春节假期，很多观众慕名来到深藏在辽宁西部山沟沟里的这处遗址——牛河梁遗址。 在通往牛河梁国家考古遗址公园的道路两旁，红彤彤的灯笼高挂，洋溢着春节喜庆的氛围。朝阳牛河梁遗址博物馆、牛河梁遗址第一地点（女神庙）保护展 示馆、牛河梁遗址第二地点（积石冢、祭坛）保护展示馆、红山文化展示中心、游客服务中心等散落在山梁上的万亩松林中。 牛河梁遗址博物馆 徐秀丽/摄 牛河梁遗址管理处处长张雪深感接待观众人数比去年春节有了显著增长。遗址博物馆新增百余件出土文物，使观众更好地了解遗址价值；遗址公园也经过全 面升级改造，园区整体环境更加舒适。 文明发端地 古国牛河梁 牛河梁是辽宁省朝阳市下辖的建平县与凌源市交界处的一座山梁，因考古工作者在牛河梁南部山梁发现了一座红山文化时期的墓葬，并在其周边更大范围内 发现了多处红山文化遗址，便将这处遗址群以"牛河梁"冠之，通称为牛河梁遗址。 浩瀚的中华文明如满天星斗，红山文化更是其中最耀眼的一颗。作为红山文化分布的核心区，1981年，牛河梁遗址的发现，吸引了世界的目光。牛河梁遗址 超过5000年的测年数据为中华五千年文明史提供了证据，被称为"中华文明的曙光"。 对牛河梁遗址的认识经历过漫长的路 ...

Core Viewpoint - The exhibition "Jade Culture and Chinese Civilization" showcases 155 precious jade artifacts from the Chinese Academy of History, spanning from the Neolithic era to the Ming and Qing dynasties, illustrating the evolution of jade culture in China [1] Group 1: Evolution of Jade Culture - The use of stone tools in China dates back over a million years, with jade emerging as a significant material during the Neolithic era, transcending its functional use to become a unique cultural artifact [2] - The first chapter of the exhibition, "Jade from the East," highlights jade artifacts from the Xinglongwa culture, marking the transition from stone to jade craftsmanship [2][4] - The exhibition includes four chapters: "Jade from the East," "Jade Witnesses Civilization," "Jade Gifts to the World," and "Jade Enriches China," outlining the development of jade culture and its integration into Chinese identity [4] Group 2: Key Artifacts and Their Significance - The exhibition features jade artifacts from the tomb of Fu Hao in Anyang, including two jade horses, which are the earliest known representations of horses in China [5] - Fu Hao's tomb contained 755 jade artifacts, showcasing the advanced craftsmanship of the Shang dynasty, with realistic animal forms and intricate details [5][6] - A kneeling jade figure from Fu Hao's tomb, dating back approximately 5,000 years, exemplifies the intricate artistry of the period [6][7] Group 3: Technological Integration in Cultural Presentation - The exhibition introduces a mixed reality (MR) interactive experience called "The Amazing Archaeological Team: Seeking Jade," allowing visitors to engage with virtual artifacts and participate in immersive archaeological tasks [8] - Technology is utilized to enhance visitor understanding of the artifacts, providing interactive displays that offer detailed descriptions and excavation contexts [9]

Core Viewpoint - The exhibition "Jade Culture and Chinese Civilization" showcases 155 precious jade artifacts from the Chinese Academy of History, spanning from the Neolithic era to the Ming and Qing dynasties, illustrating the evolution of jade culture in China [1] Group 1: Evolution of Jade Culture - The use of stone tools in China dates back over a million years, with jade emerging as a significant material during the Neolithic era, transcending its functional use to become a unique cultural artifact [2] - The first chapter of the exhibition, "Jade from the East," highlights jade artifacts from the Xinglongwa culture, marking the transition from stone to jade craftsmanship [3] - The exhibition includes three additional chapters: "Jade Witnesses Civilization," "Jade Gifts to the World," and "Jade Enriches China," which collectively outline the development of jade culture and its integration into Chinese identity [3] Group 2: Notable Artifacts - The exhibition features a jade horse from the tomb of Fu Hao, which is considered the earliest known jade representation of a horse, showcasing the craftsmanship of the Shang dynasty [4] - Fu Hao's tomb contained 755 jade artifacts, representing a wide variety of types and exquisite craftsmanship, highlighting the advanced jade carving techniques of the Shang dynasty [4] - The exhibition also includes a kneeling jade figure, intricately carved and dating back to around 5000 years ago, reflecting the artistic styles of the Hongshan culture [5][6] Group 3: Technological Integration - The exhibition incorporates a mixed reality interactive experience called "The Amazing Archaeological Team," allowing visitors to engage with virtual representations of jade artifacts, enhancing their understanding of the cultural significance [7] - This innovative approach aims to make the artifacts more relatable and accessible to the audience, bridging the gap between ancient history and modern technology [8]

