走在福建武平一处古雅景区，一群群少男少女身着汉服，时而投壶，时而射覆，"巧笑倩兮，美目盼 兮"，令旁观者忍不住跟着微笑。不远处，一场古制婚礼正在举行。这不是拍戏，而是此地承办的中式 婚礼。宾客们凝眸欣赏源远流长的华夏礼乐——"告祖，亲迎，簪笄出阁！三拜成礼！同牢合卺，解缨 结发……"摄影团队为新郎新娘录下永生难忘的幸福时刻。 譬如某些"古风"影楼，将仙侠风的头饰、清代的刺绣、唐代的披帛胡乱堆砌于一身，丝毫不考虑所属朝 代、妆容礼仪、服饰形制是否准确、协调。如此生搬硬套、漏洞百出的伪"古雅"，可谓画虎类犬。另一 类常见的误区则是捡了糟粕、丢了精华，没有与时俱进。比如某些地方将传统道德作为本地文旅主打， 将各种掌故反复讲解推广，却没有意识到部分旧时叙事，已与现代社会的价值理念相悖。组织者自以为 是在弘扬优良传统，殊不知现代道德观念更强调对每个生命的尊重，而诸如"孝"这类美德的精髓，更应 是慈爱与感恩的双向奔赴。 试看广东文学馆，数字卷轴微投影让张九龄的诗画"动起来""活起来"；将墙上的耳机戴到头上，画中粤 剧人物随即唱起婉转南韵……同行的一群95后年轻人直呼不想走，还强烈要求下一站去广东省博物馆纵 览岭南古今。这 ...

Group 1: Cultural and Tourism Development - The Qujiang Flying Theatre, which opened in late September, utilizes naked-eye 3D technology to immerse visitors in the grandeur of the Tang Dynasty, attracting over ten thousand tourists within its first month [1] - In the first half of 2025, Xi'an received 160.11 million tourists, with total spending reaching 202.41 billion yuan, marking an 8.03% increase, establishing itself as a new engine for economic growth [1] - The "Cultural Prosperity" strategy in Xi'an aims to deepen the integration of culture and tourism, innovate cultural formats, and enhance digital empowerment to transform historical cultural resources into high-quality development momentum [1] Group 2: Cultural Heritage and Preservation - Xi'an City Wall, as the most complete ancient city wall in China, has established a system for cultural heritage protection that includes monitoring, environmental improvement, and active utilization [2] - The use of AR technology to recreate Tang Dynasty defense scenes and 3D printing to restore ancient structures demonstrates innovative approaches to cultural preservation [2] Group 3: Cultural Events and Engagement - The "Daming Palace Night City" features performances that combine Tang poetry with modern stage technology, attracting over one million viewers annually [4] - The Qin Terracotta Army Museum's "Digital Terracotta Warriors" project allows global users to participate in the restoration of terracotta figures, enhancing visitor engagement [4] Group 4: Economic Impact of Cultural Industries - The "Chang'an Twelve Hours" themed street has become a cultural phenomenon, receiving over 7 million visitors since its opening and significantly boosting local dining, accommodation, and traditional clothing industries [5] - The street's unique integration of Tang culture with modern entertainment has generated a total revenue of 230 million yuan in 2024 [5] Group 5: Digital Content and Innovation - Xi'an has established a Digital Content Industry Research Institute, attracting 32 companies and generating over 100 million yuan in revenue through original XR projects and over 500 micro-short films [7] - The city has hosted 12 large concerts in the first half of the year, attracting 200,000 attendees and generating an additional 170 million yuan in consumer spending [7] Group 6: Community Engagement and Quality of Life - The development of a "15-minute convenient living circle" in Xi'an has integrated cultural activities into daily life, enhancing community engagement and quality of life for residents [8] - Local performances and events have become more accessible, with venues hosting an average of 560 performances in 2025, achieving an 85% occupancy rate [10] Group 7: Cultural Exchange and Global Recognition - Xi'an serves as a key node in the "Belt and Road" initiative, promoting cultural exchange and mutual understanding through events like the Silk Road International Arts Festival [11] - The city's efforts to balance historical preservation with modern innovation provide a model for other cities aiming to enhance their cultural identity and economic vitality [11]

