Core Viewpoint - The "Zheli Youxi" 2026 New Spring Cultural Benefit Happy Gathering will feature a grand performance of traditional Chinese opera, running from January 1 to March 5, 2026, across 11 cities in Zhejiang Province, showcasing a total of 202 performances from 95 opera troupes [1][2]. Group 1: Event Overview - The event is guided by the Zhejiang Provincial Party Committee's Publicity Department and organized by the Zhejiang Provincial Department of Culture, Radio, Television, and Tourism, along with the Zhejiang Radio and Television Group [1]. - The performances will include 16 different types of opera, such as Yue Opera, Wu Opera, Peking Opera, Kunqu Opera, and more, with 121 performances (59.9%) taking place in towns and rural areas [1]. Group 2: Featured Performances - A total of 136 selected plays and 6 comprehensive opera galas will be presented, featuring popular works like "The Three Strikes of the White Bone Spirit" and "The Legend of the White Snake," as well as classic pieces such as "The Jade Hairpin" and "The West Chamber" [1]. - The Zhejiang Opera Essence Grand Tour will kick off on January 10, 2026, at the Zhejiang People's Hall, featuring over 40 award-winning opera artists [1]. Group 3: Cultural Integration - From January 8 to 10, a cultural tourism market will be held at the front hall and east square of the People's Hall, integrating opera culture with tourism through creative pop-ups, cultural exhibitions, specialty food experiences, and intangible cultural heritage displays [2]. - The event aims to create a cultural feast that connects urban and rural communities while bridging ancient and modern cultural narratives [2].

87版经典电视剧《红楼梦》中贾宝玉的扮演者欧阳奋强最近开通了"欧阳奋强说红楼"抖音账号，并已推出了18条视频。在这些视频中，欧阳奋强重温了当 年自己出演贾宝玉的幕后故事，并透露为了在外形上贴近贾宝玉，自己还在下巴中注射硅胶，是全国继马德华之后第二个在当时接受整容手术的演员。 此外，欧阳奋强还讲述了他跟饰演林黛玉的陈晓旭之间的友情，今年62岁的欧阳奋强在经历人生的沉浮后，显然对于《红楼梦》这部伟大名著中的人物有 了独特的看法，多条视频的见解都让人耳目一新。 比如在谈到探春时，欧阳奋强认为，探春是一个清醒的现实主义者。她是赵姨娘的亲生女儿，但由于赵姨娘说话做事都讨人嫌，如果认了这样的妈妈，以 后会被人轻视，于是探春就把王夫人当作了自己的"母亲"，"只有这样，她才能真正成为主子，才能在贾府立足，才能做出一番事业。"后来她果然推行 了"承包责任制"和发起"海棠诗社"，把大观园管理得井井有条，这都是探春先有了主子的身份，才有了施展的空间。"这就是我想说的，先自保，再爱 人。"但探春并非真的不爱赵姨娘，在她远嫁前跟赵姨娘告别的那场戏中，探春激动地抱着赵姨娘喊了一声"娘"，"在探春的内心里，是有这位妈妈的，她 必须让自己先 ...

（来源：团结报） 转自：团结报 □曲 征 中华书局12月15日发布情况说明称，有读者近日指出"中华经典诵读"本《唐诗三百首》存在简繁字对照 错误，该版《唐诗三百首》系2012年第1次印刷，当时他们在原诗的正文下面标出了对应的繁体字，因 为需要重新倒版和简繁转换，致使出现了一些讹误，后来每次重印时虽也做过零星修订，但都不彻底。 读者指出的"夹"误作"涛"，系改稿时全书替换操作失误所致；"里"误作"裏"、"大历"误作"大歷"等，系 简繁直接转换造成。 书籍出现错误，并非孤例，此前上海古籍出版社出版的《西厢记》被曝多处错漏，中华书局出版的《世 说新语（中学生版）》更因"三十余处基础性错误"引发争议。短短时间内，多家以"传承文明"为己任的 权威出版社接连"失手"，这不仅令人遗憾，更引发了公众对于出版工作严谨性与责任感的深切关注。 经典古籍是文明记忆的"活化石"，其文字准确性直接关系文化传承的真伪。无论是"里"误作"裏"、"大 历"误作"大歷"的简繁转换失误，还是《西厢记》中人名、典故的错漏，抑或《世说新语（中学生 版）》的"基础性错误"，看似"一字之差"，实则可能扭曲文本原意。尤其对于中学生群体而言，他们通 过这些" ...