Core Insights - The exhibition showcases over 200 precious artifacts and the latest research findings from the archaeological excavation of the Wuwangdun No. 1 tomb, highlighting the grandeur of the late Warring States period Chu civilization [1] - The tomb is noted as the largest, highest-ranking, and most complex royal tomb of the Chu state discovered through scientific excavation to date [1] Group 1 - The excavation team has unearthed over 10,000 valuable relics from 2020 to 2024, with new discoveries occurring almost every month [1] - The exhibition features many artifacts that are being displayed for the first time, including the largest known bronze cauldron from the Warring States period, which has a diameter of over 88 centimeters [1] - The bronze cauldron, used for significant ceremonial activities, is referred to as the "new Chu cauldron" and is indicative of high-ranking burial practices during the Warring States period [1] Group 2 - The exhibition includes a variety of unique artifacts, such as a bronze jar with intricate designs and a combination of bronze ritual vessels that reflect the highest ceremonial standards of the Zhou dynasty [2] - The exhibition is divided into four thematic sections, showcasing the richness of Chu culture and its unique role in the development of Chinese civilization [2] - The exhibition will run for four months, allowing visitors to engage with the artifacts and gain a deeper understanding of Chu culture [3]

Core Insights - The "6th World Archaeology Forum" held in Shanghai focuses on the theme of "Technology, Society, and Archaeology," showcasing significant archaeological discoveries and research outcomes from around the world, emphasizing how technology shapes human society and connects regional civilizations [1] Group 1: Major Archaeological Discoveries - The "Hongshan Society Civilization Process Research" led by the Chinese Academy of Social Sciences has made significant findings over the years, showcasing the development of the Hongshan society from various perspectives [1] - The Niuhua Liang site, a representative of the prosperous phase of Hongshan culture, has been confirmed as a major ritual center, with new excavations revealing a large architectural complex of 60,000 square meters [1] - The Zhengjiagou site in the Sanggan River basin, identified as a Hongshan culture site, provides new insights into the burial practices and social development of the late Hongshan culture [2] Group 2: Ritual Sites and Cultural Insights - Newly discovered ritual sites such as Dongshantou, Sanjiadongbei, and Yuanbaoshan further illustrate the consistency of social norms within the Hongshan culture, contributing to the understanding of its "unified society" characteristics [4] - The findings at Yuanbaoshan and Dongshantou enrich the understanding of ritual activities within the Hongshan culture, providing new data on the spiritual world of Hongshan society [4] Group 3: Social Complexity and Development - Recent archaeological discoveries expand the temporal and spatial framework of the Hongshan culture, revealing a complex social structure that does not simply evolve into a state form but develops through religious authority, technological division of labor, and regional networks [11] - The Qingjian Zaigou site in Shaanxi has fundamentally updated the understanding of the late Shang Dynasty's civilization process, revealing a highly developed bronze civilization with complex social structures [11][12] - The Zaigou site, covering approximately 3 million square meters, features large rammed earth buildings and a variety of burial sites, highlighting the characteristics of a central settlement in the northern Loess Plateau during the Shang Dynasty [12][14] Group 4: Artifacts and Cultural Exchange - The Zaigou site has yielded over 40 chariots, the largest number found outside the Yin ruins, including the earliest known double-yoke chariot, pushing back the timeline of its appearance by about 1,000 years [16] - Artifacts such as bronze chariot fittings and jade ornaments found at the Zaigou site indicate close economic and cultural exchanges with the Shang Dynasty [18][22] - The findings at the Zaigou site provide crucial archaeological support for understanding the complex interactions between the Shang Dynasty and regional states, enriching the knowledge of early Chinese civilization formation [22][23]

