综合灯塔、猫眼等平台，截至2026年1月3日，元旦档期票房突破7亿元。本次档期覆盖1月1日至3日， 《疯狂动物城2》《阿凡达3》《匿杀》位列票房前三。 与往年相比，今年元旦档的票房不温不火。远低于2024年的15亿元，但也远高于2025年的3亿元。今年 虽然没有极为亮眼的新片，但也有2025年底上映的两部影片加持。 在刚过去的2025年，全国票房突破了518亿元。猫眼研究院发布的《2025中国电影市场数据洞察》（以 下简称《洞察》）显示，2025年中国电影市场在结构调整中，呈现出积极态势，头部影片带动，强IP影 片助推，为市场注入增长动力。与此同时，中国电影市场仍有发展空间。猫眼研究院认为，面对市场和 观众喜好的不断变化，需要在类型成熟度、情绪共鸣能力和市场可持续性之间，建立新的平衡。 (本文来自第一财经) 本次元旦档有多部题材丰富的影片新片上映，涵盖悬疑、动作、温情、动画等多种类型，但大多数新品 表现平平。 本次元旦档票房排名前2的并不是新上映的片子。《疯狂动物城2》上映于2025年11月，此前，刚上映六 天，《疯狂动物城2》便斩获20亿元票房，不仅将前作纪录远远甩在身后，更一举登顶中国影史进口动 画票房冠 ...

Group 1 - The overall box office market for the summer of 2025 is bleak, but Chen Peisi's film "Xitai" has grossed over 100 million in just two days, surpassing "Nihang Nihang" which took nine days to reach the same figure [1][3] - The film "Xitai" has received mixed reviews, indicating a potential decline in the long-standing "Chen Peisi myth" [1][4] - The exit of national comedy kings like Chen Peisi and Zhao Benshan from the film industry has had a profound impact on the domestic box office market, which has shifted towards urban middle-class audiences [4][5] Group 2 - The film industry in China has faced structural issues since the 1990s, with a significant reliance on a few successful directors and their works, leading to a fragile middle market [5][6] - The transition from a planned economy to a market economy in the late 1980s and early 1990s led to a crisis in the film industry, with a decline in both the quantity and quality of domestic films [6][7] - The introduction of Hollywood films in the 1990s further exacerbated the challenges faced by domestic productions, as they struggled to compete with the precision and appeal of foreign films [19][20] Group 3 - The real estate boom in the 2000s provided a temporary revival for the film industry, leading to a surge in commercial cinemas and a renewed interest in local films [22][23] - However, the current film market is highly capitalized and entertainment-driven, making it difficult for traditional artists like Chen Peisi and Zhao Benshan to participate meaningfully [24][25] - The absence of crowd-pleasing films has resulted in a weak middle market, which is crucial for sustaining the industry and nurturing talent [25][26] Group 4 - The historical context of the film industry reveals a pattern of misalignment between production and audience interests, leading to a decline in viewership and engagement [10][14] - The lack of a robust middle market has resulted in a reliance on blockbuster films, which can be risky if they fail to perform [26][27] - The current state of the film industry reflects a departure from the grassroots, community-oriented storytelling that characterized earlier successful films [24][31]