Group 1 - The forum "Drama and Cultural Communication" was held in Beijing, co-hosted by the China Dramatists Association and the China Foreign Languages Publishing Administration, focusing on the importance of cultural confidence in international dissemination of Chinese drama [1] - Chen Yongquan, a key speaker, emphasized that the international spread of Chinese drama must be rooted in cultural confidence and artistic integrity, advocating for "creative transformation and innovative development" to showcase national art on the global stage [1] - Wang Yong, Vice Chairman of the China Dramatists Association, shared that from 2019, the National Peking Opera Company has conducted 176 performances and exchange activities in over 20 countries, reaching an audience of 150,000, highlighting the need for cultural confidence in international outreach [1] Group 2 - Bian Wentong, a professor at the Central Academy of Drama, discussed the need for contemporary perspectives and empathy in the international dissemination of classic works, advocating for creative transformation to rejuvenate traditional art [2] - Zhu Jiejing from the Shanghai Dance Theatre noted that successful dance dramas emerge from distilling traditional culture and innovating expressions, emphasizing the importance of cross-cultural resonance and modern narrative techniques [2] - Various speakers shared insights on the relationship between cultural innovation and international communication, including the success of Huiju Opera at the Sahara International Theatre Festival and new pathways for traditional culture's dissemination through music and new media [2]

"30多年前，我曾说，在昆石、琼花与并蒂莲这'昆山三宝'之外，昆山还有一个宝，是任何地方都 没有的。"聊起昆山昆曲，一头银发的蔡正仁两眼有神。当时，昆山相关领导好奇地问："那是什么 宝？"蔡正仁笃定地回答："昆曲！这个宝是任何地方抢不走的，就是昆山的宝。" 随着保护与弘扬昆曲的事业推进，建设一个专业演出场所成为昆山迫切的现实所需。"当时，我们 察看的选址还是一片农田，后来建成了当时比较现代化的昆山大戏院，也就是现在昆山当代昆剧院的所 在地。"蔡正仁说。2015年，作为全国第8个昆剧专业院团，昆山当代昆剧院成立，被亲切地称为"昆 昆"，翻开了昆曲发展的新篇。 昨（12月19日）晚，在"十载昆韵·传薪致远"昆山当代昆剧院主题交流会上，昆曲名角、名作接连 亮相，"昆曲+"项目接连签约，进一步展现昆曲的当代生命力。 昆曲姓"昆"。10年前，当昆山当代昆剧院在昆曲故乡诞生时，许多人投来疑问的目光：在这个现代 化城市，一个县级院团，能否承载起六百年昆曲的传承与创新使命？10年后，答案在舞台上绽放。作为 经济发展的"优等生"，昆山着力打造好戏连台的昆曲艺术殿堂，再现新时代玉山雅集的繁华盛况，让昆 山成为读懂人文经济学的精彩 ...

每经编辑｜金冥羽 12月2日，教育博主"北大一五老师"发推文和视频称，上海古籍出版社出版的"国学典藏"系列的《西厢记》一书当中，存在多处错误。"我只粗略看了一 遍，就发现了300多个各种各样千奇百怪的错误。" "奇葩的是，这本书短短的4页'前言'，竟然一共出现了至少5个标点错误、8个病句、2个断句错误、3个文字内容错误……还有数不清的不规范表达，而且 一个比一个越离谱！" ▲该博主标注出前言中的错误 12月7日，上海古籍出版社发布情况通报，全文如下： 12月2日晚，有读者在网络平台对上海古籍出版社出版的《西厢记》一书提出批评，称发现多处错误。上海古籍出版社第一时间启动图书质量检查程序。 12月3日，我社即通知经销商全面下架该书。12月4日，完成该书的质检报告，确认该书存在编校质量问题。对此，我们深感愧疚，并向广大读者表示诚挚 的歉意。 该博主认为，除了《西厢记》这本书的前言部分，在序言当中，短短300多字，竟然出现了12处错误，有些还是严重的、致命的错误。 ▲该博主标注出序言中的不少错误 此后，该博主又发布了2个视频，其表示，"全书累计超过300个错误"。他在3个视频中指出了几十处错误。 | (射传公=\十八 ...

上海古籍出版社关于《西厢记》 书编校质量问题的情况通报 上海古籍出版社 2025年12月7日 09:11 上海 6 9人 12月2日晚,有读者在网络平台对上 海古籍出版社出版的《西厢记》 一书提 出批评,称发现多处错误。上海古籍出版 社第一时间启动图书质量检查程序。12月 3日,我社即通知经销商全面下架该书。 12月4日,完成该书的质检报告,确认该 书存在编校质量问题。对此,我们深感愧 疚,并向广大读者表示诚挚的歉意。 12月5日,上海古籍出版社负责人专 程赴京联系该读者,希望能够当面听取意 见建议,但因该读者表示工作繁忙而未能 当面沟通。我社负责人通过短信向其反馈 了初步外理情况、并对该读者提出的批评 据悉，12月6日，上海古籍出版社召开图书质量工作专题会议，就《西厢记》一书中暴露出的内部管理问题和质量把关问题，进行深刻反思并研究整改措 施；要求全社上下吸取教训、举一反三，强调要始终把编校质量作为出版社的生命线。"上海古籍出版社热忱欢迎广大读者对图书质量进行监督，我社将 虚心听取各方面意见建议，全力保障读者权益，不断改进自身工作，不辜负广大读者对我们的信任与厚爱。" 此前，博主"北大一五老师"发文表示"上海 ...

