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暗蓝评托芙·迪特莱弗森作品三种|分裂与认同之间的女性写作
Xin Lang Cai Jing· 2025-12-13 03:27
《邪恶的幸福》,[丹]托芙·迪特莱弗森著,李思璟译,野spring|广西师范大学出版社,2025年2月出版,264页,48.00元 《面孔》,[丹]托芙·迪特莱弗森著,徐芳园译,野spring|广西师范大学出版社,2025年2月出版,45.00元 《哥本哈根三部曲》,[丹]托芙·迪特莱弗森著,刘奕奕译,新经典文化|南海出版公司,2024年7月出版,483页,79.00元 在《如何抑制女性写作》一书中,乔安娜·拉斯敏锐地捕捉到中产阶级女性与工人阶级在写作方面存在相同困境。"中产阶级女性虽然接受过要重 视既定形式的教育,她们其实和工人阶级处于相同的境况:他们都不能运用既定形式表达那些既定形式从未想过要表达的东西(相反倒可能是要 隐藏)。"([美]乔安娜·拉斯:《如何抑制女性写作》,章艳译,南京大学出版社,2020年,192页)换言之,在写作被认为是男性知识分子阶层 天职的时代,当女性与工人阶级写作者从他们的角度捕捉到"另类真实",他们的写作便难免自带分裂倾向:他们的"真实"是另类的,故而无法被 既定形式容纳与肯定;然而对表达真实的强烈渴望——若无这种渴望,他们其实不必写作——会促使他们寻求能够捍卫自身写作权利的方 ...
一个女科幻作家的「进化」:从不写女性,到书里全员女性
36氪· 2025-03-08 13:49
Core Viewpoint - The article discusses the evolution of female representation in science fiction through the experiences of a Chinese female science fiction writer, Gu Shi, highlighting her journey towards a more inclusive and authentic portrayal of women in her works [2][8][19]. Group 1: Awakening and Transformation - Gu Shi experienced a "subjective awakening" after receiving feedback on her earlier works, prompting her to redefine her writing identity as a Chinese female author [3][12]. - She shifted from writing predominantly male protagonists to creating strong female characters, reflecting her personal growth and changing perspectives on gender roles [4][6][15]. Group 2: Cultural and Historical Context - Gu Shi's exploration of Chinese mythology and history led her to question traditional narratives, particularly regarding female figures in ancient stories, and to envision a matriarchal society as a more logical framework [5][18]. - Her works, such as "Zecheng," incorporate elements of Chinese culture and address contemporary issues like climate change, showcasing the potential of science fiction to explore gender dynamics [4][19]. Group 3: Female Representation in Science Fiction - The article emphasizes the importance of female voices in science fiction, noting that the genre can challenge societal norms and present alternative futures [19][24]. - Gu Shi's recent works, including "2181 Prelude," feature diverse female characters and have gained recognition, indicating a growing acceptance and demand for female-centric narratives in the genre [6][7][20]. Group 4: Challenges and Critiques - The article highlights the challenges female authors face, including criticism from both male and female readers regarding their portrayal of women and the expectations placed on them [27][28]. - Gu Shi advocates for the protection and encouragement of female writers, emphasizing the need for diverse representations and the importance of allowing women to define their narratives [26][29].
当一位科幻作家放弃了让男人当主角
后浪研究所· 2025-03-05 09:46
Core Viewpoint - The article discusses the evolution of female representation in science fiction through the experiences of Chinese female author Gu Shi, highlighting her journey from writing male-centric narratives to embracing her identity as a Chinese woman writer and exploring gender perspectives in her works [2][10][11]. Group 1: Author's Journey and Awakening - Gu Shi began her writing career in 2011, primarily featuring male protagonists, influenced by the male-dominated sci-fi literature of the past [2][8]. - In 2017, after winning the Chinese Galaxy Award for her short story "Moebius Time Space," she faced questions about the absence of female characters and Chinese culture in her work, prompting her to reflect on her identity as a Chinese female writer [1][8][10]. - This reflection led to a "subjective awakening," where she recognized the value of her unique perspective shaped by her environment, gender, and nationality [2][11]. Group 2: Shift in Writing Style and Themes - Gu Shi experimented with new writing styles, moving away from her comfort zone of male perspectives to create more complex female characters, as seen in her work "Gambling Brain," which won the 2019 Chinese Galaxy Award for Best Novella [2][12]. - Her 2022 short story "Choosing a City" reflects her engagement with climate change themes, integrating elements of Chinese mythology and questioning traditional narratives surrounding historical figures like Da Yu [3][4]. Group 3: Representation of Women in Sci-Fi - Gu Shi emphasizes the importance of writing strong female characters who can "hold their own," inspired by real-life women she encounters [5][14]. - She believes that science fiction has the potential to address women's issues more profoundly, allowing for the exploration of both positive and negative gender futures [5][19][20]. - Her recent works, including "2181 Prelude," feature diverse female characters and aim to construct a more equitable gender perspective [5][6][14]. Group 4: Challenges and Critiques - Gu Shi discusses the challenges female writers face, including criticism from female readers who may hold high expectations for gender representation in their works [22][23]. - She advocates for the protection and encouragement of female writers, emphasizing the need for growth and understanding within both authors and readers [24][25]. Group 5: Future Directions - Gu Shi is involved in a project to publish a collection of works by Chinese female science fiction writers, aiming to highlight their contributions and perspectives [19][21]. - She believes that science fiction can serve as a tool to prevent negative societal outcomes by presenting potential futures, thus encouraging proactive engagement with current issues [20][26].