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VR秀如何成为文旅“新秀”?
Xin Hua She· 2025-10-08 12:04
Core Insights - The article highlights the rising popularity of immersive VR shows in China's cultural tourism sector, particularly during the recent National Day and Mid-Autumn Festival holiday, where Shanghai welcomed nearly 3.6 million tourists on the first day [1][2]. Group 1: Industry Trends - Immersive large-space VR shows are emerging as a new trend in the cultural tourism sector, with approximately 300 VR projects expected to debut nationwide by 2025, becoming standard features in popular cultural landmarks and exhibitions [2]. - The term "灵境" (Lingjing), meaning an imaginative and poetic virtual "metaverse," has been adopted to describe these VR experiences, indicating a shift towards more creative and engaging cultural presentations [2]. - The integration of artificial intelligence in VR production is significantly reducing both the production cycle and costs, leading to a surge in new VR shows in the cultural tourism market [2]. Group 2: Notable Projects and Exhibitions - The Shanghai Museum's exhibition "Pyramid at the Top: Ancient Egyptian Civilization" has generated significant interest, complemented by the VR show "The Vanishing Pharaoh," which has become highly sought after [4]. - The "Amazing Ancestors: The Time-Traveling Adventures of Zhou" art show at the Shanghai Museum allows visitors to engage with cultural artifacts through a virtual experience, enhancing the appreciation of traditional Chinese culture [2][7]. - The "Paris 1874: Impressionist Night" VR show, associated with the exhibition at the Pudong Art Museum, has also attracted considerable attention, indicating a trend of pairing physical exhibitions with immersive VR experiences [4]. Group 3: Future Prospects - Despite the growing competition in the VR space, the current audience for VR experiences remains limited to niche groups, suggesting that broader market acceptance will take time [6]. - The VR sector is expanding into various fields, including gaming, performances, films, and educational experiences, with the potential for new blockbuster hits to emerge, particularly in the film industry [8]. - The first domestic VR feature film, "The Legend of the Gods: Prequel," showcases high production standards and interactive elements, indicating a promising future for immersive cinema experiences [8].
文化新观察·聚焦国庆中秋假期丨VR秀如何成为文旅“新秀”?
Xin Hua Wang· 2025-10-05 14:14
Core Insights - The article highlights the surge in tourism in Shanghai during the National Day and Mid-Autumn Festival, with nearly 3.6 million visitors on the first day, showcasing the popularity of immersive VR experiences in cultural tourism [2] Group 1: Immersive VR Experiences - Immersive large-scale VR shows are emerging as a new trend in China's cultural tourism sector, with approximately 300 VR projects expected to debut nationwide by 2025, becoming standard features in popular cultural landmarks and exhibitions [4] - The rapid application of artificial intelligence has significantly reduced the production cycle and costs of VR shows, leading to an influx of new VR content in the cultural tourism market [4] - The Shanghai Museum's exhibition "The Pyramid's Summit: Ancient Egyptian Civilization" has generated significant interest, complemented by the VR show "The Vanishing Pharaoh," which has become highly sought after [5] Group 2: Audience Engagement and Market Potential - Despite the growing popularity of VR shows, the current audience primarily consists of niche groups seeking unique experiences, indicating a need for broader market acceptance and habitual engagement with VR content [7] - The domestic first VR feature film "The Legend of the Gods: Prequel" has garnered attention for its high production standards and immersive storytelling, showcasing the potential for VR to redefine cinematic experiences [9] - The integration of VR technology in various sectors, including gaming, performances, and education, suggests a promising future for immersive experiences, with the potential for the next blockbuster to emerge from the film industry [7][9]