本报讯 （记者 王煜鹏） 春节期间，由青海本土原创的沉浸式互动喜剧魔术秀升级版《"魔"名"奇"妙 2.0》，于正月初六、初七在青海大剧院精彩上演，为群众献上兼具年味、特色与创意的文化盛宴。 此次演出是青海推动文艺创新、促进文旅融合的生动实践，以群众喜闻乐见的形式丰富节日文化生活， 以原创力量激活地方文艺活力，为青海文化事业高质量发展注入了新动力。 演出在首演基础上实现全面升级，打破传统魔术单向呈现模式，深度融合戏剧结构、魔术技艺、喜剧元 素与观众互动，使观众成为演出参与的有机组成部分。演出阵容进一步增强，新加盟魔术师带来经典舞 台魔术，原有团队则通过近景、心灵互动等多种形式，展现了本土文艺工作者的扎实功底与创新活力。 作品坚持立足本土，将青海自然人文元素巧妙融入魔术创意，用艺术语言讲述青海故事。演出尾声的全 员沉浸式互动环节，将现场气氛推向高潮，在欢声笑语中传递新春祝福，增强了观众的文化获得感和参 与感。 ...

Core Insights - The short drama series "Miracle," co-produced by the Central Radio and Television Station and the Shenzhen Municipal Propaganda Department, has achieved impressive viewership and critical acclaim since its launch, with a peak rating of 2.1858% and over 2 billion views online [1][2][3] - The series showcases the 45-year development of Shenzhen through 15 independent stories, reflecting the struggles of ordinary people amidst the tides of change, and incorporates themes of entrepreneurship, ecology, and technology [1][2][3] Group 1: Production and Reception - "Miracle" is the first original short drama from the Central Radio and Television Station, featuring a unique "short film collection" format with each episode lasting 15 minutes [1][3] - The series has sparked widespread industry attention and discussion, becoming a significant example of micro-short drama creation in Shenzhen [1][4] - The success of "Miracle" is seen as a benchmark for high-quality short drama production, demonstrating the potential for innovative storytelling in the industry [3][5] Group 2: Cultural and Artistic Impact - The series is described as a vibrant exploration of cultural originality, activating the "source of vitality" for cultural creation and establishing a new narrative path in the film and television industry [2][4] - "Miracle" employs a "people-centered" approach, drawing inspiration from the struggles of ordinary citizens to create a relatable and emotionally resonant narrative [5][12] - The innovative storytelling techniques used in "Miracle" challenge traditional narrative forms, offering a fresh perspective on urban development and the human experience [13][14] Group 3: Themes and Storytelling - The core theme of "Miracle" revolves around the idea that ordinary people's efforts lead to extraordinary outcomes, encapsulating the spirit of Shenzhen and the broader narrative of China's modernization [10][21] - Each of the 15 stories reflects different facets of life in Shenzhen, from the challenges faced by workers to the aspirations of entrepreneurs, creating a rich tapestry of urban life [10][15] - The series emphasizes the importance of community and collective memory, using relatable details to evoke emotional connections with the audience [9][12] Group 4: Future Prospects - The success of "Miracle" is expected to pave the way for more short dramas in prime time, potentially transforming the landscape of television content in China [12][18] - The series serves as a model for future productions, highlighting the significance of integrating local stories and experiences into mainstream media [12][22] - As the media landscape evolves, short dramas like "Miracle" may become a key direction for creative storytelling, reflecting contemporary societal values and cultural narratives [12][18]

西津渡自隋唐起便是漕运枢纽与军事要塞，1400余年的历史沉淀造就了"中国古渡博物馆"的独特地 位，街区内拥有全国、省、市级文保单位30余处，"一眼看千年"的道路基底展示区、中国镇江救生博物 馆等历史遗存，为文艺创作提供了不竭灵感。近年来，街区在严格遵循"修旧如故"原则的基础上，精准 对接"文艺两新"发展需求，构建起立体式文艺生态空间。目前，街区已集聚新文艺组织30余家、新文艺 群体从业者500余人，不少原创作品通过"线上传播+线下展演"的模式走出镇江，成为讲好城市故事的重 要载体。 近日，经省文联党组研究同意，省第二批"文艺两新"（新文艺组织、新文艺群体）实践基地正式公 布，我市西津渡历史文化街区凭借深厚的文化底蕴、完善的服务体系与显著的集聚效应成功入选。 此次省级"文艺两新"实践基地评选历经申报征集、实地调研、专家评审等多轮严格遴选，全省仅8 家单位最终入选。西津渡历史文化街区作为镇江文化地标，以"非遗工坊+艺术展厅+创作空间"三位一 体的创新格局，从众多申报单位中脱颖而出，其"保护历史文脉、激活文艺创新、促进文旅融合"的发展 路径获得评审专家高度认可。 市文联将会同西津渡文化旅游公司，进一步深化实践基地建 ...

