【编者按】 2025年是古龙逝世四十周年。自2025年5月起至12月，中国武侠文学学会联合复旦大学、华东师范大学、上海大学、上海师范大学、苏州大学及上 海社会科学院等高校与科研机构，共同发起了"古龙文化研究进校园"大型学术活动。9月21日，是古龙逝世四十周年纪念日。我们特刊此文以示纪 念。本文为"古龙文化研究进校园"系列活动中，中国电影艺术研究中心研究员陈墨先生于上海大学的讲座发言稿，经作者授权首发于智通财经。 讲座由上海大学文学院教授石娟主持。 古龙（1938年6月7日-1985年9月21日） 石娟：1985年，48瓶XO陪伴古龙先生离开了红尘。时逢古龙先生逝世40周年，中国武侠文学学会策划筹备了"古龙文化研究进校园"系列活动，这 是本系列活动的第二场。 在中国大陆，金庸对三位评论家"深为拜嘉"，第一位是冯其庸先生，第二位是严家炎先生，第三位就是陈墨先生。陈先生曾著文论金庸的八种身 份，如杨华老师在复旦大学所说，陈墨先生亦有多重身份：他的主业是电影史和口述史，而最为大家所熟知的是他的武侠小说研究。陈先生是我 多年一直敬重的学者，今天能够请到他到上海大学来为大家以文字解刀锋，何其有幸。话不多说，请诸位暂忘窗外 ...

Group 1 - The core theme of "Jacob's Book" by Olga Tokarczuk revolves around the exploration of identity, faith, and the complexities of historical narratives, particularly through the character of Jacob, a religious leader in the 18th century [4][5][20]. - The narrative structure employs a "star cluster writing" style, where Jacob, despite being the central figure, is not directly portrayed, allowing for a diverse exploration of other characters and themes [17][18]. - The story reflects on the tension between enlightenment and tradition, as seen through characters like Asher Rubin, who embodies rationalism, and Gitla, who represents the struggle for personal freedom within a restrictive society [19][21]. Group 2 - The historical context of the novel is set against the backdrop of 18th-century Eastern Europe, highlighting the socio-political dynamics and the Jewish experience during this period [20][25]. - The character of Nahman serves as a representation of the classical believer, whose actions are driven by a desire for personal glory through faith, contrasting with the modern believer represented by Morifda, who seeks healing and understanding [20][21]. - The narrative culminates in a reflection on survival and the human condition, drawing parallels between Jacob's time and the experiences of Jewish families during the Holocaust, emphasizing the enduring nature of storytelling as a means of preserving history [24][25].