徐悲鸿作品《群奔》。受访者供图 2月10日，"天马行川——马年徐悲鸿艺术特展暨徐悲鸿入川90年悲鸿学派纪念大展"将在位于成都市锦 江区梓潼桥正街66号的四川报业博物馆正式启幕。 徐悲鸿是中国现代美术的奠基人之一，其创作题材广泛，尤以笔下的奔马闻名于世。他将毕生精力投身 于中国的美术教育事业，其教育思想、办学理念、美学思想、教学体系对我国学院美术教育的形成和发 展产生了巨大影响。 马上来赏徐悲鸿的真迹奔马 明日启幕 针对清末民初中国画坛存在的抄袭、模仿、缺乏生活气息等问题，徐悲鸿倡导回归写实主义，强调艺术 应源于生活、反映现实，为传统绘画注入新的活力。"他重视人物画的发展，通过精准的人物造型和生 动的表情刻画，恢复了人物画在绘画中的主导地位，使人物画成为表达时代精神和人文关怀的重要载 体。"徐骥说。 在美术教育工作中，徐悲鸿强调素描是造型艺术的基础，提出"尽精微，致广大"的教学理念，注重培养 学生对自然的观察力、造型能力和艺术表现力。当今，"素描基础论"在美术教学中得以普遍贯彻实行， 各大美院以及艺术院校招生都将素描作为考核的重要内容之一。 特展明日启幕 展出徐悲鸿及其学派代表作品 "天马行川——马年徐悲鸿艺术 ...

Core Viewpoint - "Small Town Big Affairs" presents an inspiring narrative of collective effort and determination during the early reform era in China, showcasing the spirit of the "Chinese miracle" and the importance of perseverance and innovation in overcoming challenges [1][4]. Group 1: Historical Context and Themes - The story is set in Longgang City, known as "China's first farmers' city," highlighting its transformation from fishing villages to a thriving urban area starting in 1982 [4]. - The series captures the essence of the reform and opening-up period, emphasizing the courage to explore uncharted territories and the importance of grassroots leadership in driving change [4][5]. - The narrative reflects the optimism and ambition of the era, resonating with older audiences who experienced the transformative changes firsthand [5]. Group 2: Character Development and Realism - The main characters, Secretary Zheng Decheng and Mayor Li Qiuping, are portrayed with a mix of strengths and flaws, reflecting the complexities of leadership during a transformative period [6][7]. - Zheng Decheng's character embodies the spirit of innovation and risk-taking, yet he also faces challenges due to his reliance on personal experience and a lack of transparency with superiors [7]. - The supporting characters, such as Lin Dongfu and Jie Chunlai, represent various societal responses to the rapid changes, adding depth to the portrayal of the era [10][11]. Group 3: Narrative Structure and Critique - The series initially presents multiple storylines but gradually narrows focus to the main characters, which may undermine the collective contributions of the community [12]. - The inclusion of romantic subplots is critiqued for detracting from the central themes of realism and historical significance, suggesting a misalignment with the narrative's intended focus [12][13]. - The series is noted for its attention to period details, yet some elements are criticized for lacking authenticity, indicating a need for deeper engagement with the historical context [13].

来源：北京青年报 ◎唐山 "将'一群人，一条心'的奇迹，酿成最戳人的时代篇章。这不是孤胆英雄的独角戏，而是一群追光者的 奋斗征程——有干部带头夯土筑城的热血，有村民集资聚力的赤诚，有伙伴们为目标争执又并肩的执 着，每一份为理想拼尽全力的模样，都燃得让人热泪盈眶。"一位豆友这样写道。 确实，《小城大事》讲述了一个激动人心的故事，它呈现出改革开放初期，中国社会积极向上、努力奋 斗、勇于开拓的时代风貌，这是"中国奇迹"的源头，也是值得传承下去的宝贵精神财富。 讲真史、说真事、表真情，这是《小城大事》的胜场，但写实主义是一门技术，只有题材的真、创作态 度的真，而忽视对客观规律的尊重，也会留下遗憾。 把握住了时代的主旋律 许多观众将《小城大事》视为"年代剧"，其实它在努力成为一部"史诗剧"。 《小城大事》的故事来自被称为"中国农民第一城"，即温州市下辖的龙港市（县级市），从无到有的建 设历程。1982年，温州市批准设立沿江港区（后改名龙港区），在原有的五个小渔村和一片滩涂上建设 新港区。然而，缺资金、缺经验，这么大的事能干成吗？当地干部呈现出惊人的创造力。在当时，集资 建城、农村户口转城镇户口，在制度上都是不可逾越的难 ...