本届展演为期5天，22部参演剧目贴近现实生活、展现辽宁风土人情，涵盖评剧、辽剧、海城喇叭 戏等我省全部地方戏曲剧种。其中，评剧8部、辽剧3部，海城喇叭戏、阜新蒙古剧、凌源影调戏各1 部，铁岭秧歌戏、拉场戏各3部，木偶戏、吕剧各1部。参演院团来自沈阳、大连等10市及1所大学，涵 盖国有与民营院团，代表性广泛。 为扩大影响力，展演邀请全省戏曲团体和艺术单位现场观摩，并通过网络直播供广大观众欣赏，践 行"戏曲小戏的盛会、城乡人民的节日"宗旨。 8月19日，以"汇辽宁小戏、展戏曲风采"为主题的辽宁省第三届地方戏曲小戏展演在锦州市拉开帷 幕。 本届展演聚焦新人新作，参演小戏剧目均为近两年来新创作，且大力鼓励年轻演员担纲主演，为辽 宁戏曲艺术舞台输送新鲜血液。展演期间还将开展"一戏一评"，由戏曲专家点评指导，助力剧目打磨提 升。同时，这次展演活动将评选45周岁以下优秀戏曲人才，授予"辽宁省第三届地方戏曲小戏展演表演 艺术传承英才"荣誉称号，激励戏曲人才成长。 本届展演由省文化和旅游厅、锦州市委市政府共同主办，旨在落实国家及我省戏曲传承发展相关政 策，保护传承优秀传统文化，搭建创作交流平台，促进辽宁地方戏曲繁荣发展。 ...

"我们诚挚邀请大家共赴这场川剧艺术盛会，一起在四川的青山绿水间、烟火街巷里，感受川剧魅 力、品味巴风蜀韵。"8月5日，省政府新闻办在四川新闻发布厅举行新闻发布会，向观众和游客发出盛 情邀请。四川省第三届川剧汇演自今年8月启动，将持续到2026年春节前。 自2023年首届川剧汇演举办以来，川剧发展不断注入新活力。本届川剧汇演中，人才培养、剧目建 设、传播破圈的新画卷将逐步铺展，助力塑造更加亮丽的梨园图景。 出人 名师高徒合力打擂 青年川剧演员的亮相，是新闻发布会的一大亮点。梁浩龙、李玲琳、但歆婷、薛川、吴佳睿等5名 青年川剧演员陆续登场，以新闻发布厅为舞台献唱，获得持续掌声。 值得关注的是，本届汇演首次策划举办四川省川剧汇演精品剧目北京展演周，4部大幕戏、4部折子 戏将奔赴北京展演，并同步开展"戏游四川"文旅推介、川剧艺术导赏体验等，让川剧之韵、巴蜀之美在 首都绽放。 这个发布环节的设计背后有巧思。本届川剧汇演将首次策划实施"名师高徒"青年演员成长计划。川 剧名家名师陈智林、陈巧茹、崔光丽、许明耻、李乔松，与上述青年演员一对一组成师徒对子，开展表 演强化训练、经典剧目复排、展演评比推介等，培育能担纲大戏的川剧演 ...

Core Viewpoint - The 2025 "New Song Talent" Zhejiang Youth Opera Actor Competition showcased the rich heritage and innovative spirit of Zhejiang's opera scene, featuring 45 finalists from various traditional and regional opera genres [1][2]. Group 1: Event Overview - The competition took place from July 27 to 29, 2025, at the Zhejiang Victory Theatre, organized by the Zhejiang Provincial Department of Culture, Radio, Television and Tourism [1]. - A total of 401 young actors from 43 professional troupes and 5 art schools participated, with 45 selected for the finals after rigorous preliminary and semi-final rounds [1]. Group 2: Participants and Performance - The finalists represented a diverse range of opera styles, including Kunqu, Peking, Yue, and regional operas such as Ninghai Pingdiao and Newchang Diaohang, highlighting the cultural richness of Zhejiang [1]. - The competition was divided into three categories: Comprehensive Literary Drama, Comprehensive Martial Drama, and Yue Opera, showcasing a variety of performances that illustrated the depth of talent [1]. Group 3: Judging and Recognition - The judging panel included renowned figures such as Weng Guosheng and Lin Weilin, who evaluated performances based on multiple criteria including vocal quality, physical expression, and character portrayal [2]. - The competition revealed significant progress among returning contestants and highlighted promising new talent, indicating a bright future for Zhejiang opera [2].

