赵康勋等韩方代表表示，韩中是隔海相望的友好近邻，80年前两国比肩抵抗帝国主义，对彼此的历 史感同身受。艺术可以疗愈伤痕，跨越国界，连结心灵。希望通过本次书画展向世界弘扬和平价值，推 动韩中艺术文化交流，增进两国人民友谊互信。 本次书画展围绕"反战、和平、友谊"，共展出中韩两国21位著名艺术家的40余幅精品力作，旨在纪 念世界反法西斯战争暨中国人民抗战胜利80周年、韩国光复80周年，表达对和平永恒的热爱追求，推动 两国艺术交流和友好合作。 人民网首尔9月18日电 （记者莽九晨）9月18日，《铭记和平——纪念世界反法西斯战争暨中国人 民抗战胜利80周年、韩国光复80周年中韩书画展》在韩国首尔中国文化中心开幕。中国驻韩国大使戴 兵、中国驻韩国大使馆公参兼总领事钟洪糯、韩国艺术文化团体总联合会会长赵康勋、《奋韩网》代表 王俊霖、韩中经济文化教育协会理事长申京淑出席开幕式，近百位在韩侨界代表、中资机构员工、中韩 艺术界人士、中外媒体代表参加。韩国国会议员安泰俊、闵洪喆、闵炯培、陈声准等为开幕式发来贺 信。 戴兵致辞表示，今年是中国人民抗日战争暨世界反法西斯战争胜利80周年，也是韩国光复80周年。 中韩共同抵御法西斯侵略 ...

据《以色列时报》17日报道，影片《海》于今年7月21日首映。该片讲述了一名12岁巴勒斯坦少年参与 校园旅行、首次前往特拉维夫看海的历程。然而在边境地带，少年的许可证却被指无效，遭到以军士兵 的阻挠与遣返。为了看到大海，少年不惜铤而走险独自潜入以色列，却很快音讯全无。少年的父亲获悉 此事后，不惜抛弃工作、冒着被捕入狱的风险踏上了艰辛的寻子之路。报道称，影片将巴勒斯坦人的生 活困窘、以军士兵的霸道粗暴刻画得入木三分，足以令观影者深受感触。 美国《名利场》杂志称，奥菲尔奖在16日晚举行的颁奖典礼也是一场氛围肃穆的反战宣传。颁奖典礼引 发以色列政府高层的震怒。17日，以文化部长佐哈尔在一份声明中痛斥这场活动"令人尴尬、脱离现 实"，诋毁了那些"冒着生命危险保护我们的士兵"。佐哈尔甚至表示，政府2026年起将不会再为该电影 奖及其颁奖典礼拨款。 【环球时报综合报道】反战题材电影《海》16日荣膺以色列电影学院奖（奥菲尔奖）多项大奖，将代表 以色列参与奥斯卡奖的角逐，然而以文化部长米基·佐哈尔却痛斥这部影片"打了以色列人的脸"。 以色列电影与电视学院方面回应称，获奖影片的主旨是对人性的关怀，该学院主席阿米尔表示，以色列 电 ...

Core Viewpoint - Japanese Prime Minister Shigeru Ishiba emphasizes the importance of accurately acknowledging Japan's defeat in World War II rather than referring to it as a "termination of war," which he believes misrepresents the essence of the situation [2][5]. Group 1: Historical Context and Personal Influence - Ishiba's perspective is heavily influenced by his father, Shigeru Ishiba Sr., who was a bureaucrat during the war and held a strong anti-war stance [4][5]. - The father’s insistence on referring to Japan's defeat as "defeat" rather than "termination" reflects a broader understanding of the consequences of war [4]. Group 2: Political Implications and Challenges - Ishiba's insistence on confronting the realities of Japan's wartime actions has become a lifelong mission, especially as he navigates the political landscape following the recent electoral defeat of the Liberal Democratic Party [5][6]. - There is significant internal opposition within the LDP regarding Ishiba's views, with some members advocating for adherence to previous statements made by former Prime Minister Shinzo Abe [6][7]. Group 3: Future Considerations and Strategic Timing - Ishiba plans to carefully consider the timing and format of his statements regarding Japan's wartime history, aiming to avoid potential political backlash and ensure a thoughtful approach [7][8]. - The potential implications of choosing specific dates for public statements, such as September 2, are being weighed against the risk of legitimizing historical grievances related to territorial disputes with Russia [8].

