Group 1 - The article discusses the current state of the Chinese film industry, highlighting a record low daily box office of over 40 million, marking the lowest since records began in 2011 [1] - It suggests that the pandemic has led to a shift in perception, where low box office numbers are no longer seen as problematic, indicating a new norm for the industry [2] - The article emphasizes the importance of genre films as a potential solution for the challenges faced by Chinese cinema [3] Group 2 - The frequent appearances of filmmaker Jiang Wen at events like the Beijing International Film Festival are noted, indicating he has a new film coming out [6][7] - Jiang Wen's unique position in the industry is discussed, with the article suggesting that his individual value is irreplaceable, but his insights may not be as relevant for current filmmakers [9][11] - The article critiques Jiang Wen's recent public engagements, describing them as lacking substance and not providing valuable insights for the industry [13][17] Group 3 - The article reflects on Jiang Wen's creative philosophy, emphasizing talent and individual expression over technical aspects, suggesting that directors should focus on their unique voice [30][32] - It highlights the importance of scriptwriting in filmmaking, with Jiang Wen stressing the need to consider the environment and historical context of characters [35][36] - The article points out a disconnect between Jiang Wen's artistic vision and the technical execution in his recent works, suggesting that this is a broader issue within the industry [38][41] Group 4 - The article discusses the challenges faced by the Chinese film industry, particularly the need to cater to audience preferences while also pushing creative boundaries [58][63] - It suggests that the industry lacks films that are both innovative and traditional, which could appeal to a wider audience [65][67] - The article concludes with a call for filmmakers to better understand audience desires and to create content that resonates with them, rather than solely focusing on artistic expression [47][55]

Core Viewpoint - The film industry is facing challenges due to a lack of originality, with many films becoming too similar to one another, which diminishes audience engagement and interest [1][4]. Group 1: Industry Challenges - The phenomenon of films being too similar has become a negative asset for the film industry, with complex causes and varied manifestations [1][4]. - The issue of similarity is not just about the films themselves but also about the relationship between films and the world, emphasizing the need for creativity rooted in human life rather than imitation of other works [4]. Group 2: Creative Dynamics - The concept of "author cinema" proposed by French critic Truffaut highlights the importance of individual expression in filmmaking, yet it has led to a trend of filmmakers trying too hard to be different, resulting in a new form of similarity [2]. - Successful genre films should balance familiarity with originality, where a certain degree of similarity is acceptable, but there must also be unique elements that allow them to stand out [1][2]. Group 3: Recent Film Examples - The film "大风杀" directed by Zhang Qi attempts innovation in the crime and western genres but suffers from weak story and theme development [3]. - "猎金·游戏" and "人生开门红" showcase a clear pursuit of originality, but they struggle with fragmented plots and disjointed character relationships, failing to effectively explore the themes of similarity and difference [3].