内蒙古苏泊罕草原，碧空如洗，流云拂过成群的牛羊，马蹄踏碎晨露。我和队员们来到苏布尔嘎嘎查 时，演出场地已围坐了许多牧民。策马而至的少年衣襟沾满草籽，漫步而来的老阿妈哼着长调，还有阿 叔驱车上百公里，只为一睹这场文艺演出。75岁的巴雅尔爷爷说："你们来了，就是草原上的节日！" 我们是谁？乌兰牧骑，蒙古语意为"红色的嫩芽"。自1957年诞生起，前辈们便秉持"不漏掉一个蒙古 包"的宗旨，辗转草原戈壁，以天为幕布，以地为舞台，为群众送去演出和服务，传递党的声音和关 怀。 2017年11月，习近平总书记回信勉励乌兰牧骑队员，"永远做草原上的'红色文艺轻骑兵'。"彼时临近毕 业的我，看到电视上那些飞驰的身影，也下定决心，要把青春献给草原，做一抹最亮丽的红色。次年， 我如愿考入乌兰牧骑。时至今日，我每年下基层演出超150场，足迹遍布伊金霍洛旗138个村。 去年冬季，在都嘎敖包嘎查表演后，我们和往常一样，去看望68岁的牧民其其格。她的儿子莫日根悄悄 把我拉到一边，说道："你们每次来，母亲都会煮好奶茶和羊肉，喊上子女从市里回来看表演。对我们 来说，乌兰牧骑就代表着家的团聚。感谢你们的陪伴，她的皱纹都少了很多。"奶茶锅里热气升腾 ...

Core Viewpoint - The article emphasizes the importance of cultural精品 (cultural masterpieces) as a significant indicator of a nation's cultural development and highlights the strategic planning and theoretical insights provided by Xi Jinping during his tenure in Zhejiang, which have laid a foundation for the promotion of cultural creation and development in the region [1][11]. Group 1: Importance of Cultural Masterpieces - Cultural masterpieces are seen as a vital representation of cultural soft power and a key element in writing cultural history [2]. - Xi Jinping views the creation of cultural masterpieces as essential for enhancing Zhejiang's comprehensive competitiveness and soft power, linking cultural production capacity to national strength [2][11]. - The emphasis on producing culturally significant works is part of a broader strategy to establish Zhejiang as a cultural province, with specific initiatives to support various cultural sectors [2][6]. Group 2: Guiding Creative Direction - The article stresses the necessity of adhering to Marxism as the guiding ideology in cultural creation, which is fundamental for the construction of socialist culture [3]. - Xi Jinping highlights the importance of maintaining a unified ideological direction while recognizing cultural diversity, ensuring that cultural products reflect advanced cultural values [3][11]. - The relationship between social and economic benefits in cultural production is emphasized, advocating for a balance that prioritizes social impact [3][6]. Group 3: Focus on Realistic Themes - There is a strong emphasis on creating works that resonate with contemporary realities, urging artists to engage deeply with societal issues and the lives of the people [4][5]. - Xi Jinping's directives include supporting projects that reflect the struggles and aspirations of the Zhejiang people, such as films and television series that depict local experiences [5][11]. Group 4: Reform to Stimulate Creativity - The article discusses the need for cultural reforms to enhance the vitality of cultural production, advocating for a system that encourages creativity and talent [6]. - Xi Jinping's approach includes promoting market-oriented reforms in cultural institutions to align with economic realities and stimulate artistic innovation [6][11]. Group 5: Innovation Based on Tradition - Innovation in the arts is deemed essential, with a call for artists to draw from Zhejiang's rich cultural heritage while also embracing contemporary influences [7]. - The article highlights the importance of creating a conducive environment for artistic expression and innovation, allowing for diverse artistic styles to flourish [7][11]. Group 6: Talent Development - The cultivation of a high-quality artistic workforce is identified as crucial for the production of cultural masterpieces, with initiatives aimed at attracting and nurturing talent [8]. - Xi Jinping emphasizes the integration of talent development into the broader strategy for cultural advancement, ensuring that educational institutions play a key role in this process [8][11]. Group 7: Party Leadership in Cultural Work - The article underscores the significance of the Party's leadership in cultural affairs, advocating for a supportive environment that fosters artistic growth [10]. - Xi Jinping's vision includes enhancing the management of cultural initiatives to ensure they align with the Party's objectives and resonate with the public [10][11].

新一代人工智能技术持续加速着技术与文化的深度融合，加速着网络文化的大众化趋势。AI"魔改"视频 层出不穷，呼唤更清晰的分类标准、更科学的审核机制和更精准的管理方式，提醒我们在法律的框架内 寻求保护版权与鼓励创新的平衡。我们需要的是既能保护经典价值、坚守分配正义，又能激发创新活 力、理性拥抱人工智能技术的治理智慧。在保护中引导创新，让经典以新的形式融入现代生活，是技术 之于文化的重要价值。 针对这种现象，有人认为涉及侵权风险与亵渎经典，不能"放任自流"，也有人认为这是技术赋能大众文 化生产的体现，不宜"一禁了之"。如何在版权规范和保护中激发大众创新创造活力，考验着我们的文化 治理智慧。 （作者单位：华东师范大学传播学院（出版学院）） 从版权角度来看，未经许可复制传播影视剧的片段、截图，或是改编其视频画面，可能构成对影视作品 的版权侵权。如果对角色的视频改编涉嫌利用演员的知名度博流量，或是丑化角色形象，还可能侵犯演 员的肖像权。即便获得改编授权，二次创作也不是无底线的。如果对原著情节和人物关系改动过大，且 对原著作者的观点和情感构成歪曲、篡改，影响到观众对原作品的评判，也可能侵权。更甚者，部 分"魔改"视频为了获 ...