新华社北京10月3日电 礼颂盛世伟业，共谱时代华章。2025年国庆中秋假期，一系列丰富多彩的文艺演 出和文化活动在全国蓬勃开展，为人民群众增加了多层次、高质量的文化供给，绘就出新时代文化繁荣 发展的生动画卷。 红色文化激发爱国情怀 金秋时节，黑龙江汤原县城广场上，国旗在微风中舒展，《我和我的祖国》的歌声庄严回荡，点燃了市 民愈加炽热的爱国热情。 百余人手挽手，摆成一颗巨大的五角星，十名旗手高擎红旗沿星轨奔跑，风鼓红旗猎猎作响，引来阵阵 喝彩。 "这些沉浸式体验让爱国情怀可触可感、让红色教育走进烟火日常、让红色基因在潜移默化中代代传 承。"汤原县吉祥乡党委宣传委员董亚茹说。 今年国庆假期，红色文化的继承和弘扬，不仅融入日常烟火，也在激昂旋律中激荡共鸣。 江西吉安保利大剧院内灯火通明。在一曲磅礴的《庆典序曲》中，"薪火相传 乐颂山河"国庆音乐会拉 开序幕。 正在举行的"2025井冈山红色文化音乐周"中，中国音乐学院民族乐团、中央歌剧院等院团将带来9场红 色文化主题音乐会。 秋风送爽，北京园博园内，掌声、喝彩声与乐声交织，第九届中国戏曲文化周的精彩剧目轮番上演。 昆曲《李佩先生》、赣剧《白蛇传》、秦腔《花亭相会》… ...

新华社北京10月3日电 题：礼颂盛世 共谱华章——全国举办多彩文化活动欢度2025年国庆 新华社记者 礼颂盛世伟业，共谱时代华章。2025年国庆中秋假期，一系列丰富多彩的文艺演出和文化活动在全 国蓬勃开展，为人民群众增加了多层次、高质量的文化供给，绘就出新时代文化繁荣发展的生动画卷。 红色文化激发爱国情怀 金秋时节，黑龙江汤原县城广场上，国旗在微风中舒展，《我和我的祖国》的歌声庄严回荡，点燃 了市民愈加炽热的爱国热情。 百余人手挽手，摆成一颗巨大的五角星，10名旗手高擎红旗沿星轨奔跑，风鼓红旗猎猎作响，引来 阵阵喝彩。 "这些沉浸式体验让爱国情怀可触可感、让红色教育走进烟火日常、让红色基因在潜移默化中代代 传承。"汤原县吉祥乡党委宣传委员董亚茹说。 今年国庆假期，红色文化的继承和弘扬，不仅融入日常烟火，也在激昂旋律中激荡共鸣。 江西吉安保利大剧院内灯火通明。在一曲磅礴的《庆典序曲》中，"薪火相传 乐颂山河"国庆音乐 会拉开序幕。 正在举行的2025井冈山红色文化音乐周中，中国音乐学院民族乐团、中央歌剧院等院团将带来9场 红色文化主题音乐会。 首场音乐会上，当《我爱你中国》的旋律响起，退役军人袁有明忍不住湿了眼 ...