Core Insights - The 14th China Arts Festival is being held from October 16 to November 5, showcasing a variety of artistic performances and exhibitions, allowing audiences to enjoy cultural tourism experiences [1][2]. Group 1: Performance Highlights - Revolutionary-themed artistic works have gained significant attention, with performances like the acrobatic drama "First Sound" and the play "Awakening Era" resonating deeply with audiences [2]. - Realistic themes are also well-received, as seen in the play "Life Book," which explores the changes in urban and rural life, prompting reflections on the relationship between countryside and city [2]. - Over 100 outstanding stage art pieces are featured, highlighting the achievements of contemporary stage art and showcasing the beauty of Chinese history and culture [2]. Group 2: Youth Engagement - The festival includes a "Youth Art Creation Week," featuring performances and exhibitions from schools in Sichuan and Chongqing, aimed at fostering artistic innovation among young people [3]. - Activities such as script readings and music creation are organized to showcase contemporary youth artistic achievements and encourage a global perspective [3]. Group 3: Community Involvement - The festival emphasizes grassroots participation, with community artists presenting works across six categories, contributing to the 20th Star Award [4]. - The event aims to enhance cultural engagement and satisfaction among the public, focusing on relatable themes such as neighborhood warmth and rural revitalization [4]. Group 4: Art Exhibitions - The festival features exhibitions in painting, calligraphy, and photography, creating an immersive artistic experience for attendees [5]. - Activities like academic lectures and community exhibitions are designed to make art accessible and engaging for the public, enhancing overall aesthetic appreciation [5]. Group 5: Cultural Tourism Integration - The festival promotes a new model of cultural tourism, linking performances with travel experiences, such as the "Cultural Travel Version" drama "Su Dongpo" [6]. - Initiatives like "Follow the Performance to Travel" and "Museum Night" are developed to stimulate cultural and tourism consumption, expanding new spaces for cultural tourism [6].

Core Viewpoint - The article emphasizes the importance of developing a Chinese-style theatrical perspective that reflects the unique cultural and aesthetic qualities of Chinese civilization while integrating traditional and contemporary elements [1][3][5]. Group 1: Historical Context - The exploration of the Chinese-style theatrical perspective is rooted in a historical continuum that spans thousands of years, from ancient performances to modern forms like Peking Opera and Kunqu [2][3]. - This historical evolution has led to a rich array of expressive forms and aesthetic relationships between performers and audiences, characterized by both inclusivity and distinctiveness [2][3]. Group 2: Artistic Expression - Chinese drama incorporates various artistic elements such as poetry, music, dance, and painting, resulting in a unique artistic feature that prioritizes meaning and emotional depth [4]. - The creative approach of the Chinese-style theatrical perspective emphasizes innovative transformation and development, viewing tradition as a dynamic process rather than a static relic [4][5]. Group 3: Cultural Confidence - The Chinese-style theatrical perspective is grounded in cultural confidence, recognizing the unique value of Chinese aesthetic spirit in the context of international theatrical dialogue [5][6]. - A deep understanding of Chinese civilization's history and culture is essential for effectively showcasing Chinese stories and voices on the global stage [5][6]. Group 4: Contemporary Practice - The National Theatre of China has actively engaged in creating works that reflect both traditional and contemporary themes, drawing inspiration from the rich cultural resources of Chinese civilization [5]. - The development of a Chinese-style theatrical methodology aims to elevate Chinese drama to a level comparable to the world's highest theatrical standards, contributing to national strength and cultural revival [5][6].

