Core Perspective - The interview highlights the architectural philosophy of I.M. Pei, emphasizing the integration of Eastern and Western cultural elements in his designs, showcasing a timeless aesthetic that resonates with both history and the future [3][4][14]. Group 1: Architectural Philosophy - I.M. Pei's upbringing in China, particularly in Suzhou, significantly influenced his understanding of landscape and architecture, leading to a philosophy that values the collaboration between humans and nature [4][6]. - The concept of creating buildings that transcend time and connect past, present, and future is central to Pei's architectural vision, as he aimed to leave a lasting impact through his work [4][6]. - The importance of understanding history and culture in architectural design is emphasized, with a focus on creating buildings that contribute positively to their environment [6][7]. Group 2: Design Approach - I.M. Pei's curiosity about different civilizations and cultures informed his designs, as he conducted extensive research and site visits before starting any project [7][8]. - The integration of the latest architectural technologies and innovative methods is a hallmark of Pei's work, enhancing the quality of life in the surrounding areas [7][8]. - Collaboration with artists has been a significant aspect of Pei's projects, resulting in unique spaces that blend architecture and art seamlessly [8][10]. Group 3: Recent Projects - The design of the Shanghai Lingang Dishui Lake International Trade Center aims to improve upon the concepts established in the Bank of China Tower in Hong Kong, featuring larger windows and innovative energy solutions [10][12]. - The new project reflects a commitment to sustainability and modern architectural practices, positioning it as a potential landmark in contemporary architecture [12][13]. Group 4: Cultural Significance - Shanghai played a crucial role in I.M. Pei's development as an architect, exposing him to diverse cultures and ideas that shaped his career [14][16]. - The ongoing exhibition "I.M. Pei: Life as Architecture" in Shanghai serves as a testament to his lasting influence and the importance of his work in the context of global architecture [3][14].

6月的上海，黄浦江畔的当代艺术博物馆迎来了一位特别的访客。 76岁的他身穿建筑师惯常选择的黑色T恤与米色西装，鼻梁上架着一副黑框眼镜，面容神采奕奕，看起来比实际年龄至少年轻了十五岁。 他是贝聿铭最小的儿子贝礼中（Sandi Pei），也是贝氏建筑事务所的合伙人兼创始人。此番来华，他不仅参加了由M+和PSA联合主办的"2025上海西九文 化周"，还特别抽出时间接受了我们的访谈。 他慢条斯理地回忆父亲的理念，嗓音略带沙哑，讲到激动处频频挥手比划。 小时候，贝礼中并不喜欢建筑，最爱的是绘画与摇滚。但最终他还是和父亲一样，走进了哈佛建筑系。毕业后，他进入贝聿铭建筑事务所，先是做图、参 与设计，慢慢地，他成为了父亲最信赖的合作伙伴。 在过去三十多年里，贝聿铭的后期项目——从香港中银、卢浮宫金字塔，到多哈、纽约、香山饭店——他都参与其中。 他不只是"贝聿铭的儿子"，更是那位建筑大师亲自带出的接棒者。 合作中银大厦，独自进行"卢浮宫"斗争 十多年前，M+ 博物馆策展人 Aric Chen 曾写信给贝礼中，表达为贝聿铭策划人生回顾展的愿望。 那时，97 岁的贝聿铭刚刚退休，一生拒绝为自己办展的他第一次点头。三人在曼哈顿的会面 ...