（来源：中国政府采购报） 转自：中国政府采购报 让文物"活起来" 让考古"走出去" ■ 本报记者 吴敏 岁末蓉城，年味正浓。街头巷尾红灯高挂，年货市集人头攒动。当热闹与喧嚣充斥大街小巷的时候，四 川省成都市金沙遗址博物馆北部的一处考古现场，正在安静与有序之中，以另一种方式酝酿着"新"。 走出实验室，成都市文物考古研究院副研究员唐淼递给记者两本书《何以成都——宝墩古城遗址》《何 以成都——商业街船棺合葬墓》，这是通过政府购买服务策划出版的考古科普读物。它用活泼轻快的文 字呈现了成都宝墩古城遗址以及船棺墓葬的考古过程，这种宣传形式不仅让文物有血有肉"活起来"，也 让考古工作跃然纸上"走出去"。唐淼正是这套书的出版负责人，他说，希望让更多人透过这套书，用考 古的视角了解成都的前世今生。 从忙碌的发掘现场，到安静的修复室，再到未来的博物馆展柜，一件文物重获"新生"的旅程，也处处留 下了政府采购的履痕。 本报拥有此文版权，若需转载或复制，请注明来源于中国政府采购报，标注作者，并保持文章的完整 性。否则，将追究法律责任。 此处遗址位于金沙核心区，连接着"祭祀区"与"宫殿区"。据发掘项目负责人成都市文物考古研究院专家 王占 ...

谈及中国古代生活的真实样貌,人们往往见仁见智,作家史杰鹏在其新著《古人的活法:中国古代生活常 识》中,作出了尤为深刻的描摹。与常见的宏大历史叙事不同,本书并未着眼于帝王将相的波澜壮阔,而是 将目光投向寻常百姓的衣食住行、生老病死,从地理、饮食、服饰、居所、旅行、生活、健康、人的价 值、生存、婚姻、交流、交往、怨仇、丧葬鬼神、管理、为官、职业十七个方面,用扎实的考证和敏锐 的观察,拨开历史的层层面纱,还原出一个触手可及的、充满烟火气的真实古代。 □史杰鹏 古代的饮食品质 猪羊牛,若非逢年过节,老百姓吃不起,顶多买点下水解解馋,就不说了。还是说主食吧。 主食首先是粟,也就是小米,但稻子似乎北方也吃,很多西周铭文都提到稻子。再有一种叫黍,据说是稻子的 一种,比较黏,适合酿酒,因此很贵重,一般农民吃不起,所以在古书上,它经常和鸡搭配。汉代古书里常常提 到,一个人去做客,主人立刻吩咐做黍饭、杀鸡招待。一直到唐朝,大概还是如此,孟浩然有诗:"故人具鸡黍, 邀我至田家。"不是请客,一般是舍不得吃黍饭的。麦子也有,却是比较低等的主食,据现代科学对先秦尸 骸的分析,发现吃麦饭的多是女性,因为当时女性地位低。 街市上,还卖一些干 ...

7月10日，位于炎陵县十都镇青石岗村的青石冈红色文化博物馆。湖南日报全媒体记者 陈萌 摄 株洲市炎陵县十都镇青石岗村雾气缭绕的山坳里，一栋两层的泥黄色客家土屋安静独立，像翠绿襁褓紧 裹着的婴儿。 土屋已上百岁，有左右两个大门，四扇斑驳的深褐色木门前的枕石已经破损。屋前一株数十米高的侧 柏，默默记录着年岁。土屋前门的墙上有八个朱色大字：青石冈红色博物馆。 陈列的是与油画同款的方桌和板凳。 作为油画背景的陈氏祠堂，距离博物馆只有几分钟的脚程。这座始建于清光绪年间的老屋，雕花门簪已 斑驳开裂，堂内高悬的五块寿匾却字迹可辨，最早的可追溯到光绪九年。一方天井，引雨而下，地上的 青苔和杂草，成为老屋后来的新"主人"。 青山绿水间，流淌着红色记忆 "青石岗人赶集，大多去井冈山，而不是40公里外的炎陵县城。"青石冈红色文化博物馆馆长、民间收藏 家陈正球说。 站在青石冈红色文化博物馆门前，八面山映入眼帘，山林间吞吐的云雾仿佛触手可及。走进博物馆，一 段段土地革命战争时期的故事，轮廓愈发清晰。 青石岗村山高林密，洞穴、河汊众多，作为炎陵从十都镇方向进入井冈山的必经之路，它不仅是八面山 哨口的第一门户，更是井冈山革命根据地的前沿阵 ...

