding their international market appeal [13][15]. - Sci-fi dramas, such as "The Three-Body Problem," have also gained attention in international markets, indicating a growing interest in diverse genres beyond traditional narratives [15][17].

据此前报道，5月12日，上海戏剧学院官网发布2025年博士研究生（申请-考核制）考生复试名 单，演员黄晓明、金世佳进入该名单，研究方向分别为 艺术管理/戏剧策划 和 表导演创作。 此次公布的 拟录取名单中， 艺术管理/戏剧策划方向仅有一位考生录取。 据长安街知事，6月20日，上海戏剧学院发布了2025年上海戏剧学院博士研究生拟录取名单。 金世 佳以278.84分的总成绩，成功被录取，但名单上并未出现黄晓明的名字。 拟录取名单显示，申请考核专业学位中，金世佳进入拟录取名单，研究方向为表导演创作。该方向共 录取三人，金世佳业务一科目成绩为94.34分，业务二科目成绩为90分，面试成绩为94.5分，同等 学力加试科目合格，总成绩为278.84分。 拟录取名单截图。图源： 上海戏剧学院 拟录取名单截图。图源：上海戏剧学院 公开资料显示，黄晓明，1977年11月13日出生于山东省青岛市，毕业于北京电影学院表演系。他因 在《大汉天子》中饰演刘彻而获得关注，此外他还出演了《神雕侠侣》《新上海滩》《中国合伙人》 《琅琊榜之风起长林》等作品。 对于落榜一事，黄晓明回应称："明年再战。" 爱企查App显示，黄晓明名下关联40余家 ...

Core Viewpoint - iQIYI's hit drama "The Crazy" achieved a record-breaking viewership of 10.79 billion, marking it as the most successful production in terms of traffic, revenue, and influence since the company's inception nearly 13 years ago [1] Group 1: Legal Action and Court Ruling - iQIYI filed a lawsuit against a short video company for unauthorized distribution of content related to "The Crazy," seeking 30 million yuan in damages [2][3] - The court ruled that the short video company's actions constituted copyright infringement, as the videos provided were not merely reviews but included substantial content from the drama [3] - The court determined that the short video platform had a responsibility to monitor and prevent copyright infringement, leading to a ruling in favor of iQIYI for the full amount claimed [3] Group 2: Industry Context and Implications - The case highlights a growing trend of copyright infringement in the short video sector, with many similar cases emerging as platforms allow user-generated content that often violates copyright [5][6] - The legal landscape is evolving, with courts increasingly recognizing the need for stricter accountability from platforms that host user-generated content, especially for popular works [7] - The National Copyright Administration has initiated ongoing campaigns to combat copyright infringement, focusing on various digital platforms and emphasizing the need for enhanced protection measures for high-profile works [9][10]

Group 1 - The article discusses the controversies surrounding the drama "Cang Hai Chuan" and its comparison to "Nirvana in Fire," highlighting a cultural disconnect in the current audience's preferences for ancient costume dramas [1] - The ancient costume drama market has shifted focus towards suspense and power struggles, while traditional martial arts dramas have become niche, indicating a significant change in content consumption [1] Group 2 - The history of martial arts dramas in China is traced back to the 1970s and 1980s, with significant contributions from Hong Kong production companies adapting works from famous authors like Jin Yong and Gu Long [2][4] - The 1983 version of "The Legend of the Condor Heroes" marked a turning point, achieving an average viewership rating of 60% and a peak rating of over 90%, indicating its immense popularity [4] - The 2000s were considered the "golden decade" for mainland martial arts dramas, with over a hundred productions, yet only 14 received ratings above 8 on Douban [11] Group 3 - The rise of fantasy dramas has overshadowed martial arts dramas, with "Xianjian Qixia Zhuan" being a notable example that achieved high ratings and shifted audience interest towards fantasy elements [12][14] - The decline of martial arts dramas is attributed to the oversaturation of adaptations and a lack of original content, leading to a dilution of the genre's appeal [18] - The emergence of female-centric narratives in fantasy dramas has further shifted audience preferences, leading to the development of ancient idol dramas [20] Group 4 - The production quality and audience expectations have evolved, with modern viewers demanding high visual effects and star power, which has made traditional martial arts dramas less viable [25][27] - The cultural significance of martial arts dramas is diminishing, as the ideals of chivalry and justice portrayed in these dramas do not resonate with contemporary societal values [30][31] - New interpretations of martial arts themes are emerging, blending elements of mystery and emotional growth, as seen in recent productions like "Xue Zhong Han Dao Xing" and "Lian Hua Lou" [28]

