Core Viewpoint - The play "Peony Pavilion: Three Lives Road" premiered at the National Theatre of China, presenting a contemporary interpretation of the classic work "Peony Pavilion" through a dialogue with Tang Xianzu, aiming to connect modern life experiences with traditional cultural themes [1][2]. Group 1: Production Details - The play is produced and performed by the National Theatre of China and will run until November 16, 2023, as part of the Beijing Cultural and Artistic Fund's 2024 annual support project [1]. - The creative inspiration for the play originated from the first season of the National Theatre's "Young Director Creation Support Program" in 2022, where a small theatre play "Three Lives Road" gained popularity among young audiences [1][2]. Group 2: Artistic Interpretation - The director, Gao Leilei, aims to explore how "Peony Pavilion" reflects cultural genes while incorporating modern life experiences, focusing on the awakening of the character Du Liniang [2]. - The play features a cast of young actors, with Du Liniang portrayed by Zhou Xuan and Zhai Guanhua, and Liu Mengmei by Liu Hengfu, Zhang Ming'en, and Xu Yuanchi, collectively creating a "three-life world" that transcends time [2]. Group 3: Cultural Significance - The rehearsal of "Peony Pavilion: Three Lives Road" is seen as a deep exploration of Chinese cultural soil and a transmission of Chinese aesthetic spirit, representing a beneficial initiative in nurturing young talent within the National Theatre [2].

Core Viewpoint - The article emphasizes the importance of developing a Chinese-style theatrical perspective that reflects the unique cultural and aesthetic qualities of Chinese civilization while integrating traditional and contemporary elements [1][3][5]. Group 1: Historical Context - The exploration of the Chinese-style theatrical perspective is rooted in a historical continuum that spans thousands of years, from ancient performances to modern forms like Peking Opera and Kunqu [2][3]. - This historical evolution has led to a rich array of expressive forms and aesthetic relationships between performers and audiences, characterized by both inclusivity and distinctiveness [2][3]. Group 2: Artistic Expression - Chinese drama incorporates various artistic elements such as poetry, music, dance, and painting, resulting in a unique artistic feature that prioritizes meaning and emotional depth [4]. - The creative approach of the Chinese-style theatrical perspective emphasizes innovative transformation and development, viewing tradition as a dynamic process rather than a static relic [4][5]. Group 3: Cultural Confidence - The Chinese-style theatrical perspective is grounded in cultural confidence, recognizing the unique value of Chinese aesthetic spirit in the context of international theatrical dialogue [5][6]. - A deep understanding of Chinese civilization's history and culture is essential for effectively showcasing Chinese stories and voices on the global stage [5][6]. Group 4: Contemporary Practice - The National Theatre of China has actively engaged in creating works that reflect both traditional and contemporary themes, drawing inspiration from the rich cultural resources of Chinese civilization [5]. - The development of a Chinese-style theatrical methodology aims to elevate Chinese drama to a level comparable to the world's highest theatrical standards, contributing to national strength and cultural revival [5][6].