Core Insights - The article highlights the transformation of Huamao Village from a barren land to a thriving tourist destination, emphasizing the integration of ecological preservation and cultural heritage in its development strategy [3][4][5]. Group 1: Ecological and Agricultural Development - Huamao Village has shifted from using coal and wood-fired kilns to electric kilns for pottery, resulting in reduced pollution and improved product quality [3]. - The village has planted over 9,000 trees to enhance its ecological environment, which has laid a foundation for agricultural development [4]. - The establishment of a professional cooperative in 2016 has led to the adoption of eco-friendly farming practices, increasing the per-acre yield from 1,000 yuan to approximately 5,000 yuan for conventional crops, and up to 20,000 to 30,000 yuan for specialty crops [4]. Group 2: Tourism and Cultural Integration - Huamao Village has developed various tourism projects, including red tourism, rural tourism, and experiential tourism, transforming idle houses into 28 rural inns and 12 farmhouses [5]. - The village is focusing on cultural heritage by creating spaces for traditional crafts such as pottery and paper-making, which enhances the tourism experience [5]. - The expected tourism revenue for the village in 2024 is projected to reach 35 million yuan, reflecting the successful integration of ecological advantages into tourism [5]. Group 3: Recognition and Future Plans - Huamao Village was officially recognized as a "Green Water and Green Mountain is Gold and Silver Mountain" practice innovation base by the Ministry of Ecology and Environment in December 2025 [8]. - The village plans to continue prioritizing ecological development while enhancing its agricultural efficiency, cultural industries, and tourism appeal [8].

Core Viewpoint - The exhibition "Sailing Towards the Sea: Special Exhibition of Deep-sea Archaeology in the Northwest Slope of the South China Sea" showcases 370 artifacts from Ming Dynasty shipwrecks, highlighting the prosperity of maritime trade during that period [1][3]. Group 1: Exhibition Highlights - The exhibition features a vibrant and intricately crafted cloisonné peacock and peony-patterned jar, representing the exquisite craftsmanship of Ming Dynasty ceramics [1]. - Artifacts are primarily from two shipwrecks, identified as No. 1 and No. 2, which sank at approximately 1500 meters deep in the South China Sea during the Ming Dynasty [3]. - The No. 1 shipwreck mainly yielded ceramic items and a few metal artifacts, while the No. 2 shipwreck included a significant amount of timber, shells, and antlers [5]. Group 2: Technological and Interactive Aspects - The exhibition incorporates a technology interactive area that showcases the complexities and significance of deep-sea archaeology, allowing visitors to engage with advanced techniques and equipment used in the field [10]. - A model of the "Deep Sea Warrior" manned submersible is displayed, capable of descending to 1500 meters to retrieve artifacts using a flexible robotic arm [12]. Group 3: Recent Archaeological Achievements - The exhibition features three newly restored bronze artifacts, including a lotus-patterned bronze plate, a bronze lotus-shaped base, and a bronze candlestick, showcasing the latest archaeological findings [8]. - Some of the ceramic items displayed were recently recovered and preserved using a "soaking and desalting" method to maintain their original condition [8]. Group 4: Cultural Significance - The exhibition aims to enhance public understanding of the ancient Maritime Silk Road's rich culture and promote international exchanges [14].

Core Insights - The discovery of the Yancun site in Shanxi Province reveals significant archaeological findings from the Neolithic and Xia-Shang periods, including the first-ever discovery of a clan emblem from the Late Shang period [1][4] - The site provides crucial insights into the culture of the Shang Dynasty in the Jin Nan region, with a rich array of artifacts, particularly pottery, indicating a shift towards more practical uses in daily life [4][19] Archaeological Findings - The Yancun site is located approximately 4 kilometers from the ancient Yuncheng Salt Lake, suggesting it was a settlement for small to medium nobility during the Shang Dynasty, strategically positioned along transportation routes [22] - The excavation revealed a variety of pottery, including ding (tripod cauldrons), gui (basin), and jars, which were the most commonly found artifacts, reflecting the daily life and burial customs of the time [8][15] - The presence of bronze and jade ritual vessels in two tombs indicates the status of the individuals buried there, suggesting they belonged to a small noble class [19] Cultural Significance - The clan emblem discovered, featuring the ancient character "亚" and a motif resembling a sprouting seedling, is believed to represent a family with military authority, marking a significant find in archaeological studies [4] - The artifacts, particularly the pottery, are seen as a reflection of the deceased's life, adhering to the Shang belief of "treating the dead as the living" [5] - The findings provide important clues regarding the ancient salt industry in Yuncheng, highlighting the community's engagement in resource development and management [23]

Core Insights - The article discusses the archaeological significance of the Shangshan site in Zhejiang Province, which is recognized as one of the earliest Neolithic sites in the lower Yangtze River region, dating back approximately 11,000 to 8,500 years [2][4]. Archaeological Discoveries - The Shangshan site was discovered during a rescue excavation prompted by land leveling activities in 2000, leading to the preservation of this ancient cultural site [2]. - Initial excavations revealed a complete ceramic ding and other artifacts, confirming the site's association with the Liangzhu culture [3][4]. - Subsequent excavations from 2004 to 2006 uncovered multiple house sites, indicating that the Shangshan culture had established settled villages, with evidence of early rice agriculture [5]. Cultural Significance - The findings at the Shangshan site have challenged traditional views, establishing it as a significant origin point for rice cultivation in China, pushing back the timeline of agricultural development in the region by several thousand years [4][12]. - The Shangshan culture is recognized as one of the earliest and most extensive Neolithic cultures in the Qiantang River basin, contributing to the understanding of early agricultural and settlement practices in southern China [12]. Architectural Insights - The site features a well-preserved structure with three rows of post holes, suggesting the presence of stilt houses, which may represent the earliest known examples of such architecture in China [8][11]. - The discovery of a moat surrounding the settlement indicates an early awareness of land ownership and community defense [11][16]. Agricultural Practices - Evidence of early rice cultivation was found, including carbonized rice grains and agricultural tools, indicating that the Shangshan people had developed techniques for planting and processing rice [8][12][13]. - The presence of storage pits for food and pottery suggests a surplus production and possibly early ritual practices related to storage and offerings [9][12]. Artistic Developments - The Shangshan culture is noted for its early pottery, including painted ceramics, which reflect advanced artistic techniques and possibly ritual significance [15][16]. - The incorporation of rice husks and other plant materials in pottery production demonstrates the innovative practices of the Shangshan people [14][15].