Core Viewpoint - Chinese online literature has become a significant cultural bridge, allowing overseas audiences to engage with Chinese culture through various adaptations like novels, TV series, and games [1][5]. Group 1: Cultural Exchange and Impact - Chinese online literature is facilitating cultural exchange between the East and West, with stories resonating with readers from diverse backgrounds [3][5]. - The platform "元气阅读" has attracted nearly one million active users monthly, with an average reading time exceeding 50 minutes per day, indicating a strong interest in Chinese online literature in French-speaking regions [3][4]. - Readers in regions like France and Canada are finding personal connections and enjoyment in Chinese online literature, which influences their real-life perspectives and experiences [3][4]. Group 2: Publishing and Translation Efforts - French publishers are increasingly interested in Chinese online literature, with collaborations leading to the publication of translated works such as "武极天下" and adaptations into comics [4][5]. - The translation and adaptation of Chinese online literature into various languages, including French and Korean, are expanding its reach and popularity [12][13]. - The presence of dedicated online communities and platforms for sharing and discussing Chinese online literature is enhancing its visibility and accessibility [3][12]. Group 3: Reader Engagement and Future Plans - Young readers, particularly those born in the 1990s and 2000s, are driving the interest in Chinese online literature, seeking deeper understanding of Chinese culture through these narratives [4][9]. - Future plans include promoting Chinese online literature through various media, including short dramas and social media, to reach a broader audience [4][12]. - The growing influence of Chinese online literature in regions like South Asia is evident, with more young people engaging with these works and expressing interest in learning Chinese to access original texts [8][9].

Group 1 - The core viewpoint emphasizes the importance of constructing a unique symbol system for Chinese civilization, which reflects the spiritual pursuit, values, and cultural characteristics of the Chinese nation, and suggests leveraging modern forms of literature and art, such as online literature and games, to inject new vitality into this system [1] - Online literature is identified as a vibrant and influential cultural form that reshapes the production and dissemination of literature, providing new possibilities for constructing the Chinese civilization symbol system [1][2] - The article highlights the significant role of fantasy and historical themes in online literature, which not only presents traditional cultural elements in innovative ways but also promotes traditional values of the Chinese nation [2][4] Group 2 - The participation in online literature creation involves millions, with tens of millions of works available, showcasing a wide range of themes including Chinese mythology, folklore, and historical events, thus enriching the narrative landscape [3] - Online literature effectively conveys traditional values through various genres, such as fantasy and historical novels, which resonate with readers and enhance their understanding and appreciation of Chinese history [4][5] - The interactive nature of online literature platforms allows readers to engage in cultural creation, transforming the construction of the Chinese civilization symbol system into an open and dynamic process [5][6] Group 3 - The international reach of online literature is expanding, with approximately 200 million active overseas users, predominantly from the "Z generation," indicating a growing global interest in Chinese culture [7][8] - Online literature serves as a cultural bridge, facilitating cross-cultural understanding and exchange, while also incorporating elements from other cultures, thus promoting global cultural diversity [8][9] - The popularity of Chinese online literature has led to increased interest in Chinese traditional culture among foreign readers, resulting in a significant number of foreign participants in online literature creation [9]

Group 1 - The signing ceremony at the 21st Cultural Industries Fair in Guangdong resulted in 18 key projects with a total transaction value exceeding 1.6 billion yuan [1] - The projects span various sectors including film, performing arts, animation, online gaming, esports, and online audio-visual [1] - Notable projects include the establishment of an AI technology innovation film base in Dongguan, expected to attract over 500,000 visitors and film crews annually [3] Group 2 - The collaboration between Galaxy Entertainment Group and Damai Entertainment aims to create a "Greater Bay Area Performing Arts Hub" [3] - Tencent and NetEase announced major esports events to be held in Shenzhen, enhancing the city's position in the esports industry [3] - Several popular domestic animation IPs are set for significant development, including the adaptation of "Nirvana in Fire" into an animated film [3][4] Group 3 - The projects also focus on cultural tourism IP development, with NetEase partnering with Guangzhou Tower for large-scale offline events [4] - Tencent's Reading Group plans to open a 2,000 square meter "Reading Garden" project in Shenzhen Bay Area Book City [4]

Group 1 - The 21st Cultural Expo in Guangdong saw the signing of 18 key cultural industry projects, with a total transaction amount exceeding 1.6 billion yuan, indicating collaboration with leading national enterprises and IPs [1] - The signed projects span various fields including film, performing arts, animation, gaming, esports, and online audio-visual, reflecting Guangdong's commitment to high-quality cultural industry development [1] - The film projects include the Asia-Pacific AI Technology Innovation Film Base in Dongguan, expected to attract over 500,000 tourists and film crews annually [1] Group 2 - The performing arts projects highlight the integration of culture and tourism in the Greater Bay Area, with Galaxy Entertainment Group and Damai Entertainment collaborating to create a "Greater Bay Area Performing Arts Hub" [2] - Notable IPs like "Harry Potter Forbidden Forest Experience" will debut in Shenzhen, alongside a partnership with China Oriental Performing Arts Group to build a theater cluster [2] - Major esports events such as Tencent's "Crossfire Carnival" and NetEase's "NetEase Esports World Championship" will take place in Shenzhen, enhancing the city's cultural tourism [2] Group 3 - The classic sitcom "Foreign Daughter-in-law Local Son-in-law" will launch a series of IP boutique short dramas, showcasing the Bay Area's efforts in rural development [3] - Key projects aim to develop urban cultural tourism IPs, with NetEase collaborating with the Guangzhou Tower for large-scale offline events [3] - Guangdong aims to transition from a "cultural industry province" to a "content production powerhouse," striving to become a globally influential cultural industry hub [3]