Core Viewpoint - The article highlights the artistic contributions of Tian Haisu, a prominent artist and educator from Chengdu, who integrates traditional Chinese culture with contemporary art, particularly in the context of the upcoming 2024 Chengdu World University Games [4][10]. Group 1: Artistic Background and Development - Tian Haisu, a national first-class artist and professor at Chengdu University, aims to bridge Eastern and Western cultures through her art [4]. - She was influenced by the rich history of Tianfu culture and traditional arts from a young age, leading her to explore various painting techniques including ink painting, oil painting, and printmaking [5]. - After studying at the San Francisco Art Institute, she developed a cross-cultural aesthetic paradigm, creating the "Roller Skate Ink Series" that uses roller skates as a medium instead of traditional brushes [5]. Group 2: Notable Works and Contributions - In 2015, she created a significant ink painting titled "Bloodline Mountains and Rivers," which measures 13 meters by 6 meters, showcasing the dynamic potential of traditional ink art [5]. - Tian Haisu returned to Chengdu in 2015 to focus on art education and cultural dissemination, emphasizing her commitment to teaching and community engagement [6]. - She played a key role in designing the mascot "Rongbao" for the 31st World University Games, incorporating elements of Tianfu culture into its design [7][8]. Group 3: Cultural Integration and Public Engagement - Tian Haisu's work includes the "Traveling Panda" series, which combines traditional ink art with modern digital platforms, gaining popularity among the public [9]. - Her creations have led to various cultural products and awards, including the "Happiness Tianfu·Chengdu Gift" special award in 2022 [9]. - In 2024, she was invited to create art for the "World University Games Ronggang Line" train, merging cultural symbols from Chengdu and Hong Kong [10]. Group 4: Philosophy and Future Aspirations - Tian Haisu believes in the power of art to educate and inspire, stating that "art should not be confined to ivory towers" and that everyone can be an artist [11]. - She has dedicated her efforts to social art education, conducting numerous public lectures and donating artworks to various organizations [12]. - Looking ahead, she aims to continue promoting Chinese culture globally and enhancing social art education, believing that art can illuminate lives and cities [12].

Core Viewpoint - The performance of Kunqu opera in Japan, particularly the classic segment from "Peony Pavilion," has resonated deeply with audiences, showcasing the enduring appeal of this traditional Chinese art form [1][2]. Group 1: Audience Reception - The audience at Waseda University was captivated by the simplicity of the stage setup, which highlighted the performers' skills, leading to a profound emotional response [2]. - Many attendees, including Japanese and Korean students, expressed their surprise at how accessible and engaging the performance was, despite initial concerns about understanding the traditional art form [2]. - The presence of subtitles aided comprehension, allowing viewers to connect with the narrative and emotions conveyed through the performance [2]. Group 2: Cultural Significance - Kunqu is recognized as one of the most elegant forms of traditional Chinese theater, with a history spanning approximately 600 years, and has gained popularity in Japan through various cultural products [1]. - The blending of music and dance in Kunqu allows for a universal understanding of the story and emotions, transcending language and cultural barriers [2]. - The beauty of traditional Eastern arts, such as Kunqu, Noh, and Kabuki, lies in their ability to evoke deep emotional responses, fostering appreciation across different cultures [2].