来源：央视财经 在知名知识产权分析机构发布的《全球虚拟拍摄技术发明专利排行榜》榜单中显示，来自中国创新者的 虚拟拍摄相关专利申请占比为52%，日本占比为22%，美国占比为20%。其中，位列全球榜首的中国企 业有80件虚拟拍摄发明专利，远超第二名日本企业的60件专利。在排行榜前十名中，中国企业占据了六 席。今年，是中国电影诞生120周年。从1905年《定军山》的黑白默片到2025年各种硬核科技助力，中 国电影一路走来，经历着电影工业化探索的华丽蜕变。戳视频↓探寻中国电影工业化的"科技密码"，触 摸中国电影的"工业指纹"。 ...

（央视财经《经济信息联播》）据网络平台数据，截至10月7日18时40分，2025年国庆档电影总票房（含预售）突破17亿元。 更大的屏幕，更好的色彩效果……如今，电影放映系统不断升级，为观众带来更好的观影体验。 国庆假期，电影市场持续火热。下午五点，记者在北京一家影院看到，许多观众刚刚结束观影。 观众 宋女士：我刚刚看了《志愿军：浴血和平》，在国庆假期看这个电影非常触动，我们国家强大起来了。 记者在现场看到，为获得更佳视听体验，不少观众愿意选择在特效厅观影。 观众 王女士：包括音效方面，整个电影的质感，整体的体验会更震撼，我们看过一次之后，都会主动再去选特效厅。 作为特效厅的主力，IMAX影厅依然是很多人的首选。数据显示：截至9月30日，全国选择在IMAX影厅观影的人次达到3500 万，同比增加60%。 猫眼娱乐市场分析师 赖力：从排片情况可以看出，《志愿军：浴血和平》《刺杀小说家2》这两部影片的IMAX特殊厅的排片 场次比远高于同档期其他新片。这也表明了观众对于这类具备视效体验的"大片"会更愿意选择拥有较好视听体验的特效厅进 行观影。 多位业内人士告诉记者，电影院一般会根据观众的观影情况来调整在特效厅放映影片 ...

Group 1 - The overall box office market for the summer of 2025 is bleak, but Chen Peisi's film "Xitai" has grossed over 100 million in just two days, surpassing "Nihang Nihang" which took nine days to reach the same figure [1][3] - The film "Xitai" has received mixed reviews, indicating a potential decline in the long-standing "Chen Peisi myth" [1][4] - The exit of national comedy kings like Chen Peisi and Zhao Benshan from the film industry has had a profound impact on the domestic box office market, which has shifted towards urban middle-class audiences [4][5] Group 2 - The film industry in China has faced structural issues since the 1990s, with a significant reliance on a few successful directors and their works, leading to a fragile middle market [5][6] - The transition from a planned economy to a market economy in the late 1980s and early 1990s led to a crisis in the film industry, with a decline in both the quantity and quality of domestic films [6][7] - The introduction of Hollywood films in the 1990s further exacerbated the challenges faced by domestic productions, as they struggled to compete with the precision and appeal of foreign films [19][20] Group 3 - The real estate boom in the 2000s provided a temporary revival for the film industry, leading to a surge in commercial cinemas and a renewed interest in local films [22][23] - However, the current film market is highly capitalized and entertainment-driven, making it difficult for traditional artists like Chen Peisi and Zhao Benshan to participate meaningfully [24][25] - The absence of crowd-pleasing films has resulted in a weak middle market, which is crucial for sustaining the industry and nurturing talent [25][26] Group 4 - The historical context of the film industry reveals a pattern of misalignment between production and audience interests, leading to a decline in viewership and engagement [10][14] - The lack of a robust middle market has resulted in a reliance on blockbuster films, which can be risky if they fail to perform [26][27] - The current state of the film industry reflects a departure from the grassroots, community-oriented storytelling that characterized earlier successful films [24][31]

Core Viewpoint - The passing of Tsai Lan marks the end of an era in Hong Kong's cultural landscape, as he was one of the last prominent figures of the "Four Talents of Hong Kong" alongside Jin Yong, Ni Kuang, and Huang Zhan [3]. Group 1: Contributions to Film Industry - Tsai Lan had a significant impact on the Hong Kong and Asian film industry through his roles in production, commentary, technological innovation, and cultural dissemination [6]. - During his tenure at Shaw Brothers from 1963, he produced numerous commercially successful films, particularly those featuring Jackie Chan, such as "The Fast Food Truck" and "City Hunter" [10]. - He played a crucial role in bridging film collaborations between Japan and Hong Kong, introducing lightweight Arriflex cameras that improved filming efficiency [8]. Group 2: Television and Cultural Influence - Tsai Lan co-hosted the groundbreaking talk show "Tonight No Script" in 1989, which set viewership records and pioneered unscripted celebrity interviews [12]. - He founded "Dalu Film Company" after the implementation of film rating systems in Hong Kong, focusing on Category III films, with "The Erotic Ghost Story" breaking box office records for that genre [13]. Group 3: Literary Achievements - After transitioning to writing, Tsai Lan published over 200 books across various genres, including essays and food critiques, with works like "The Most Interesting in the World" becoming bestsellers [19]. - His writing style, influenced by Ming dynasty prose, emphasized simplicity and humor, aiming to connect with readers on a deeper level [23]. Group 4: Philosophy on Life and Food - Tsai Lan elevated food to a cultural philosophy, advocating that "eating well is a respect for life," and he emphasized authenticity in his culinary writing [21]. - He maintained a high-quality lifestyle in his later years, employing a care team and living in a hotel-style apartment, reflecting his belief in enjoying life to the fullest [28].