Core Insights - The article discusses the cultural significance of Beijing, highlighting its rich historical and literary heritage, which is explored through the publication of the "Art and Literature Beijing" series by Wenjin Publishing House [1][14] - The series aims to delve into the cultural connotations of Beijing through classical poetry, prose, drama, and couplets, showcasing the city's long-standing literary traditions [1][14] Summary by Sections Historical Context - Beijing has over 3,000 years of city-building history and more than 800 years as a capital, serving as a cultural center of the nation [1] - The article emphasizes the importance of ancient literary works that have become integral to the Chinese cultural identity [1] Poetry and Literature - The earliest known poetry referencing Beijing is attributed to the Han Dynasty, with the poem "Yanzhi Wangdan Ge" being highlighted as a significant work [5][6] - The Tang Dynasty is noted for its peak in Chinese poetry, with poets like Gao Shi and Li Yi contributing significantly to the literary landscape of Beijing [7] - The Song and Yuan Dynasties saw a shift in poetic themes, reflecting cultural exchanges and observations of minority customs [8] Prose and Essays - The Yuan, Ming, and Qing Dynasties marked a flourishing of prose, particularly travel essays that captured the beauty of Beijing's landscapes [9][10] - Notable prose writers from these periods, including Yuan Hongdao, depicted the changing seasons and the relationship between nature and the city [10] Cultural Practices and Drama - The development of drama, particularly Yuan Zaju, is highlighted as a significant cultural achievement, with prominent playwrights originating from Beijing [12][13] - The article discusses how the cultural landscape of Beijing evolved during the Jin and Yuan Dynasties, leading to a rich tapestry of artistic expression [13] Conclusion - The article concludes that Beijing's cultural identity is multifaceted, shaped by its historical significance and the contributions of various literary forms, making it a unique cultural hub [14]

9月25日上午，国家艺术基金2025年度传播交流推广资助项目"大家小画：连环画艺术百年巡展"在青海省图书馆拉开帷幕。作为国家艺术基金重点扶持 的文化传播项目，此次巡展落地青海，为青海地区观众搭建了接触国家级连环画精品的平台，以"小画见大家、方寸藏时代"的独特视角，让经典艺术走进基 层，丰富群众精神文化生活。 "大家小画：连环画艺术百年巡展"。主办方供图 此次展览在青海省图书馆B区二楼休闲天景（展厅）开展，开展首日便迎来观展热潮，观展人群络绎不绝。大家或驻足凝视展品细节，或对着熟悉的画 面轻声交流，重温与连环画相关的记忆。本次展览聚焦中国艺术大家及连坛名家的连环画代表作，以此为核心脉络，不仅能让观众清晰感受到连环画在绘画 技法与风格上的演变轨迹，还能深入探寻不同时期文化需求与题材创新之间的紧密关联。展厅内，数十位不同时期知名画家与连环画艺术大师的约200件 （套）代表作品集中亮相，仿佛一幅跨越百年的艺术长卷徐徐展开。 观众参观"大家小画：连环画艺术百年巡展"。主办方供图 在这些展品中，不乏艺术大家的经典之作。丰子恺的《丰子恺连环漫画集》充满了生活气息与人文关怀，寥寥数笔便将生活中的点滴趣事描绘得生动有 趣；关山 ...

Core Points - The event "Light and Shadow for a Century: Sino-French Film Dialogue" was held on September 22 as part of the 2025 Beijing Cultural Forum, celebrating the rich history of Sino-French film collaboration through music and film [1] - The concert featured segments titled "Echoes of the Century" and "Journey of Light and Shadow," showcasing classic films and music that highlight the century-long relationship between Chinese and French cinema [1] - Notable performances included a segment from the 1905 film "The Battle of Dingjunshan," with live traditional music, emphasizing the cultural significance of early Chinese cinema [1] - The concert also highlighted the 1957 co-production "The Kite," which is recognized as the first color children's film in New China, showcasing the imaginative friendship between Chinese and French filmmakers [3] - A reunion of the creative team from "Wolf Totem" took place, reflecting on the challenges and experiences of the film's production, which took seven years to complete [5] - The concert featured music from the upcoming Chinese film "Fengshen Part One: Chaoge Fengyun," which will be screened in over a hundred theaters in France during the 2024 Spring Festival, illustrating the growing interest in Chinese cinema abroad [6] - A gift exchange ceremony at the end of the concert symbolized the enduring cultural ties between China and France, with notable figures exchanging memorabilia related to their cinematic heritage [6] Summary by Sections Event Overview - The "Light and Shadow for a Century: Sino-French Film Dialogue" concert was part of the 2025 Beijing Cultural Forum, focusing on the historical collaboration between Chinese and French cinema through music and film [1] Musical Performances - The concert included performances of classic films and music, with segments like "Echoes of the Century" and "Journey of Light and Shadow" that highlighted the century-long relationship between the two countries' film industries [1] Historical Significance - The concert featured early Chinese cinema, including a performance from "The Battle of Dingjunshan," showcasing the cultural importance of these films [1] - The 1957 film "The Kite" was highlighted as a significant co-production, marking a milestone in Sino-French cinematic collaboration [3] Creative Team Reunion - The reunion of the "Wolf Totem" creative team underscored the dedication and challenges faced during the film's production, which took seven years [5] Future Prospects - The upcoming release of "Fengshen Part One: Chaoge Fengyun" in France indicates a growing interest in Chinese films, with screenings planned during the 2024 Spring Festival [6] Cultural Exchange - The concert concluded with a gift exchange ceremony, symbolizing the strong cultural ties and mutual respect between Chinese and French cinema [6]