Core Viewpoint - The second batch of achievements from the Central Enterprise Brand Leading Action has been officially released, with 90 representative brands selected by the State-owned Assets Supervision and Administration Commission (SASAC) by 2025 [1]. Group 1: Group Brands - China National Nuclear Corporation (CNNC) is recognized as the national team for nuclear energy development, possessing a complete nuclear technology industrial system [2]. - China Petroleum is the largest comprehensive energy and chemical enterprise in China, operating in over 120 countries and regions, and is a key player in global energy cooperation [2]. - China Three Gorges Corporation has built the world's largest clean energy corridor and is the largest hydropower developer and operator globally [3]. - China Unicom supports the construction of a strong digital network and ensures national network and information security [3]. - China Mobile aims to be a world-class information service technology innovation company, focusing on digital transformation [3]. - China FAW Group, established in 1956, has consistently ranked among the top in the Chinese automotive industry [4]. Group 2: Enterprise Brands - China Nuclear Power has achieved over 300 safe operating years and ranks first globally in the WANO comprehensive index for eight consecutive years [8]. - NORINCO is a pioneer in China's military trade, operating in over 130 countries [8]. - NARI Technology has received numerous national-level awards and operates in over 130 countries and regions [8]. - China Huadian Corporation is a leader in the hydrogen energy industry with multiple technologies at the international leading level [8]. - China Three Gorges Energy is recognized as a major player in the global renewable energy sector [9]. Group 3: Product Brands - China’s largest Tokamak device, the China Circulation No. 3, is dedicated to exploring fusion energy [14]. - The Tianhe brand represents China's manned space program and is a significant symbol of China's aerospace capabilities [14]. - The LeKai brand leads the domestic market in silver salt color photographic paper [14]. - The Kuaizhou brand has established a complete commercial launch service system, leading the transition of China's commercial space industry [15]. - The Yulong brand represents China's first fully independent aviation engine, breaking foreign technology monopolies [15]. Group 4: Service Brands - Kunlun Haoke has nearly 20,000 stores nationwide, establishing a leading position in the retail industry [25]. - Yipai Ke has over 190,000 registered enterprises on its platform, with a cumulative transaction amount exceeding 3 trillion yuan [25]. - The "Double Satisfaction" service brand plays a crucial role in supporting national economic development and enhancing people's lives [25]. - The "Daiyue City" brand has established over 40 commercial projects across more than 20 cities, creating a significant urban commercial landmark [29].

Core Insights - The article discusses the contributions of Guo Dashun to the study of Hongshan culture, emphasizing his role in archaeological discoveries and his academic lineage from Su Bingqi, a prominent figure in Chinese archaeology [1][2][3]. Group 1: Contributions to Hongshan Culture - Guo Dashun is recognized as the leading figure in Hongshan culture, having led significant archaeological excavations that revealed important artifacts, establishing Hongshan as one of the three major sources of Chinese civilization over 5,000 years ago [1]. - He proposed a new understanding that there should be a structure of higher significance than the "Goddess Temple" within the Hongshan culture [1]. - Recent discoveries in Hebei, including a large number of Hongshan cultural relics, suggest that the culture may have migrated southward during its peak [2]. Group 2: Academic Influence and Legacy - Guo Dashun, a disciple of Su Bingqi, continues to advocate for the idea that Hongshan culture is a direct root of Chinese civilization, emphasizing the importance of Su's academic thoughts in contemporary archaeology [1][2]. - The article highlights the significance of Su Bingqi's theories, particularly the continuity of Chinese civilization and the importance of ritual systems, which Guo Dashun elaborates on in his discussions [5][6]. - Guo Dashun's reflections on Su Bingqi's legacy indicate that his academic contributions remain relevant in current archaeological discourse, particularly in understanding the origins of Chinese civilization [17][18]. Group 3: Archaeological Methodology and Perspectives - The article discusses the need for a combination of archaeological findings and historical texts to reconstruct ancient history, emphasizing that archaeological evidence should validate historical narratives [29][30]. - Guo Dashun advocates for a collaborative approach between archaeologists and historians to enhance the understanding of ancient cultures, suggesting that archaeological methods should be applied to historical research [36]. - The discussion includes the importance of diverse perspectives in archaeology, encouraging a "hundred schools of thought" approach to foster deeper insights into ancient civilizations [28].

