本文来自微信公众号：刀锋时间 （ID：hardcorereadingclub），作者：杨时旸，编辑：程迟，题图来 自：AI生成 但吊诡的是，人们即便知道轨道通向可怖的站台，也仍然会按照惯性奔赴而去，最终被绚烂又绝望的泡 沫淹没……一代一代循环往复，奔赴同样的处境与终点，再面对同样的处决与自我清算。 奢靡和虚伪，也有体面与秩序 《掩耳盗邻》有着近些年美剧类型里一个少见的设定：当一个成功的中年金融男成为盗贼。听起来狗 血，但看起来合理。 库珀英俊，健硕，离异，儿女归前妻。他在酒吧里偶遇了一名年轻女孩，你情我愿，但没过多久，老板 就通知他被开除了，只是因为那个女孩算是间接又间接的同事。当然，这是借口，主要原因是他的傲慢 激怒了上司。但库珀对这一切有口难言，曾经沧海难为水，他再难找到合适的工作。 某天，他突然动了自己那些非富即贵的邻居的心思，今天拿一串项链，明天偷一块手表，维系自己的开 销，然后，不动声色地继续参加慈善晚宴和高尔夫球局，谁会想到嫌犯会是他呢。故事从这里展开，驶 向不可思议的过程与结局。 听起来这个故事迅速偏向了惊险与刺激的类型化叙事，但事实是一点也没有。它反而走向了另外的一 端，以盗窃作为切口，展现出 ...

Group 1 - The third season of "The White Lotus" presents a stark contrast in the portrayal of local people, reducing them to mere symbols and functional roles, particularly in the context of wealthy white tourists in Thailand [1][4] - Previous seasons, set in Hawaii and Sicily, depicted local characters with depth, reflecting historical tensions and personal agency, which is notably absent in the third season [2][3][5] - The character Lisa in the third season embodies a "white lotus," serving as a mere object of desire without any agency, contrasting sharply with the more complex local characters from earlier seasons [6][12] Group 2 - The series explores the "Asian girl problem," highlighting the objectification of Asian women as symbols of ultimate sexual desire, particularly through the character Frank's obsession [7][9] - Frank's character reflects a deeper commentary on desire and identity, questioning the nature of his own desires and the implications of wanting to become an object of desire himself [8][10][13] - The portrayal of Asian women in the series raises critical discussions about racial and gender dynamics, particularly in the context of Western fantasies and the implications of "yellow fever" [10][11][14] Group 3 - The season critiques the superficial and commodified representation of Eastern spirituality, particularly Buddhism, as a tool for Western characters to navigate their existential crises [14][15][18] - The characters' engagement with Eastern philosophies reflects a broader trend of "spiritual consumerism," where practices like yoga and meditation are stripped of their original meanings and repackaged for Western audiences [19][20] - The narrative contrasts the concepts of "no self" and "Amor Fati," exploring different approaches to identity and existence, ultimately suggesting that both can offer solutions to modern existential dilemmas [25][26][27]