中新网重庆2月22日电 题：周利：以艺为媒续写国粹千秋情 作者 陈媛 "一场梨园梦，千秋戏曲情。"全国政协委员、民盟重庆市委会副主委、重庆京剧院有限公司副院长周利 日前接受中新网采访时表示，京剧是中华优秀传统文化的集大成者，承载着民族审美与精神血脉。文艺 工作者要让经典艺术焕发时代生机。 深耕京剧艺术三十余载，周利近年将大量精力投入到经典剧目的整理复排与流派艺术的系统性传承中。 今年1月9日，她领衔复排的尚派代表剧目《双阳公主》在重庆群星剧院首演。 为激发演员潜能，周利因材施教，创新"一角多演"的师徒模式，即同一角色由数名青年演员分别演绎， 鼓励演员融入个人理解与风格，以"传承有序、风格多元"的舞台呈现实现"守正中有创造，传承中有生 长"。 正在排演剧目。受访者 供图 围绕京剧的传播普及、人才培养等议题，2025年周利走入校园、社区、院团调研，在26所大中小学校推 出"知识讲座+互动体验+鉴赏演出"的研学活动"三部曲"；借力短视频、直播，制作京剧知识科普、经典 唱段赏析等内容，让大众在线上感受国粹之美。 图为周利 今年，她建议加大数字技术赋能戏曲传播的力度，推动AI辅助教学、VR沉浸观演等技术与传统艺术融 合 ...

Core Viewpoint - The article highlights the dedication of Li Jingwen, a renowned Peking opera artist, in teaching and passing on the Mei school of Peking opera to her two disciples, Wang Xiaoming and Chen Jinqiang, who have shown remarkable commitment despite starting their training later in life [3][4]. Group 1: Teaching and Mentorship - Li Jingwen emphasizes the difference in teaching amateur students compared to professional actors, focusing on fundamental skills such as leg kicks, footwork, and hand movements [4]. - The two disciples have shown exceptional diligence, recording lessons and practicing extensively, even to the point of sweating through their clothes during rehearsals [4]. Group 2: Community Engagement and Cultural Transmission - Li Jingwen actively engages with the community, providing guidance to amateur performers and sharing her artistic experiences [4]. - Wang Xiaoming has established a Mei school performance class, while Chen Jinqiang teaches Mei singing techniques to younger generations, contributing to the preservation and promotion of traditional Chinese culture [4].

Core Viewpoint - The article highlights the life and achievements of Liu Changyu, a renowned Peking opera artist, who has dedicated over 70 years to the art form and continues to contribute to its legacy through teaching and performance [3][8]. Group 1: Career Achievements - Liu Changyu was awarded the "Lifetime Achievement Award in Drama" at the 19th China Drama Festival, recognizing her extensive contributions to Peking opera [3]. - Throughout her career, she has starred in numerous traditional and modern operas, including "Red Lantern," "Selling Water," and "Spring Grass Breaks into the Hall," creating many memorable artistic characters [3][6]. - Her portrayal of Li Tie Mei in "Red Lantern" became iconic after the film adaptation was released nationwide in 1970, solidifying her status as a classic hero in the hearts of the audience [7]. Group 2: Artistic Development - Liu Changyu began her formal training in Peking opera at the age of 9, demonstrating a strong work ethic and resilience despite her mischievous nature as a child [4][5]. - She received guidance from notable mentors, including the Peking opera master Xun Huisheng, who helped her refine her performance skills and understand the essence of character portrayal [5][6]. - Liu's innovative approach to performance includes incorporating elements from other art forms, such as dance and acrobatics, to enhance her roles, as seen in her performance of "Spring Grass Breaks into the Hall" [6]. Group 3: Teaching and Legacy - At over 80 years old, Liu Changyu remains active in teaching Peking opera, designing courses for the next generation of performers, and passing on her knowledge and skills [8]. - Her commitment to the art form is evident as she expresses gratitude for the support she received from the state and aims to contribute to the preservation and promotion of Peking opera for future generations [8].

Core Viewpoint - The article highlights the impressive talent of a 5-year-old boy, Wang Miyang, who has shown remarkable skills in Peking opera after just over a year of training, showcasing the potential of young performers in traditional Chinese arts [1][2]. Group 1: Performance and Training - Wang Miyang performed alongside his teacher, Jiang Feng, in a Peking opera show, receiving enthusiastic applause from the audience [1]. - Jiang Feng emphasizes the traditional method of teaching Peking opera through oral transmission, focusing on detailed instruction in singing and performance techniques [2][4]. - The training includes rigorous practice of movements and postures, such as the "拉山膀" (raising arms) action, which is essential for portraying a character effectively [4]. Group 2: Parental Support and Cultural Significance - Wang Miyang's father has been supportive of his son's interest in Peking opera since a young age, highlighting the importance of cultural education and personal interest in traditional arts [2][4]. - The father believes that learning Peking opera will benefit his son for life, regardless of whether he pursues it as a career [4].