Core Viewpoint - The "Youth Version of Peony Pavilion" has successfully engaged a new generation of performers and audiences, revitalizing Kunqu opera and integrating traditional culture with modern sensibilities [1][4]. Group 1: Performance and Audience Engagement - The first performance of the "Youth Version of Peony Pavilion" at Southeast University featured an 86% cast of post-2000 actors, with an average age of around 22 years [1]. - The production has been performed over 500 times in 20 years, becoming a representative work of "youth literature and art" [1]. - The success of the youth version is attributed to government support, social recognition, and public appreciation for Kunqu [1]. Group 2: Training and Artistic Development - The production began in 2003, focusing on cultivating artistic talent through a rigorous three-month training program that included 10-hour daily sessions [2]. - The training covered various aspects of performance, leading to significant improvements among young actors, who are seen as the torchbearers for Kunqu's future [2]. - The adaptation of the script aimed to bridge classical drama with modern audiences while preserving the essence of the original work [2]. Group 3: Cultural Significance and Modern Relevance - The recent production of "Handan Ji" demonstrates Kunqu's ability to respond to contemporary needs while respecting traditional narratives [3]. - The evolution of Kunqu is closely linked to cultural development, with the "Youth Version of Peony Pavilion" being a systematic cultural and social project [3]. - The goal is to guide modern audiences to appreciate the beauty of Kunqu, ensuring its relevance in contemporary life [3][4]. Group 4: Innovation and Future Prospects - The integration of diverse cultural resources and innovative approaches is essential for the ongoing vitality of Kunqu [4]. - The "Youth Version of Peony Pavilion" serves as an artistic bridge between Kunqu and contemporary society, illustrating the dynamic nature of traditional culture [4].