Core Points - The article highlights the cultural exchange and collaboration between Suzhou and Venice, marking significant anniversaries in their diplomatic relations and cultural ties [1][2][3] - The performances of Kunqu opera, documentary films, and ballet are seen as manifestations of the "Belt and Road" initiative, showcasing Jiangnan culture in Italy [1][3] - The emphasis on the beauty of Kunqu and its role as a living cultural heritage is underscored by remarks from Italian officials and cultural representatives [2][3] Group 1: Cultural Exchange - The year 2023 marks the 55th anniversary of diplomatic relations between China and Italy, the 50th anniversary of China-Europe relations, and the 45th anniversary of the friendship between Suzhou and Venice [1] - The Kunqu opera "The West Chamber" and the documentary "I Learned Intangible Cultural Heritage in Suzhou" were showcased in Italy, enhancing cultural understanding [1][2] - The Suzhou Ballet's original ballet "The Bridge of Magpies" toured Europe, combining Chinese classical dance with Western ballet to tell a story of love and connection [3] Group 2: Artistic Collaboration - The performances are described as a bridge connecting Eastern and Western cultures, with a focus on themes of love, freedom, and equality [3] - The artistic director of Suzhou Ballet aims to convey Chinese stories to the world through innovative interpretations of ballet [3] - The collaboration between Suzhou and Venice is framed as a long-standing relationship that continues to evolve through cultural exchanges [2][3]

Core Viewpoint - The "2025 Annual Excellent Peking Opera Repertoire Exhibition" will be held from November 20 to 23 at the Mei Lanfang Grand Theatre, showcasing classic Peking opera performances by renowned troupes and young talents [1][3]. Group 1: Event Details - The exhibition is sponsored by the National Arts Fund and organized by the National Peking Opera Company, featuring performances from the National Peking Opera Company, Beijing Peking Opera Company, Tianjin Peking Opera Company, and Tianjin Youth Peking Opera Troupe [1][3]. - The exhibition will present four classic repertoires: "The West Chamber," "The Universe Peak," "The Red Lantern," and "The Legend of the White Snake" [1][3]. Group 2: Featured Performances - "The West Chamber" will be performed by Zhao Xiujun and Zheng Fei, highlighting a poignant love story that transcends feudal constraints, characterized by the unique charm of the Zhang school of Peking opera [3]. - "The Universe Peak," performed by Hu Wenge, showcases the character Zhao Yanrong's wisdom and resistance against oppression, featuring complex singing techniques and performance challenges typical of the Mei school [3]. - "The Red Lantern," featuring renowned artists Li Wenlin, Yuan Huqin, and Lü Huimin, emphasizes patriotic themes through memorable lines and integrates traditional elements with contemporary vitality [3]. - "The Legend of the White Snake," performed by Wang Yan and Guo Xiao, focuses on emotional depth and artistic expression, utilizing visual storytelling techniques to create a poetic atmosphere [4]. Group 3: Cultural Significance - The exhibition is part of an ongoing initiative since 2023 to promote and preserve Peking opera, reflecting the National Peking Opera Company's commitment to cultural confidence and innovation [4]. - The event aims to present a diverse array of classic repertoires that are well-known and suitable for all ages, showcasing the unique charm and profound heritage of Peking opera [4].

Core Argument - The book "The Fragile Scholar: Power and Masculinity in Chinese Culture" by Song Geng explores the complexities of masculinity in pre-modern China, emphasizing that traditional notions of masculinity are socially constructed and influenced by historical and cultural contexts [1][3][7]. Summary by Sections Masculinity in Modern Society - Many men experience confusion regarding their masculinity, influenced by societal expectations and cultural representations, leading to calls for "correct" gender education [3][7]. - The concept of masculinity is not universal; it varies significantly across different cultures, as highlighted by anthropologist David D. Gilmore [3][7]. Historical Context of Masculinity - In contemporary China, masculinity is increasingly diverse, shaped by globalization and various cultural influences, including Western and East Asian pop culture [7]. - Traditional Confucian values continue to impact gender discourse, with a resurgence of conservative ideologies reinforcing patriarchal structures [8]. Gender Constructs in Literature - The book examines the portrayal of the "scholar" archetype in traditional Chinese opera, which is often seen as lacking masculinity in a Western context but represents ideal male traits in Chinese literature [8][12]. - The distinction between "yin" and "yang" in Chinese culture offers a broader understanding of gender roles, where these concepts are fluid and context-dependent rather than fixed [9][10]. Comparative Analysis - The Western binary of male/female contrasts with the Chinese understanding of gender, which is more nuanced and often depersonalized in classical literature [9][10]. - The scholar's portrayal in works like "The West Chamber" reflects a cultural superiority complex, where intellectualism is valued over martial prowess [11][12]. Conclusion on Masculinity - The book argues that the traditional male archetype in Chinese literature is constructed through power dynamics rather than biological differences, suggesting that masculinity is a product of social and political contexts [10][17]. - The ongoing discourse around masculinity in China indicates a need for continued exploration and understanding of male identity in a rapidly changing society [18][19].