见到日本八路军新四军战友会副会长兼事务局长小林阳吉，他向记者展示了不久前在北京获颁的"中国 人民抗日战争胜利80周年"纪念章。"日籍八路军后代，这是我一生的荣誉和骄傲。感谢中国人民，没有 忘记父亲为中国抗战作出的贡献。"小林阳吉告诉记者。 "1939年，我的父亲小林清随日本侵华派遣军独立混成第五旅团前往中国。1940年，他在胶东文登县负 伤被俘。八路军官兵以真诚和耐心教导他，让他逐渐看清了日本侵华战争的非正义本质。自此，他走上 反战之路，投身抗日战争，还出任在华日人反战同盟胶东支部副支部长。"小林阳吉回忆道，"父亲曾 说，作为一名日本人，能够参加中国的抗日战争，是一生的幸运和幸福。" 1919年出生于日本群马县的小林宽澄，于1940年被征入日本军队，1941年6月在战斗中被俘。随八路军 转移途中，他目睹日军烧毁村庄、屠杀百姓，内心深感惭愧。随后，他自愿加入八路军，并参与创建在 华日人反战同盟胶东支部，并通过散发宣传单、书写标语等方式劝说日本士兵投降，用实际行动投身反 战斗争。"日本军队在中国犯下的罪行罄竹难书，给中国人民带来了深重的灾难。父亲选择加入八路军 是正确的，令人尊敬。"小林宽澄之子小林宪明动情地说。 ...

赵康勋等韩方代表表示，韩中是隔海相望的友好近邻，80年前两国比肩抵抗帝国主义，对彼此的历 史感同身受。艺术可以疗愈伤痕，跨越国界，连结心灵。希望通过本次书画展向世界弘扬和平价值，推 动韩中艺术文化交流，增进两国人民友谊互信。 本次书画展围绕"反战、和平、友谊"，共展出中韩两国21位著名艺术家的40余幅精品力作，旨在纪 念世界反法西斯战争暨中国人民抗战胜利80周年、韩国光复80周年，表达对和平永恒的热爱追求，推动 两国艺术交流和友好合作。 人民网首尔9月18日电 （记者莽九晨）9月18日，《铭记和平——纪念世界反法西斯战争暨中国人 民抗战胜利80周年、韩国光复80周年中韩书画展》在韩国首尔中国文化中心开幕。中国驻韩国大使戴 兵、中国驻韩国大使馆公参兼总领事钟洪糯、韩国艺术文化团体总联合会会长赵康勋、《奋韩网》代表 王俊霖、韩中经济文化教育协会理事长申京淑出席开幕式，近百位在韩侨界代表、中资机构员工、中韩 艺术界人士、中外媒体代表参加。韩国国会议员安泰俊、闵洪喆、闵炯培、陈声准等为开幕式发来贺 信。 戴兵致辞表示，今年是中国人民抗日战争暨世界反法西斯战争胜利80周年，也是韩国光复80周年。 中韩共同抵御法西斯侵略 ...

Group 1 - The film "The Sea" won multiple awards at the Israeli Academy Awards (Ophir Awards) and will represent Israel in the Oscars, despite criticism from Culture Minister Miki Zohar who claimed the film "slaps Israelis in the face" [1][3] - "The Sea" premiered on July 21 and tells the story of a 12-year-old Palestinian boy who faces obstacles while trying to see the sea in Tel Aviv, highlighting the struggles of Palestinian life and the harshness of Israeli soldiers [3] - The award ceremony was described as a solemn anti-war propaganda event, provoking anger from high-ranking Israeli government officials, leading to a statement from Zohar that the government will cease funding the film awards from 2026 [3] Group 2 - The Israeli Film and Television Academy responded by emphasizing that the film's theme is about human compassion, with the Academy's president stating that the Israeli film and cultural industry is facing "attacks from the government" and pressure from international peers [3]

