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Core Viewpoint - The film "Nanjing Photo Studio" has sparked significant discussion, focusing on the historical atrocities committed by the Japanese army during the Nanjing Massacre in 1937, and has resonated with international audiences who reflect on their own historical contexts [1][2][3] Group 1: Audience Reactions - Foreign viewers expressed deep emotional responses to the film, with one audience member describing the depiction of violence against civilians as shocking and incomprehensible [1] - Another viewer related the film to their own country's experiences of Japanese invasion, highlighting a shared sense of anger and empathy [1] - A third viewer emphasized the personal connection to the victims portrayed in the film, transforming abstract numbers into relatable individuals [1] Group 2: Historical Awareness - The audience members noted significant differences in historical education regarding Japanese wartime actions, with South Korea emphasizing this history in schools, while Western countries provide limited coverage [2] - Despite these educational disparities, the film's themes of moral struggle and the pursuit of truth resonate universally, appealing to international viewers [2] Group 3: Contemporary Relevance - The film is seen as a crucial reminder of historical truths in the face of rising historical revisionism, with viewers acknowledging China's efforts to preserve and share evidence of wartime atrocities [3] - The narrative encourages younger generations to remember the sacrifices made for peace, emphasizing the importance of confronting historical realities [3] - The film is being released in multiple countries, continuing the dialogue on history, memory, and humanity, reinforcing the need to face the past to truly value peace [3]

Core Viewpoint - A recently exposed historical album documents the atrocities committed by the Japanese Kwantung Army against the anti-Japanese hero Yang Jingyu, providing further evidence of Japan's aggression during the invasion of China [1][4]. Group 1: Historical Context - The album titled "Jilin Tonghua Island Three Provinces Law and Order Rectification Work Commemorative Photo Album" was published by the Japanese Kwantung Army in 1941 and contains nearly a hundred photographs documenting their brutal suppression of the Northeast Anti-Japanese United Army from 1939 to 1940 [3]. - Yang Jingyu, a key figure in the Northeast Anti-Japanese United Army, led guerrilla warfare against the Japanese forces, establishing numerous secret camps and employing flexible strategies [3]. Group 2: Yang Jingyu's Legacy - Yang Jingyu fought valiantly against overwhelming enemy forces and ultimately sacrificed his life on February 23, 1940, at the age of 35, after enduring severe hardships [3]. - The brutal treatment of Yang Jingyu's body by the enemy, including decapitation and disembowelment, highlighted the extreme conditions faced by the anti-Japanese fighters, as he was found with no food in his stomach, only undigested roots, tree bark, and cotton [3]. Group 3: Impact of the Album - The album serves as a self-promotional tool for the Japanese Kwantung Army, but it inadvertently reflects the resilience and determination of the Northeast Anti-Japanese United Army, igniting a spirit of resistance among the local population [3][4].