中青报·中青网见习记者 马子倩 记者 张敏 很多人不知道，最早记录中国题材的电影纪录片，出自一位法国外交官之手。 9月22日晚，"风移影动——中法影像对话系列活动之"光影百年·中法同行"电影音乐会在中山公园音乐 堂举行，这是2025年北京文化论坛的特别策划活动。电影音乐会分为《世纪回声》和《光影旅程》上下 半场，中西乐器演奏家现场演出，配合大屏幕播放的画面，为不同历史时期中法交流中具有标志意义的 影片重新配乐。 19世纪末至20世纪初，时任法国驻昆明领事奥古斯特·弗朗索瓦在中国的北京、广西、云南等地拍摄了 一批影像资料，后被整理出版、称为《中国影像》。"这是迄今为止中国历史上第一批珍贵的活动影像 资料。"中国演员刘敏涛介绍道。 中法两国电影人联袂推荐，共同带领观众重温经典，唤起中法电影交流的珍贵记忆，是此次电影音乐会 的特别安排。其中，中国演员刘烨和他的妻子、法国摄影师安娜伊思·马田一起推荐了1958年上映、中 法合拍的奇幻儿童片《风筝》，这是新中国第一部中外合拍电影。 刘烨接受采访说，重温《风筝》后，他发现，当时的电影人虽然在影像呈现、叙事方式、影片结构以及 演员表演等方面尚处于起步阶段，但已展现出极高的水 ...

Core Viewpoint - The "2025 Beijing Cultural Forum - Sino-French Film Dialogue Series" launched the "Light and Shadow for a Century: Sino-French Journey" film concert, celebrating the achievements of film arts in both countries and promoting cultural exchange [1][2]. Group 1: Event Overview - The film concert took place on September 22, featuring music and film as a medium to honor the cinematic accomplishments of China and France [1]. - The event is part of a series aimed at enhancing cooperation in various fields, including film, between China and France [2]. Group 2: Notable Attendees and Contributions - Key figures included Shen Haihong, former French Prime Minister Jean-Pierre Raffarin, and various cultural representatives from both countries [2]. - Shen highlighted the deep friendship between China and France through over a century of mutual reflection in film arts [2]. Group 3: Performances and Cultural Exchange - Performances included segments from classic Chinese operas and films, showcasing the blend of traditional and modern cinematic techniques [1][3]. - The concert featured music from Sino-French co-productions, emphasizing the historical and cultural ties between the two nations [7]. Group 4: Future Initiatives - The event marks the beginning of further exchanges, with plans for French filmmakers to engage with Chinese cultural institutions and students [7]. - This initiative aims to foster ongoing cultural dialogue and collaboration, enriching the future of Sino-French cultural relations [7].