Core Viewpoint - The "Daily Art Reading" multimedia column utilizes AI and digital media technology to creatively transform and innovate traditional Chinese painting, enhancing cultural transmission and engagement in contemporary contexts [6][9][10]. Group 1: Cultural Significance - Chinese painting is a vital part of the rich heritage of Chinese culture, and the "Daily Art Reading" initiative aims to revitalize these classic artworks through modern technology [6][8]. - The program aligns with Xi Jinping's cultural thoughts, promoting the creative transformation and innovative development of traditional culture [6][9]. Group 2: Technological Integration - The initiative employs AI technology to accurately restore the essence of artworks while also creatively interpreting their meanings, thus bridging the gap between ancient and modern aesthetics [7][9]. - By integrating dynamic visual and auditory elements, the program creates an immersive experience that enhances emotional resonance with the audience [7][8]. Group 3: Educational and Emotional Engagement - "Daily Art Reading" provides insightful interpretations of artworks, decoding their historical context, philosophical meanings, and aesthetic values, thereby fostering a deeper appreciation of traditional culture [8][9]. - The column encourages a dialogue between the audience and the artworks, enhancing emotional engagement and cultural understanding [7][9]. Group 4: Future Prospects - The initiative aims to expand its cross-cultural communication, promoting dialogue between Chinese and foreign art, and showcasing Chinese painting as a window to Eastern wisdom [10]. - There is a vision to explore the integration of various art forms through digital technology, presenting a comprehensive view of the rich cultural heritage of the Chinese nation [10].

Core Insights - The micro-short drama industry is evolving from rapid growth to a more scaled, high-quality, and ecological development, catering to fragmented viewing needs while enhancing users' cultural experience [1][3] - As of June 2025, the user base for micro-short dramas in China reached 696 million, accounting for nearly 70% of the total internet users, indicating significant content proliferation and industry transformation challenges [1] Group 1: Emotional Resonance - Successful micro-short dramas evoke emotional, cultural, and narrative resonance among viewers, with emotional connection being a traditional strength [1] - Examples like "Home and Away" and "The Tide" illustrate how these dramas reflect real-life challenges and aspirations, resonating deeply with audiences [1] Group 2: Cultural Exploration - Micro-short dramas serve as a window to new cultures, professions, and histories, exemplified by "The Masked Drama," which highlights the cultural heritage crisis in Guizhou [2] - The integration of traditional culture into micro-short dramas represents an innovative approach to creatively transform and develop Chinese cultural heritage [2] Group 3: Narrative Integration - Effective storytelling is crucial, requiring respect for authenticity, seamless integration of cultural elements into character development, and contemporary perspectives to lower cultural appreciation barriers [2] - User feedback emphasizes the importance of these narrative techniques in enhancing the value of micro-short dramas beyond mere entertainment [2] Group 4: Future Directions - The future of micro-short dramas lies in their potential to convey positive social messages, preserve traditional culture, and reflect societal changes, aiming to resonate with audiences on a deeper level [3] - The industry is encouraged to collaborate and deepen its focus, contributing to the cultural enrichment of the public and enhancing the overall cultural experience [3]

Core Viewpoint - The event "Waiwai Zhehua - 30th Anniversary of the China Oil Painting Society" showcases the development of Chinese oil painting over the past 30 years, emphasizing its rich layers and contemporary spirit through diverse artworks [1] Group 1: Event Overview - The event is co-hosted by the China Oil Painting Society, China Academy of Art, Central Academy of Fine Arts, and Shanghai Art Museum, featuring a series of academic activities [1] - It marks the 30th anniversary of the China Oil Painting Society, a significant academic organization in the field since the reform and opening up [1] - The exhibition includes over 800 works from 370 oil painters, showcasing both classic pieces from contemporary masters and works from emerging young artists [1] Group 2: Artistic Exploration - The artworks reflect the integration of Eastern and Western artistic elements, with pieces like Zhan Jianjun's "Listening to the Waves - Red Clouds" merging traditional Chinese landscape techniques with oil painting [2] - Jin Shangyi's "Huang Binhong" combines Western classical oil painting with traditional Chinese brushwork, highlighting unique Eastern cultural nuances [2] - Xu Jiang's series "Maze of Distant Mountains" reconstructs natural landscapes, intertwining personal experiences with historical memories, embodying a poetic visual narrative [2] Group 3: Representation of Chinese People - Works like Zhong Han's "Looking Back at the Evening Tide" celebrate the lives of Yellow River boatmen with powerful brushwork and vibrant colors [3] - Quan Shanshi's "Chinese Daughters - Eight Women Jumping into the River" depicts the bravery of female warriors, showcasing the spirit of resilience [3] - Zhang Zuying's "Blacksmith Amir" captures the dignity and strength of ordinary people through realistic portrayal, merging Eastern aesthetics with European oil painting traditions [3] Group 4: Significance of Shanghai - Shanghai is recognized as a major birthplace and hub for Chinese oil painting, with the exhibition reinforcing the city's rich artistic heritage [3] - The Shanghai Art Museum plans to organize educational activities to deepen the understanding of the artistic heights and contemporary spirit of Chinese oil painting [3]

