红山文化

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走进辽宁考古博物馆,感受古老文明魅力
Xin Hua Wang· 2025-05-19 01:15
新华社沈阳5月17日电(记者赵洪南)让考古发掘出土的文物不再沉睡于仓库,而是让更多人看见。国际博物馆日前夕,记者走进辽宁考古博 物馆,与那些曾深藏库房的出土文物,开启一场近距离的"对话"。 这座隶属于辽宁省文物考古研究院的博物馆,是东北地区首家以考古为主题的专题博物馆,博物馆由辽宁省文物考古研究院的旧办公楼改造 而成。 展厅内,辽宁省内各个红山文化遗址出土的文物,吸引着参观者的目光。玻璃展柜中,一件马鞍桥山遗址出土的"石雕跽坐人像"借助全息数 字技术进行着360度展示,这件高不足3厘米的"石雕跽坐人像"双膝弯曲,臀部坐在脚踝上。 辽宁考古博物馆馆长李霞说,马鞍桥山遗址位于朝阳市建平县,是一处红山文化早期遗址。2019年至2024年,辽宁省文物考古研究院在此进 行了连续五年的考古发掘工作。如今,这件遗址内出土的珍贵文物在此展出,可以让公众及时了解红山文化的最新考古发掘情况。 为了让红山文化不那么晦涩难懂,博物馆还开设了以红山人为主题的展览。在这里,观众可以了解到"红山人长什么样""红山人寿命有多 长""红山人患有什么疾病"等内容。为了让观众了解这些隐藏在文物里的信息,策展人通过拟人化叙事,将红山文化转化为生动故 ...
内蒙古元宝山积石冢:这种级别的红山墓葬,已经很久没有出现了|访谈
Jing Ji Guan Cha Bao· 2025-05-12 00:53
Core Viewpoint - The excavation of the Yuanbaoshan Jishizhong, a significant burial site from the Hongshan culture, reveals important artifacts and insights into the social structure and burial practices of ancient societies in Inner Mongolia [6][21][30]. Group 1: Excavation Details - The Yuanbaoshan Jishizhong is located 1.5 kilometers north of Baji Village in Aohan Banner, Inner Mongolia, and is characterized by stone-built tombs typical of the Hongshan culture, dating back approximately 5,400 to 5,000 years [1][6][21]. - The excavation team, led by Party Yu, faced challenges due to a recent tomb robbery, necessitating urgent rescue excavations [1][6]. - The site has yielded over 100 jade artifacts, with the M15 tomb being the largest and most significant, containing three jade pig dragons, which are emblematic of the Hongshan culture [6][23][30]. Group 2: Cultural Significance - The Yuanbaoshan site is considered one of the most important discoveries in recent years within the Hongshan cultural context, influencing perceptions of social hierarchy and burial customs [6][7][21]. - The discovery of the "tomb-altar integrated" structure at Yuanbaoshan is unprecedented, indicating a dual function of burial and ritual practices [11][13][30]. - The presence of jade artifacts, particularly the jade pig dragons, suggests a complex distribution system of jade within the Hongshan culture, reflecting social stratification and cultural identity [23][31][30]. Group 3: Archaeological Findings - The excavation revealed a total of 21 tombs, including nine from the Hongshan culture, with significant variations in size and structure indicating social hierarchy [15][18][21]. - The M15 tomb, which is the only one with a stepped stone coffin, raises questions about the location of a potential central tomb, as it is positioned towards the southern part of the burial site [17][18][21]. - The "hiding jade in walls" phenomenon, where jade artifacts were found embedded in the walls of the tombs, suggests a ritualistic practice that may have been common in other Hongshan sites [29][30].
红山文化与古史传说
Xin Hua Wang· 2025-04-28 02:04
Group 1 - The research results of the Chinese civilization exploration project should be integrated with ancient texts and legends such as the Three Sovereigns and Five Emperors, with archaeologist Su Bingqi being a notable example [1] - Su Bingqi's student, Guo Dashun, further elaborated that the battles between the Yellow Emperor and the Yan Emperor, as well as the Yellow Emperor and Chiyou, reflect the intersection of different cultures, specifically the Yangshao and Hongshan cultures [1] - The Hongshan culture research is concentrated in the region where Liaoning, Inner Mongolia, and Hebei meet, and the rich records of the Five Emperors in the "Zhuolu County Chronicle" provide significant insights [1] Group 2 - The announcement by Li Qun, Deputy Minister of Culture and Tourism and Director of the National Cultural Heritage Administration, stated that the discovery of the Niuhouliang site, dating back 5,800 years, marks the entry of Chinese civilization into the ancient state era [1] - This discovery has shifted the perception of Liaoning from a "barbaric land" to a vital root system nourishing the tree of Chinese culture, highlighting the importance of further archaeological work to connect these findings with ancient legends [1] - The successful integration of archaeological findings with historical narratives is crucial for enhancing cultural confidence among the Chinese people and activating cultural tourism resources in related regions [2]