盘龙城遗址小嘴发掘区航拍图。 武汉大学考古队供图 武汉大学教授张昌平（右一）带领队员在进行考古发掘。 武汉大学考古队供图 盘龙城遗址出土的陶罐。 本报记者 吴 君摄 盘龙城遗址出土的铜鼎。 本报记者 吴 君摄 湖北省文物考古研究所研究员王劲在清理墙基。 盘龙城遗址博物院供图 坐落于湖北武汉黄陂的盘龙城遗址，犹如镶嵌在长江中游的文明明珠，为中华文明演进提供了独特见 证。湖北黄陂盘龙城遗址入选了"2024年度全国十大考古新发现"。 为了揭开盘龙城的神秘面纱，一代代考古人埋头苦干、接力奋斗，不仅发掘出贵族墓群、大规模石构工 程等珍贵遗迹，还用科技手段让文物从历史中"醒"来，更利用组合式修复、开发科普课程等形式，深入 挖掘遗迹背后的文化价值，让盘龙城遗址更清晰地呈现在人们面前。 ——编 者 1954年冬，湖北武汉，两名年轻人带着地图，骑着自行车，一前一后往北出发。从城市到乡村，他们一 边看地图，一边向当地人打听。走了几十里路，才抵达目的地。 这里果然是一座古城。望着眼前一处完整的城墙和散落的陶片、石器，他们决定采集好文物标本，拿回 去断定年代。 第二天，回到城里，带头的年轻人研究了带回的标本，基本认定这是商代早期二里 ...

（原标题：看完徽州的粉墙黛瓦，别忘了到这个博物馆看一看｜博物馆巡游） 作者 小石头 安徽徽州历史博物馆 嗨大家好啊！我是文博时空摄影师小石头，今天，我们到徽州历史博物馆看一看。 "初登第"浮雕石刻 元 "得意回"浮雕石刻 元 在一方元墓出土的，名为"初登第"石刻上，八人列队行走，队伍前列高举莲花牌位"初登第"。石刻上部 一房屋斜挑出，旗上有"酒魁"二字。碑刻杜牧诗一首："清明时节雨纷纷，路上行人欲断魂。借问酒家 何处有。牧童遥指杏花村。" 在另一方名为"得意回"的石刻上，阁楼上的女人望向楼下科举登第后荣归故里的人群。这两方石刻构图 严谨，人物形象生动鲜活，画面当中的建筑和用具均为写实风格。"初登第""得意回"，更是把墓主人对 于家族后辈能够科举入仕，出将入相的希冀展现无余，这也是科举制度在当时徽州地区的反映。 在科举历史上，徽州产生了约2000名进士，足以见此地文教事业的兴盛。历史上更是涌现了相当数量的 文化名人。南宋理学家朱熹、明代数学家程大位、清代考据学家戴震、近代著名学者胡适均出自这片土 地。 徽州历史博物馆位于新安江畔的徽州古城内，其建筑外形古朴低调，与徽州古城的其他建筑融为一体。 这样的地理位置，也 ...

作为礼乐器的西周编钟和东周编磬。 李志强摄 陕西省宝鸡市贺家村出土的西周牛尊。 陕西省西安市临潼区姜寨遗址出土的黄铜片。 陕西历史博物馆供图 陕西历史博物馆供图 近日，陕西历史博物馆举办"吉金·中国——中国青铜文明的兴起与繁荣"特展，系统梳理了从新石器时 代晚期至西周早中期青铜文明的演进脉络，揭示了青铜器在多元一体中华文明形成历程中的关键作用。 河南郑州商城遗址出土的商代兽面乳钉纹铜鼎。 李志强摄 此次展览由国家文物局与陕西省人民政府联合主办，陕西历史博物馆承办，汇集全国17个省（市、区） 51家文博单位的341件（套）文物，是近十年来规模最大、内容最丰富的青铜文明主题展。这不仅是一 场文物的盛宴，更是一次文明的寻根——青铜器上的纹饰和铭文，铸刻着先民对秩序的追求、对天地的 敬畏以及对"中国"这一文化共同体的最初想象。 追溯冶铜技术起源 "吉金·中国——中国青铜文明的兴起与繁荣"展是陕西历史博物馆"早期中国"系列展览的收官之作，第 一部"彩陶·中华——中国五千年前的融合与统一"和第二部"玉韫·九州——中国早期文明间的碰撞与聚 合"分别在2020年和2023年展出。 "我们希望通过这样成体系的展览，以彩陶、玉器 ...

Core Viewpoint - The "Fan Yu" bronze ding serves as a historical artifact that confirms Guangzhou's establishment over 2200 years ago, reflecting the cultural and historical significance of the region [4][11]. Summary by Sections Historical Significance - The "Fan Yu" bronze ding, dating back at least 2200 years, is considered a "birth certificate" for Guangzhou, previously known as "Fan Yu" [4][11]. - The ding was cast in the capital of the Nanyue Kingdom, "Fan Yu," after the Qin Dynasty unified the region, indicating the spread of Central Plains culture to Lingnan [8][11]. Inscription Details - The inscriptions on the ding include "Fan Yu, Shao Nei" and "Fan Yu, Shao Nei, containing two dou and two sheng," which provide insights into the administrative and measurement systems of the time [6][13]. - "Shao Nei" refers to an official responsible for managing the royal treasury during the Qin and Han dynasties, while the measurement reflects the Nanyue Kingdom's adoption of the Central Plains' measurement system [13][14]. Cultural Reflection - The ding exemplifies the integration of various cultural influences, showcasing the advanced bronze smelting techniques in the Lingnan region during the Nanyue period [22]. - The bronze ding represents a blend of Chu, Han, and Yue styles, highlighting the diverse cultural heritage and craftsmanship of the time [16][22].

Core Viewpoint - The exhibition "Prince, Proton, King: The Southern Yue Ming King and His Era" opened at the Southern Yue King Museum and will run until August 20, showcasing over 160 Han Dynasty artifacts from Guangdong, highlighting the story of the third Southern Yue King Zhao Yingqi and the historical integration of the Lingnan region into the Chinese cultural community [1][3]. Group 1 - The exhibition is divided into four sections: "Southern Yue Prince," "Chang'an as Proton," "Southern Yue Ming King," and "Southern Yue Hongmen Banquet," presenting a multi-dimensional view of Zhao Yingqi's story and his era [3][5]. - Zhao Yingqi (circa 150 BC to 113 BC), son of Southern Yue King Zhao Mo, transitioned through three identities: prince, proton, and Ming king, adopting the governance system of the Han Dynasty and introducing advanced technologies from the Central Plains during his reign [5][7]. - The exhibition features the remains of Zhao Mo, displayed for the first time in 15 years, with his burial attire being a jade suit, and his estimated age at death being between 40 and 45 years [8]. Group 2 - Artifacts on display include six博棋 (a type of ancient board game), Han-style bronze tripods, and Yue-style bronze tripods, reflecting the cultural exchange between the Central Plains and Lingnan [8]. - The Southern Yue King Museum previously held exhibitions on the first and second Southern Yue Kings, emphasizing Zhao Yingqi's role in promoting the deep integration of Southern Yue culture with Han culture, contributing to the formation and development of a multi-faceted Chinese civilization [7][8].