"30多年前，我曾说，在昆石、琼花与并蒂莲这'昆山三宝'之外，昆山还有一个宝，是任何地方都 没有的。"聊起昆山昆曲，一头银发的蔡正仁两眼有神。当时，昆山相关领导好奇地问："那是什么 宝？"蔡正仁笃定地回答："昆曲！这个宝是任何地方抢不走的，就是昆山的宝。" 随着保护与弘扬昆曲的事业推进，建设一个专业演出场所成为昆山迫切的现实所需。"当时，我们 察看的选址还是一片农田，后来建成了当时比较现代化的昆山大戏院，也就是现在昆山当代昆剧院的所 在地。"蔡正仁说。2015年，作为全国第8个昆剧专业院团，昆山当代昆剧院成立，被亲切地称为"昆 昆"，翻开了昆曲发展的新篇。 昨（12月19日）晚，在"十载昆韵·传薪致远"昆山当代昆剧院主题交流会上，昆曲名角、名作接连 亮相，"昆曲+"项目接连签约，进一步展现昆曲的当代生命力。 昆曲姓"昆"。10年前，当昆山当代昆剧院在昆曲故乡诞生时，许多人投来疑问的目光：在这个现代 化城市，一个县级院团，能否承载起六百年昆曲的传承与创新使命？10年后，答案在舞台上绽放。作为 经济发展的"优等生"，昆山着力打造好戏连台的昆曲艺术殿堂，再现新时代玉山雅集的繁华盛况，让昆 山成为读懂人文经济学的精彩 ...

Core Insights - The article explores the travel experiences of historical figures in ancient China, emphasizing their unique perspectives on famous landmarks and lesser-known places [1][2][3] Group 1: Travel Philosophy - The travel philosophy of historical figures like Shen Fu highlights the importance of personal experience over popular opinion, suggesting that true beauty often lies in less-visited locations [2][3] - Shen Fu's reflections on famous sites reveal a critical view, as he finds many renowned attractions to be overrated and prefers hidden gems [2][3] Group 2: Historical Context - The article provides a historical context of travel during the Qing Dynasty, illustrating how travel was often tied to official duties and personal exploration [3][4][6] - It discusses the significance of geographical landmarks, such as the Dayu Ridge, which served as a boundary for many historical figures during their journeys [4][6] Group 3: Cultural Observations - The narrative includes cultural observations about the social dynamics of travel, including the rise of entertainment and leisure activities along waterways, which contributed to the economic prosperity of regions like Jiangnan [9][10] - The description of travel experiences also reflects the societal norms and expectations of the time, such as the necessity of having a valid reason for travel [3][4]