Core Viewpoint - The article reflects on the legacy and influence of Shen Fucun, a prominent figure in Peking opera, highlighting his artistic journey, challenges, and contributions to the art form [1][2][4]. Group 1: Artistic Journey - Shen Fucun began his career in Peking opera during a time when the art form was declining, yet he managed to excel by learning from various schools and integrating different artistic elements [2][3]. - His career was marked by significant challenges, including a forced transition to different roles due to historical circumstances, yet he returned to prominence in the 1970s [2][4]. Group 2: Artistic Philosophy - Shen Fucun emphasized the importance of blending traditional and modern elements in Peking opera, aiming to attract a broader audience while maintaining the essence of the art [3][4]. - He focused on character development and emotional engagement, ensuring that performances resonated with audiences [4][6]. Group 3: Legacy and Influence - Shen Fucun's dedication to Peking opera has left a lasting impact, with his methods and philosophies influencing the next generation of performers [5][6]. - The article underscores the responsibility of continuing his legacy and the importance of preserving the art form while innovating to meet contemporary tastes [5][6].

Core Viewpoint - Wenzhou, a hub of private economy in Zhejiang, showcases a unique blend of traditional culture and innovative spirit, driving economic development and cultural confidence [1][3][12]. Group 1: Cultural Heritage and Economic Development - Wenzhou's rich cultural history, including the Yuyuan School's practical philosophy, has significantly influenced its entrepreneurial spirit [2][3]. - The city has been a pioneer in various economic reforms, such as the first individual business license and the first specialized market in China, marking its importance in the country's economic landscape [3][4]. - The "Four Thousand" spirit, representing perseverance and innovation among Wenzhou entrepreneurs, continues to inspire local businesses [4]. Group 2: Openness and Global Engagement - Wenzhou has a long history of openness, dating back to its role in the Maritime Silk Road, which facilitated trade and cultural exchange [5][6]. - The city is enhancing its global connectivity through initiatives like the operation of 16 near-ocean routes and the establishment of the Wenzhou-Kean University, promoting international collaboration [6][7]. - Recent events, such as the World Youth Scientist Summit, have positioned Wenzhou as a center for attracting global talent and fostering innovation [7]. Group 3: Cultural Innovation and Preservation - Wenzhou is actively exploring innovative ways to preserve and promote its cultural heritage, such as through the revitalization of traditional arts and crafts [9][11]. - The city has initiated cultural events like the "Southern Opera Cultural Week," which aims to enhance the visibility and appreciation of local traditional arts [11]. - Efforts to integrate cultural elements into economic development are evident in initiatives like the Qing Deng Market, which promotes local aesthetics and supports artists [12].

Core Viewpoint - The article reflects on the profound influence of traditional teachers in the art of Kunqu opera, emphasizing their role in shaping performance techniques and artistic standards [1][2][3][4]. Group 1: Influence of Teachers - The "Chuan" generation teachers are regarded as the highest standard in Kunqu opera, and their guidance is seen as a source of inspiration and transformation [1]. - The interaction with various teachers, such as Bao Chuan Duo, Zhang Jin Long, and Zheng Chuan Jian, provided valuable insights into performance techniques and character analysis [2][3][4]. Group 2: Performance Techniques - Bao Chuan Duo introduced innovative changes to traditional performances, such as altering the positioning of hands to enhance balance and expression [1][2]. - Zhang Jin Long emphasized the restoration of traditional methods while adding new techniques to convey intense emotions, such as fear and struggle [2]. - Zheng Chuan Jian's teachings included detailed character analysis and emotional expression, significantly refining the performance of "Han Dan Ji: Yun Yang Fa Chang" [2]. Group 3: Personal Growth and Legacy - The article highlights the personal growth experienced through mentorship, with the author gaining skills in various styles of Kunqu opera, including Southern and Northern versions of "Ye Ben" [4]. - The teachings and philosophies imparted by Zheng Chuan Jian continue to influence the author's life and career, demonstrating the lasting impact of mentorship in the arts [4].

Core Viewpoint - The article highlights the innovative approach of young Peking opera actor Wang Mengting in modernizing traditional performances, particularly through the play "Dao Hun Ling," which has gained significant popularity among younger audiences [1][5]. Group 1: Performance and Audience Engagement - "Dao Hun Ling" has achieved nearly 100 million views online and received a strong box office response during the May Day holiday, indicating its widespread appeal [1]. - The play incorporates modern elements, such as the use of tango dance and contemporary language, to resonate with younger audiences while maintaining traditional themes [1][5]. - Wang Mengting emphasizes the importance of audience acceptance in determining the success of a performance, reflecting a shift towards more interactive and relatable storytelling in Peking opera [1]. Group 2: Artistic Innovation and Tradition - The play is categorized as a "joke play," blending traditional Peking opera with contemporary humor and relatable content, showcasing the evolution of the art form [1][5]. - Wang Mengting, as a third-generation inheritor of the Xun school, aims to integrate modern elements into traditional performances, aligning with the historical adaptability of Peking opera [4]. - The revival of classic works, such as "Yu Tang Chun," demonstrates a commitment to preserving traditional art while making it accessible to modern audiences through innovative presentation formats [5]. Group 3: Personal Journey and Training - Wang Mengting's journey into Peking opera began at a young age, influenced by her family's appreciation for traditional arts, highlighting the importance of early training and dedication in the performing arts [3]. - The rigorous training methods she underwent reflect the traditional practices of Peking opera, emphasizing the need for strong foundational skills [3]. - Her experiences illustrate the balance between maintaining traditional techniques and embracing modern influences in performance [4].

