2025.11. 25 本文字数：2120，阅读时长大约4分钟 作者 | 第一财经 吴丹 古龙（受访者供图） "我小时候是孤独的。"郑小龙说，古龙幼年时，也未曾得到来自爷爷的爱。他常听人说，父亲是一 个很正向的人，"他书里写的人，潇洒，爱朋友、爱酒、爱美人，这也许都是他寂寞孤独表现出来的 反差。我的个性跟父亲很像，会很正向地看待一件事情。" 郑小龙13岁学柔道，四次获世界警察和消防员运动会柔道金牌，担任过马英九贴近警卫。40岁之 前，他从没想过，有一天会跟父亲的著作、父亲的朋友有那么多牵连。快40岁时，父亲朋友告诉 他，古龙著作的版权在市场上过于混乱，他才决定以长子身份整理版权，"整个过程中，我经历过了 很多江湖的恩怨和利益的纠葛。" 封图 | 郑小龙翻看着父亲的书，想象着假如父亲来到这里，"应该会想要跟我喝一杯吧。"（吴丹拍摄） 与梁羽生、金庸并称"武侠三剑客"的古龙，在并不算长的写作生涯里，完成了近70部武侠小说，留 下李寻欢、陆小凤、楚留香、萧十一郎等个性鲜明的剑客形象。他那句"人在江湖，身不由己"，至 今仍是流行金句。 今年是古龙逝世40周年。日前，在杭州市上城区笕桥幸福横塘里，总面积1300平米的古 ...

在古龙研究中心的三栋小楼里，有一间古龙书房陈列着不同年代、不同出版社的古龙著作。郑小龙说，青春期 时，他没有怎么看过父亲的作品。随着年纪渐长，很多父辈友人说起，他的个性跟父亲最像。2006年，他与同父 异母的两个弟弟叶怡宽、熊正达及其他亲人成立"古龙著作管理发展委员会"，共同打理古龙作品版权。 随着古龙研究中心落地杭州，郑小龙打算未来在杭州与台北两地居住，把精力投入新的事业。在古龙研究中心的 规划中，这里将承接古龙授权业务，与游戏、影视产业联动。郑小龙说，武侠不是过去式，而是可以跨时代被重 新理解和开发的，"未来这里会办武侠文学的学术研讨，让喜欢古龙的人聚集过来，旁边会开古龙茶馆，如果反响 持续好的话，会开古龙餐馆，有酒有菜。" 古龙长子郑小龙说，他后半生的心愿，是用年轻人喜欢的方式，重新呈现古龙的江湖和他的武侠梦 与梁羽生、金庸并称"武侠三剑客"的古龙，在并不算长的写作生涯里，完成了近70部武侠小说，留下李寻欢、陆 小凤、楚留香、萧十一郎等个性鲜明的剑客形象。他那句"人在江湖，身不由己"，至今仍是流行金句。 今年是古龙逝世40周年。日前，在杭州市上城区笕桥幸福横塘里，总面积1300平米的古龙研究中心落成，距 ...

Core Insights - The autumn drama market has successfully continued the momentum from the summer season, with historical dramas showing particularly strong performance [1] - The newly launched series "Tang Dynasty Strange Cases: Chang'an" has achieved significant popularity, breaking a content heat value of 10,000 and receiving a Douban score of 8.1, indicating a nationwide trend of binge-watching [1] - Recent historical dramas are innovating beyond traditional storytelling, providing fresh creative pathways while maintaining audience engagement [1] Summary by Sections Series Performance - "Tang Dynasty Strange Cases: Chang'an" has quickly gained traction, with its opening episode showcasing a tight narrative and engaging action sequences [3] - Other series like "Heavenly Sword and Dragon Slaying Sabre," "Dark River," and "Water Dragon Chant" have also contributed to a seamless continuation of viewer interest in historical dramas [1][3] Narrative Techniques - The series employs a mix of short and long drama advantages, maintaining a fast-paced and emotionally charged narrative that captivates viewers from the start [6] - The second case in the series utilizes a multi-threaded narrative style, intertwining seemingly unrelated storylines to create a complex web of suspense [6][9] Character Development - "Tang Dynasty Strange Cases: Chang'an" excels in character development, revealing intricate relationships and hidden motives that enhance the storytelling experience [9] - The series balances the excitement of short dramas with deeper explorations of character and plot, enriching the viewing experience [9] Thematic Exploration - Recent historical dramas are moving away from reliance on fantastical elements and simplistic narratives, instead focusing on the psychological distance between ancient and modern themes [12] - The series explores human nature and emotional depth, presenting characters with complex motivations rather than clear-cut heroes and villains [15][20] Genre Fusion - New historical dramas are breaking out of traditional genre confines, incorporating elements from various genres to create layered narratives [21] - "Heavenly Sword and Dragon Slaying Sabre" merges fantasy and traditional heroism, while "Dark River" combines martial arts with suspense, showcasing innovative storytelling approaches [23] Market Trends - The recent evolution in historical dramas reflects a shift towards character-driven narratives that resonate with audiences on a deeper emotional level [25] - The success of diverse genres within the historical drama category suggests a promising future for the market, as it seeks to explore new potentials and possibilities [25]

Core Viewpoint - The film "Private Detective" attempts to blend elements of Hong Kong crime films with noir and comedy, but struggles with genre integration and narrative coherence [1][3][10] Group 1: Narrative and Themes - The protagonist, private detective Ouyang Weiye, becomes embroiled in a series of murders while grappling with personal betrayal, highlighting the conflict between professional ethics and personal morality [3][5] - The film explores the theme of emotional alienation in modern relationships, using the character of the murderer, Chen Kangmin, to illustrate the psychological impact of infidelity [5][7] - The narrative structure reveals a duality in human nature, contrasting Ouyang's emotional turmoil with Chen's violent responses to perceived betrayal [7][8] Group 2: Genre and Style - The film's attempt to merge dark themes with comedic elements results in a disjointed viewing experience, undermining the tension necessary for a crime thriller [10][12] - The visual and emotional tone is established through classic noir settings, but the introduction of comedic interludes disrupts the narrative flow [10][12] - The film's innovation in the crime genre is noted, particularly in its focus on intimate relationships and the use of modern surveillance technology as a narrative device [8][10] Group 3: Character Development - Ouyang Weiye is portrayed as a stereotypical detective, lacking depth and agency, which diminishes the impact of his character arc [12][13] - Supporting characters are similarly underdeveloped, serving more as narrative tools than complex individuals, which weakens emotional engagement [12][13] - The film's critique of societal issues remains superficial, failing to provide a nuanced analysis of the social context surrounding the characters' actions [13]