Core Viewpoint - The article discusses the release of the film "Dongji Island," which is based on the true story of Chinese fishermen rescuing British POWs during World War II, highlighting themes of heroism, humanity, and the importance of family [3][5][10]. Summary by Sections Film Overview - "Dongji Island" premiered on August 8, 2023, and has grossed over 250 million yuan, with AI predictions estimating a total box office of 619 million yuan [5][15]. - The film is directed by Guan Hu and focuses on the actions of ordinary fishermen who risked their lives to save strangers [5][7]. Artistic Approach - The film combines historical facts with artistic creativity, aiming to provide an immersive experience for the audience [5][10]. - The director emphasizes the difference between documentary and narrative films, with the latter requiring character development and dramatic conflict [5][10]. Themes and Character Development - The story is told through the perspective of two fishermen brothers, highlighting their motivations and the concept of "home" throughout the film [7][8]. - The film portrays the transformation of the characters from self-preservation to altruism, showcasing the essence of heroism in ordinary people [10][15]. Technical Aspects - The film features real underwater scenes and was shot in a large temperature-controlled water tank, simulating various sea conditions [11][14]. - The production team aimed for authenticity by recreating the fishing village environment and using traditional boat-making techniques [14]. Historical Context and Impact - The film concludes with a documentary short that connects the audience to the real-life heroes, emphasizing the lasting impact of their actions [15]. - Descendants of the rescued POWs express gratitude, highlighting the significance of the fishermen's bravery in changing the narrative of their families [15].

基于真实历史，辅以艺术创作，《东极岛》从朱一龙、吴磊饰演的阿赑、阿荡这对渔民兄弟的视角出发，对这场 跨越国界的生死营救展开叙述。 去年9月，纪录片《里斯本丸沉没》上映，披露了二战时期发生在中国舟山海域的一段鲜为人知的历史。8月8日， 取材于这段历史的剧情片《东极岛》上映，让舟山渔民冒险营救英军战俘的义举被更多人知晓。 1942年10月，一艘满载英军战俘的日本武装运输船"里斯本丸"经过舟山东极附近海域时，被美军潜艇发射的鱼雷 击中，上千名战俘被封锁在船舱内。绝境之时，舟山渔民撑船入海，救下384名战俘。 在《里斯本丸沉没》中，主创通过与事件亲历者、幸存者及遇难者后人的对谈，将历史的碎片拼凑完整，告诉世 人他们是谁、发生了什么。《东极岛》则将故事的重点放在中国渔民的义举之上，试图回答：这些普通渔民为什 么愿意冒着生命危险，营救数百位素不相识的落难者。 8月10日，《东极岛》导演管虎，出品人、总制片人梁静，主演朱一龙、吴磊来到上海与观众交流。在回应影片的 艺术构思时，管虎谈到，剧情片与纪录片是两种不同体裁，纪录片忠于史实，剧情片需要在取材真实的基础上辅 以艺术创作，"塑造人物，讲述人物的成长，营造矛盾，设计戏剧冲突 ...

Core Viewpoint - The article highlights a protest in front of the White House against potential U.S. military action in Iran, emphasizing anti-war sentiments and calls for non-intervention in the Middle East [1] Group 1 - Protesters criticized the U.S. government's actions as unconstitutional, claiming it lacked congressional authorization [1] - Demonstrators held signs with messages such as "Remember Iraq, no more wars based on lies," reflecting widespread anti-war sentiment [1] - The protest also included assertions that U.S. actions violate international law [1]