Core Viewpoint - The "Youth Version of Peony Pavilion" has successfully engaged a new generation of performers and audiences, revitalizing Kunqu opera and integrating traditional culture with modern sensibilities [1][4]. Group 1: Performance and Audience Engagement - The first performance of the "Youth Version of Peony Pavilion" at Southeast University featured an 86% cast of post-2000 actors, with an average age of around 22 years [1]. - The production has been performed over 500 times in 20 years, becoming a representative work of "youth literature and art" [1]. - The success of the youth version is attributed to government support, social recognition, and public appreciation for Kunqu [1]. Group 2: Training and Artistic Development - The production began in 2003, focusing on cultivating artistic talent through a rigorous three-month training program that included 10-hour daily sessions [2]. - The training covered various aspects of performance, leading to significant improvements among young actors, who are seen as the torchbearers for Kunqu's future [2]. - The adaptation of the script aimed to bridge classical drama with modern audiences while preserving the essence of the original work [2]. Group 3: Cultural Significance and Modern Relevance - The recent production of "Handan Ji" demonstrates Kunqu's ability to respond to contemporary needs while respecting traditional narratives [3]. - The evolution of Kunqu is closely linked to cultural development, with the "Youth Version of Peony Pavilion" being a systematic cultural and social project [3]. - The goal is to guide modern audiences to appreciate the beauty of Kunqu, ensuring its relevance in contemporary life [3][4]. Group 4: Innovation and Future Prospects - The integration of diverse cultural resources and innovative approaches is essential for the ongoing vitality of Kunqu [4]. - The "Youth Version of Peony Pavilion" serves as an artistic bridge between Kunqu and contemporary society, illustrating the dynamic nature of traditional culture [4].

Core Points - The Ministry of Culture and Tourism has announced that two traditional opera creation cases from Shaanxi have been selected as excellent examples, highlighting the province's commitment to preserving and innovating traditional arts [1][2] - The selected cases include "Qinqiang 'Yangmen Nüjiang': A Heartfelt Inheritance of Classic Traditional Dramas" by Xi'an Yisushe Co., Ltd. and "Wanwankang 'Dongsheng and Lishi': A New Practice of Mutual Integration between Southern and Northern Operas" by Shaanxi Xilu Qinsong Cultural Tourism Co., Ltd. [1] Group 1 - The selection aims to implement the arrangements from the 2024 National Art Creation Work Conference, guiding opera troupes to enhance their development mechanisms and improve the creative and performance environment [2] - The "Qinqiang 'Yangmen Nüjiang'" integrates modern aesthetic needs while respecting traditional elements, featuring a complete range of roles and impressive martial arts scenes [1] - The "Wanwankang 'Dongsheng and Lishi'" innovatively merges Southern and Northern opera elements, infusing traditional opera with new vitality and showcasing unique local characteristics [1] Group 2 - Shaanxi plans to support the protection and development of opera arts through project establishment, policy implementation, and funding support, promoting the prosperity of Shaanxi opera [2] - The initiative aims to contribute to the promotion of excellent traditional Chinese culture and the construction of a culturally strong nation [2]

Core Perspective - The production "Zhi Chi Qian Li" by the China Pingju Theatre reflects the enduring vitality of traditional Chinese culture through the lens of the restoration of the ancient painting "You Chun Tu" [1][2] Group 1: Cultural Significance - The vitality of traditional culture lies not only in preservation but also in activation, with Pingju opera deeply rooted in folk traditions [1] - The narrative of the play emphasizes the eternal values of traditional culture, such as the pursuit of beauty and respect for craftsmanship [2] Group 2: Artistic Approach - The stage design of "Zhi Chi Qian Li" focuses on an "ancient painting" as the core, creating a multi-faceted space that resonates with the inner focus of the craftsmen [1] - The play aims to attract younger audiences by reconstructing historical narratives with a modern perspective, allowing characters from different eras to coexist on stage [2] Group 3: Collaboration and Creation - The production is a collaborative effort involving various roles such as writers, actors, musicians, and stage designers, culminating in a cohesive presentation [2] - The restoration of cultural artifacts and the transmission of traditional art forms require a balance between maintaining original aesthetics and infusing contemporary spirit [2]