Core Viewpoint - The exhibition of cultural relics from Shanghai Cooperation Organization (SCO) member countries highlights the rich cultural heritage and historical interactions among these nations, emphasizing the theme of "respecting diverse civilizations and seeking common development" Group 1: Exhibition Overview - The exhibition opened on August 27 at the National Museum of China, featuring 220 pieces (sets) of cultural relics from 10 cultural institutions of SCO member countries [11] - The exhibition showcases significant artifacts that represent the origins and evolution of ancient civilizations, as well as items that highlight historical interactions among the countries [11] - The exhibition will run until November 16, 2025, and visitors can reserve free tickets online [11] Group 2: Cultural Significance - SCO member countries are rooted in the ancient civilizations of the Eurasian continent, including Chinese, Central Asian, ancient Indian, South Asian, ancient Persian, and Slavic civilizations [4] - The ancient Silk Road facilitated the exchange and mutual influence of these civilizations over centuries, allowing them to shine through cultural interactions [4] - The exhibition features artifacts that illustrate the artistic influences between Chinese civilization and ancient Indian and South Asian civilizations, such as a red sandstone grinding stone from Pakistan that depicts a dragon [9] Group 3: Notable Artifacts - A jade dragon from the Hongshan culture, dating back 6,500 to 5,000 years, serves as a direct reference for the evolution of the dragon image in Chinese civilization [8] - A dragon motif appears on a ceramic architectural component from Uzbekistan, showcasing the local craftsmen's innovation in replicating the traditional Chinese dragon design [9]

Group 1 - The article emphasizes the cultural revitalization and historical significance of Northeast China, highlighting the integration of history and modernity in the region's development [2][6][14] - The archaeological findings at the Yuanbao Mountain site are noted as significant for understanding the late Red Mountain culture and the origins of Chinese ritual civilization [6][18] - The preservation and restoration efforts at historical sites like the Shenyang Palace Museum are aimed at maintaining cultural heritage while allowing public engagement with traditional craftsmanship [8][10] Group 2 - The revitalization of historical districts in cities like Harbin and Dalian showcases a blend of cultural preservation and modern consumer experiences, attracting significant tourist traffic [10][33] - The Long Spring Water Culture Ecological Park in Changchun reflects a commitment to integrating historical memory into contemporary urban life, enhancing community engagement [14][30] - The promotion of traditional cultural performances, such as the Ulan Muqir in Inner Mongolia, illustrates the importance of grassroots cultural transmission and community involvement [22][28] Group 3 - The establishment of the Northeast Liberation War Martyrs Information Query System at the Liaoshen Battle Memorial Hall represents a modern approach to honoring historical figures and preserving their legacies [18] - The growth of tourism in regions like Mohe, with a significant increase in visitor numbers, highlights the economic potential of cultural and ecological tourism [26][24] - The integration of technology in cultural events, such as VR experiences at traditional festivals, demonstrates innovation in cultural engagement and tourism [28][30]

Core Viewpoint - The "Dragon Rising China: Hongshan Culture Ancient Civilization Exhibition" at the Shanghai Museum showcases the latest archaeological discoveries and research results of the Hongshan culture, highlighting its formation, development, and influence through significant artifacts and findings [1][2][3]. Group 1: Exhibition Overview - The exhibition focuses on the iconic cultural symbol of the Hongshan culture, the jade dragon, and includes new archaeological discoveries from Liaoning, Inner Mongolia, and Hebei, creating a comprehensive picture of the Hongshan culture's evolution [1]. - The Hongshan culture dates back approximately 6,500 years and lasted until about 4,800 years ago, with its sites covering nearly 300,000 square kilometers [1]. Group 2: Cultural Characteristics - Continuity and innovation are key features of the Hongshan culture, with typical pottery like the flat-bottomed cylindrical jar and the emergence of jade and painted pottery reflecting its innovative spirit [1]. - The variety and quantity of jade artifacts increased, evolving into ceremonial vessels with social functions, while painted pottery served as a medium for cultural exchange with the Central Plains [1]. Group 3: Ritual and Social Structure - The establishment of a ritual order centered around ceremonial activities formed the institutional basis for ancient state civilizations, with significant sites like the Niuheliang site in Liaoning indicating a complex ritual system [2]. - Differences in jade artifact quality and size among high-status members suggest the emergence of a hierarchical order, similar to historical records [2]. Group 4: Archaeological Discoveries - The decline of the ritual center at the Niuheliang site around 5,000 years ago raises questions about whether it was due to an overemphasis on rituals or environmental changes [3]. - The discovery of the Zhengjiagou site provides insights into the southward migration of the Hongshan culture's population, enriching the narrative of its integration into the Central Plains [3]. Group 5: Cultural Significance - The jade dragon, a complex and widely distributed artifact, symbolizes the intricate jade ritual system of the Hongshan culture and reflects societal acceptance of its hierarchical order [3]. - The numerous archaeological findings from the Hongshan culture offer important clues for exploring the origins of Chinese civilization from both institutional and spiritual perspectives [3].