Core Points - The "2025 Beijing Cultural Forum - Sino-French Film Dialogue Series" launched the "Light and Shadow for a Century: Sino-French Journey" film concert, celebrating the achievements of film art in both countries and initiating a new chapter in Sino-French cultural exchange [1][4] - The event featured notable attendees such as French director Jean-Jacques Annaud and actress Juliette Binoche, highlighting the collaboration between Chinese and French filmmakers [1][3] Group 1 - The concert included performances of music from co-produced films like "Kite" and "Wolf Totem," allowing the audience to revisit classic works and memories of Sino-French film exchanges [3] - Rare footage from the late 19th and early 20th century China was presented by French filmmakers, alongside segments from the Paris Chinese Film Archive's collection, including "Dingjun Mountain," "The Love of Laborers," and "The West Chamber" [3] - The mutual gift exchange during the concert symbolized a century of collaboration in film between China and France, with significant items exchanged between descendants of notable figures [3] Group 2 - The "Sino-French Film Dialogue Series" aims to bridge academic, industrial, and cultural fields, promoting a historical review and collaborative creation in film art, thereby injecting lasting vitality into Sino-French cultural exchanges [4]

Core Viewpoint - The revival of classic plays is not merely a mechanical reproduction but a creative process that infuses contemporary life into timeless works, aiming to forge new classics for the current generation [2][6]. Group 1: Revival of Classics - The Beijing People's Art Theatre has restaged the classic play "Camel Xiangzi," which has received applause from both older and younger audiences, highlighting the ongoing trend of reviving classic works on stage [2][5]. - Various theaters, including the National Theatre and Northern Kunqu Opera Theatre, are reinterpreting classics in innovative ways, showcasing the enduring charm of these works across different artistic forms [2][3]. Group 2: Artistic Innovation - The process of reinterpreting classics requires creators to deeply understand the original works while injecting contemporary elements, thus bridging the gap to modern audiences [3][4]. - Directors like Li Liu and Wang Keran have successfully adapted classic plays while maintaining the original spirit, demonstrating the dialogue between classics and contemporary issues [3][4]. Group 3: Cultural Significance - The trend of classic revival reflects cultural confidence and the preservation of cultural genes, allowing the wisdom embedded in these works to resonate in a modern context [5][6]. - The revival of classics serves as a collective memory and spiritual code for a nation, emphasizing the importance of cultural transmission and innovation [5][6].

Core Viewpoint - The emergence of the "weak scholar" reflects a significant manifestation of the "emasculation" of masculinity in pre-modern Chinese literature and society, indicating a complex relationship between gender roles and societal expectations [4][6][9]. Group 1: Representation of Gender in Literature - The portrayal of women in classic Chinese literature often reflects a misogynistic attitude, where female beauty is seen as a corrupting influence on male virtues such as restraint and bravery [1][9]. - Works like "Romance of the Three Kingdoms" and "Water Margin" contain explicit misogynistic themes, with female characters often depicted as catalysts for male conflict and downfall [1][9]. - The "weak scholar" archetype, as analyzed in "The Weak Scholar: Masculinity in Pre-Modern China," suggests that despite the appearance of gender equality in narratives like "The West Chamber," misogyny remains prevalent [4][9]. Group 2: Evolution of Masculinity - The "weak scholar" character, exemplified by Zhang Sheng in "The West Chamber," represents a shift in masculinity that aligns with the Confucian ideal of the gentleman, yet still operates within a patriarchal framework [5][6][9]. - The narrative structure of "The West Chamber" emphasizes the importance of literary achievement over martial prowess, suggesting a cultural valorization of intellect over physical strength [7][8]. - The character's ultimate success is contingent upon traditional markers of masculinity, such as passing the imperial examination and achieving social status, reinforcing the patriarchal hierarchy [6][9]. Group 3: Historical Context - The historical backdrop of the Song and Yuan dynasties contributed to the emergence of the "weak scholar" archetype, as societal shifts and the establishment of the civil service examination system elevated the status of literati [7][10]. - The Mongol rule during the Yuan dynasty created a unique context for the development of male identity, leading to a distinct construction of masculinity that diverged from previous dynasties [7][10]. - The analysis of "The West Chamber" reveals that the interplay of gender roles and societal expectations is deeply rooted in the historical experiences of humiliation and loss faced by the literati [7][10].