Core Viewpoint - Japanese Prime Minister Shigeru Ishiba emphasizes the importance of accurately acknowledging Japan's defeat in World War II rather than referring to it as a "termination of war," which he believes misrepresents the essence of the situation [2][5]. Group 1: Historical Context and Personal Influence - Ishiba's perspective is heavily influenced by his father, Shigeru Ishiba Sr., who was a bureaucrat during the war and held a strong anti-war stance [4][5]. - The father’s insistence on referring to Japan's defeat as "defeat" rather than "termination" reflects a broader understanding of the consequences of war [4]. Group 2: Political Implications and Challenges - Ishiba's insistence on confronting the realities of Japan's wartime actions has become a lifelong mission, especially as he navigates the political landscape following the recent electoral defeat of the Liberal Democratic Party [5][6]. - There is significant internal opposition within the LDP regarding Ishiba's views, with some members advocating for adherence to previous statements made by former Prime Minister Shinzo Abe [6][7]. Group 3: Future Considerations and Strategic Timing - Ishiba plans to carefully consider the timing and format of his statements regarding Japan's wartime history, aiming to avoid potential political backlash and ensure a thoughtful approach [7][8]. - The potential implications of choosing specific dates for public statements, such as September 2, are being weighed against the risk of legitimizing historical grievances related to territorial disputes with Russia [8].

Core Viewpoint - The article discusses the release of the film "Dongji Island," which is based on the true story of Chinese fishermen rescuing British POWs during World War II, highlighting themes of heroism, humanity, and the importance of family [3][5][10]. Summary by Sections Film Overview - "Dongji Island" premiered on August 8, 2023, and has grossed over 250 million yuan, with AI predictions estimating a total box office of 619 million yuan [5][15]. - The film is directed by Guan Hu and focuses on the actions of ordinary fishermen who risked their lives to save strangers [5][7]. Artistic Approach - The film combines historical facts with artistic creativity, aiming to provide an immersive experience for the audience [5][10]. - The director emphasizes the difference between documentary and narrative films, with the latter requiring character development and dramatic conflict [5][10]. Themes and Character Development - The story is told through the perspective of two fishermen brothers, highlighting their motivations and the concept of "home" throughout the film [7][8]. - The film portrays the transformation of the characters from self-preservation to altruism, showcasing the essence of heroism in ordinary people [10][15]. Technical Aspects - The film features real underwater scenes and was shot in a large temperature-controlled water tank, simulating various sea conditions [11][14]. - The production team aimed for authenticity by recreating the fishing village environment and using traditional boat-making techniques [14]. Historical Context and Impact - The film concludes with a documentary short that connects the audience to the real-life heroes, emphasizing the lasting impact of their actions [15]. - Descendants of the rescued POWs express gratitude, highlighting the significance of the fishermen's bravery in changing the narrative of their families [15].

基于真实历史，辅以艺术创作，《东极岛》从朱一龙、吴磊饰演的阿赑、阿荡这对渔民兄弟的视角出发，对这场 跨越国界的生死营救展开叙述。 去年9月，纪录片《里斯本丸沉没》上映，披露了二战时期发生在中国舟山海域的一段鲜为人知的历史。8月8日， 取材于这段历史的剧情片《东极岛》上映，让舟山渔民冒险营救英军战俘的义举被更多人知晓。 1942年10月，一艘满载英军战俘的日本武装运输船"里斯本丸"经过舟山东极附近海域时，被美军潜艇发射的鱼雷 击中，上千名战俘被封锁在船舱内。绝境之时，舟山渔民撑船入海，救下384名战俘。 在《里斯本丸沉没》中，主创通过与事件亲历者、幸存者及遇难者后人的对谈，将历史的碎片拼凑完整，告诉世 人他们是谁、发生了什么。《东极岛》则将故事的重点放在中国渔民的义举之上，试图回答：这些普通渔民为什 么愿意冒着生命危险，营救数百位素不相识的落难者。 8月10日，《东极岛》导演管虎，出品人、总制片人梁静，主演朱一龙、吴磊来到上海与观众交流。在回应影片的 艺术构思时，管虎谈到，剧情片与纪录片是两种不同体裁，纪录片忠于史实，剧情片需要在取材真实的基础上辅 以艺术创作，"塑造人物，讲述人物的成长，营造矛盾，设计戏剧冲突 ...

Core Viewpoint - The article highlights a protest in front of the White House against potential U.S. military action in Iran, emphasizing anti-war sentiments and calls for non-intervention in the Middle East [1] Group 1 - Protesters criticized the U.S. government's actions as unconstitutional, claiming it lacked congressional authorization [1] - Demonstrators held signs with messages such as "Remember Iraq, no more wars based on lies," reflecting widespread anti-war sentiment [1] - The protest also included assertions that U.S. actions violate international law [1]