Group 1 - The 21st China (Shenzhen) International Cultural Industries Fair opened with a focus on "Innovation Leading Trends, Creativity Illuminating Life" [1] - The Shandong exhibition area featured six major sections showcasing nearly 100 enterprises and over 2,000 products, highlighting the integration of culture and technology [1] - The Shandong exhibition emphasized digital technology's role in enhancing the film industry's productivity, showcasing key film bases and new business models [3] Group 2 - The Shandong exhibition included a "virtual film studio" where visitors could participate in filming experiences, demonstrating advancements in film production technology [2] - Innovative health technology was showcased, including an AI health assessment mirror and a robot for personalized SPA treatments, reflecting the application of technology in cultural consumption [4][6] - The "Good Guest Shandong · Qilu No. 1" tourism train was presented as an immersive cultural experience, allowing visitors to explore Shandong's attractions interactively [7]

Core Insights - The 20th China Film Huabiao Awards highlights the transformation and confidence of the Chinese film industry, showcasing its breakthroughs in themes, technology, and cultural expression on the global stage [1][2]. Group 1: Thematic Breakthroughs - Award-winning films like "The Journey Home" and "The Volunteer Army: Heroic Charge" combine grand narratives with personal destinies, reflecting a new stage of deep dialogue with audiences [2]. - Realistic films such as "The 20th Article" and "Miracle: Stupid Kid" focus on various aspects of real life, demonstrating filmmakers' strong social responsibility and humanistic care [2]. - The shift from "didactic" to "empathetic" storytelling in mainstream films has gained both critical acclaim and box office success, forming a new mainstream narrative [4]. Group 2: Industrial Development - The Huabiao Awards witness the innovative development of China's film industry, with increased production efficiency through modular approaches and the application of new technologies like virtual filming and AI [5]. - China's film industrial foundation has reached a level capable of producing world-class blockbusters, as exemplified by "The Battle at Lake Changjin" [5]. Group 3: Cultural Confidence - Films inspired by traditional Chinese culture, such as "Nezha: Birth of the Demon Child," have become significant vehicles for telling Chinese stories, achieving remarkable box office success [8]. - The integration of traditional culture with modern storytelling techniques enhances the international appeal of Chinese films, as seen in the global success of "Nezha" and "The First Part of Fengshen" [10].

Core Perspective - The article highlights the evolution of the Chinese film industry over 120 years, emphasizing the shift towards industrialization and the integration of advanced technologies in film production [1][3]. Industry Development - The transition from silent to sound films and from black-and-white to color films marks significant milestones in the rapid development of Chinese cinema [3]. - The concept of film industrialization is likened to a precise "film manufacturing assembly line," where each stage operates efficiently, enhancing production quality and creativity [3][7]. Technological Advancements - The use of large LED screens for filming, which allows for immersive performances and real-time matching of digital scenes with camera movements, represents a significant technological leap [5]. - Virtual pre-visualization technology enables teams to plan shots and actor movements effectively, increasing filming efficiency [7]. - The Cinity projection system, developed in China, exemplifies the highest standards in film projection technology, promising enhanced audiovisual experiences for audiences [9]. AI Integration - AI systems are being utilized in film production, such as in dubbing and script analysis, achieving high accuracy rates in tasks like generating scene breakdowns and character statistics [11]. - The ongoing exploration of standardization and process optimization in film production reflects the industry's commitment to improving efficiency and quality [11]. Film Production Facilities - The establishment of comprehensive film production bases, such as the "super factory" in Qingdao, facilitates large-scale productions and enhances collaboration among film teams [13][15]. - These facilities are equipped with advanced technology and resources, enabling the production of high-quality films like "The Wandering Earth" and "Feng Shen" [15]. Future Outlook - The exploration of industrialization in Chinese cinema continues, with filmmakers developing projects that contribute to a unique industrial framework suitable for the Chinese film market [17].

Core Viewpoint - The 20th China Film Huabiao Awards highlighted the achievements and innovations in the Chinese film industry, showcasing films that reflect contemporary Chinese stories and societal themes [1][2]. Group 1: Highlights of Award-Winning Films - The award-winning films focus on real-life issues, with "The 20th Article" depicting the lives of ordinary people and the role of prosecutors, while "Annual Meeting Cannot Stop!" uses absurd realism to dramatize workplace experiences [2]. - Zhang Yi won the Best Actor award for his role as a principled police officer in "The Third Brigade," emphasizing the importance of storytelling [2]. - The Best Actress award went to Hui Yinghong for her portrayal of a simple elderly woman's love story in "I Love You!", which sparked discussions on love and life [2]. Group 2: Recognition of Diverse Themes - The awards recognized outstanding works in rural, ethnic minority, and children's themes, with "I Am a Mountain" based on the true story of Zhang Guimei, who dedicated her life to educating girls in remote areas [3]. - The director of "I Am a Mountain" expressed that the filmmaking process was a journey of understanding and embodying the spirit of role models [3]. Group 3: Youth and Innovation in Filmmaking - Many young filmmakers have contributed significantly to the industry, with "The Lone Moon" by debut director Zhang Chiyu winning the Outstanding Young Filmmaker Award [4]. - The Huabiao Awards aim to encourage innovative themes, support young talent, and deepen cultural expression, fostering vitality and responsibility in the film industry [4]. Group 4: Technological Advancements in Film Production - The awards ceremony recognized "Nezha: The Devil's Child" for its outstanding performance in the domestic and international markets since the 2025 Spring Festival [5]. - Films like "The Wandering Earth 2" and "Nezha: The Devil's Child" have actively explored advancements in the industrialization of Chinese cinema, utilizing technologies such as 3D printing and laser engraving for efficient and precise production [6]. - The integration of technology in filmmaking is seen as a key driver for the industry's growth, with ongoing efforts to merge culture and technology effectively [6].