Core Insights - The research group led by Cai Daying is focusing on the "Master Economy" and its innovative elements, aiming to explore the structure, models, and value of the master industry through various visits and discussions in Beijing [1][2][3][4]. Group 1: Research Activities - The research group visited multiple locations including the Beijing Design Society Craft Art Design Innovation Research Center and the Internet 3.0 (Metaverse) Industry Base to gather insights on the master economy [1][2]. - Discussions were held with key figures in the craft art industry, including Beijing craft art masters, to understand the transition from traditional craftsmanship to modern applications [1][3]. Group 2: Industry Transformation - The focus is on upgrading the craft art industry from a "classic industry" to a "fashion industry," leveraging technologies like the Metaverse and AIGC to create innovative applications [2][3]. - There is a consensus on the need to integrate traditional techniques with modern aesthetics and market demands, particularly in the context of wearable fashion [3][4]. Group 3: Strategic Collaboration - The discussions emphasized the importance of building higher-level engineering platforms to empower the master community and activate consumer potential through digital technologies [3][4]. - The concept of "Master Economy" is seen as a means to create cultural IPs with international recognition, supported by social forces and collaborations with various cultural and creative parks [4]. Group 4: Future Directions - The research aims to transition from "academic leadership" to "academic practice," enhancing understanding of the master economy's development needs and industry transformation challenges [4]. - The China Craft Art Society plans to continue monitoring the trends in the Beijing craft art industry's transformation and upgrade, promoting a new ecosystem for efficient interaction between the master community and the industry [4].

Group 1 - The core viewpoint emphasizes the importance of cultural heritage protection and the promotion of traditional culture in Xi'an, aligning with Xi Jinping's cultural thoughts and directives [1][4] - The strategy of cultural prosperity in the city is highlighted, focusing on the creative transformation and innovative development of excellent traditional Chinese culture [1] - The need for cultural institutions to enhance service quality and provide more enriching exhibitions for the public is stressed, aiming to foster cultural confidence among citizens [1] Group 2 - The Guanzhong Academy is recognized as a significant site for the transmission of Guanzhi culture and a historical treasure of Xi'an, with a focus on preserving its cultural heritage [2] - The principle of "protection first" is emphasized for the restoration and enhancement of ancient buildings and their surrounding environments [2] - There is a call for innovative methods to activate and utilize cultural heritage, encouraging community engagement and connecting traditional culture with modern life [2]

Group 1 - The core focus of the article is on the integration of culture and tourism in Zhengzhou, emphasizing the importance of preserving historical and cultural heritage while promoting modern commercial activities [2][3] - Liu Ning highlighted the significance of the "商都" (Shangdu) cultural identity of Zhengzhou, advocating for the creative transformation and innovative development of traditional culture through archaeological research and cultural storytelling [3] - The article discusses the establishment of a comprehensive service center for new employment groups in the 管城回族区 (Guancheng Hui District), which provides various support services, reflecting the need for social governance and cultural integration in urban management [3][4] Group 2 - Liu Ning's visit included a review of the economic and social development in the管城回族区, stressing the importance of aligning with Xi Jinping's directives and the provincial party's strategies for urban renewal and cultural preservation [4] - The article mentions the need for a balanced approach to urban development that includes optimizing city structure, enhancing quality of life, and ensuring safety while promoting cultural continuity [4] - The integration of traditional culture into urban management practices is emphasized as a means to foster community engagement and enhance governance effectiveness [3][4]