洞见 （ DJ00123987 ） —— 不一样的观点，不一样的故事， 3000 万人订阅的微信大号。点击标题下 蓝字 " 洞见 " 关注，我们将为您提供有价值、有意思的延伸阅读。 弱者多情绪，强者都漠然。 ♬ 点上方播放按钮可收听洞见主播一凡 朗读音频 耶鲁大学做过一项调查研究。 他们向数百位企业家、公司高管、职场精英发放了一张问卷。 让这些成功人士列出他们取得成功必不可少的因素。 结果约有80%的参与者都将"不被情感左右"列为最重要的因素。 弱者多情绪，强者都漠然。 当一个人在工作中做到无相、无情、无我，就是他最无敌的状态。 01 作者： 洞见·李秀文 无相 叔本华说： 人性有一个显著的弱点，就是太在意别人如何看待自己。 很多人的职场内耗，都源自于此。 看到领导不经意的一个眼神，就心生惶恐，怀疑自己是不是工作没做到位。 感觉客户的态度有点冷漠，就备感焦虑，担心自己的方案会不会被否定。 就连被同事调侃几句，也会胡思乱想，在心里嘀咕自己有没有得罪过对方。 但其实，你花时间精力揣摩分析他人动机，除了给自己徒增压力外，毫无意义。 原因有二： 一来，别人怎么想，根本不是你能决定的。 二来，真正影响你情绪的，并不是他 ...

Group 1 - The third season of "The White Lotus" presents a stark contrast in the portrayal of local people, reducing them to mere symbols and functional roles, particularly in the context of wealthy white tourists in Thailand [1][4] - Previous seasons, set in Hawaii and Sicily, depicted local characters with depth, reflecting historical tensions and personal agency, which is notably absent in the third season [2][3][5] - The character Lisa in the third season embodies a "white lotus," serving as a mere object of desire without any agency, contrasting sharply with the more complex local characters from earlier seasons [6][12] Group 2 - The series explores the "Asian girl problem," highlighting the objectification of Asian women as symbols of ultimate sexual desire, particularly through the character Frank's obsession [7][9] - Frank's character reflects a deeper commentary on desire and identity, questioning the nature of his own desires and the implications of wanting to become an object of desire himself [8][10][13] - The portrayal of Asian women in the series raises critical discussions about racial and gender dynamics, particularly in the context of Western fantasies and the implications of "yellow fever" [10][11][14] Group 3 - The season critiques the superficial and commodified representation of Eastern spirituality, particularly Buddhism, as a tool for Western characters to navigate their existential crises [14][15][18] - The characters' engagement with Eastern philosophies reflects a broader trend of "spiritual consumerism," where practices like yoga and meditation are stripped of their original meanings and repackaged for Western audiences [19][20] - The narrative contrasts the concepts of "no self" and "Amor Fati," exploring different approaches to identity and existence, ultimately suggesting that both can offer solutions to modern existential dilemmas [25][26][27]