Core Insights - The restoration of cultural relics at the Northern Tian City site in Xinjiang is facing challenges due to a shortage of manpower, leading to increased working hours for restoration specialists [1][2] - The Northern Tian City site has been recognized as a significant historical location, reflecting the long-standing cultural integration and governance of the region by various Chinese dynasties [2][3] - The local government has invested significantly in the preservation and development of the site, with a total funding of 250 million yuan allocated for various projects during the 14th Five-Year Plan period [2][4] Group 1 - The Northern Tian City site has undergone extensive archaeological excavations since 2016, covering an area of 21,000 square meters and yielding over 3,500 important artifacts [2] - The restoration efforts have successfully completed the restoration of 224 artifacts, alongside the collection of 147 pieces of folk relics and over 370 historical documents [2] - The local government has implemented protective regulations to enhance the preservation of the site, emphasizing the importance of making cultural relics accessible to the public [3] Group 2 - Modern technology is being utilized to present the historical features of the Northern Tian City site, enhancing visitor engagement and understanding of the site's significance [3] - Educational programs are being conducted in local schools to raise awareness about the challenges of cultural relic preservation and to foster a deeper appreciation for national history [3] - The Xinjiang region has seen a continuous improvement in the safety and preservation of cultural relics, with a focus on benefiting all ethnic groups through cultural heritage initiatives [4]

Core Viewpoint - The case highlights the illegal excavation of ancient cultural sites and tombs, leading to significant legal consequences for the perpetrators involved in the crime [1][4]. Group 1: Discovery and Initial Actions - The criminal activities began when an individual discovered suspicious holes in a cornfield while fishing, leading to a plan to excavate for valuable artifacts [2]. - The group, led by Wang, organized a team to excavate the site, purchasing tools like the Luoyang shovel and probe to facilitate their illegal activities [3]. Group 2: Criminal Activities and Network Formation - The group initially found low-value artifacts but continued to excavate in various locations, ultimately forming a network for the illegal trade of stolen cultural relics [3]. - Despite multiple excavations, the group only profited approximately 20,000 yuan, contrasting sharply with the irreversible damage caused to cultural heritage sites [3]. Group 3: Evidence Collection and Legal Proceedings - The investigation involved comprehensive evidence collection, including on-site inspections and the use of drones to map the locations of the excavated sites [4]. - The case was complicated by the number of excavations and the covert nature of the activities, necessitating further investigation to solidify the evidence chain [5]. Group 4: Judicial Outcomes - The court sentenced the main perpetrator, Wang, to a significant prison term, while others received varying sentences based on their roles in the crime [1][7]. - The legal proceedings emphasized the importance of accountability for the destruction of cultural heritage, with the court ensuring that penalties were proportionate to the crimes committed [6][7].

Core Viewpoint - The discovery of a couple's joint burial tomb from the Northern Song Dynasty provides significant evidence for distinguishing between Song and Jin tombs, with the completeness of the ceramic soul towers offering valuable insights into the funerary items and their functions during that period [1][11]. Group 1: Archaeological Findings - The excavation was conducted by the Shanxi Provincial Institute of Archaeology and the Luliang City Cultural Relics and Archaeology Survey Team from October 2021 to June 2022, focusing on ancient remains within the Changrui Fenzhoufu residential project area in Fenyang City [3]. - The tomb dates back to the eighth year of the Yuanyou era (1093) and is identified as a couple's joint burial site for Du Taijun and her husband, with their son Ren Fang overseeing the burial [6]. Group 2: Artifacts Discovered - A total of 21 artifacts were unearthed, including ceramic soul towers, ceramic jars, ceramic bowls, ceramic plates, porcelain bowls, inkstones, wooden combs, copper coins, copper hairpins, copper ornaments, and a tomb inscription [6][8]. - The ceramic soul towers and bowls are believed to serve a protective function for the tomb, representing a variation of Daoist "解注器" that evolved from the Han Dynasty [8]. Group 3: Significance of the Findings - The discovery of this tomb is particularly important as it is one of the few clearly dated Song tombs in the Fenyang area, which has mostly yielded undated tombs that are generically classified as belonging to the Song and Jin periods [11]. - The intact grouping of the ceramic soul towers and their similarities to artifacts found in other Song and Jin tombs provide critical reference points for understanding the funerary practices and item functions of that era [11].