这块1800年前的画像砖上 这块东汉空心砖 用线条定格了 一场1800年前的精彩表演 堪称"汉代杂技活化石" 三个看点带你认识 斜索戏车画像砖 砖上惊鸿 1800年前杂技高潮的永恒定格 定格了一场精彩的杂技表演 难度超高，惊心动魄 这场杂技怎么看？ 一起去解锁↓ 从右向左开始观看 下层右侧的"领队"骑着马扛旗前行 上层右侧同样有一个骑马人 正向后转身射箭 这次表演的"舞台"分为上下两层 就是本次表演最精彩的区域 ——戏车履索倒挂 两个骑马人身后 是表演者要在马车行进的过程中 完成这些高难度动作 谁看了不得惊叹一句：厉害！ 当超绝车技遇上绝妙杂技 一场惊心动魄的戏车表演就诞生了 我国很早就已经使用车辆 《史记·夏本纪》中有关于乘车的记载 周代时，"射"和"御"紧密相连 成为人们在战争中的一种重要技能 车马甚至成为当时国家展示实力的象征 比如"千乘之国""万乘之国" 汉代时，人们将马车与杂技相结合 只见两辆马车上各有一根竖起的杆子 前车与后车杆子上的人 共同拉起一条前低后高的飞索 表演者单脚站在飞索上 并向飞索上端攀登 前车的竖杆上还有一根横杆 一名表演者倒挂在横杆上 双臂张开，两只手分别托着一个球 球上各站一个 ...

Core Viewpoint - The article highlights the rich archaeological discoveries from the Han Dynasty in the Beijing region, showcasing the social life and daily activities of the people during that era through various artifacts and exhibitions [5][7]. Group 1: Archaeological Discoveries - Recent archaeological work in the Beijing area has led to significant findings from the Han Dynasty, including artifacts that reflect the social life and aspirations of the people [5]. - The exhibition "Sunrise in Youyan - Social Life in the Han Dynasty in the Beijing Area" features artifacts transferred to the Renmin University Museum, emphasizing the collaboration between the Beijing Cultural Relics Bureau and the university [5][7]. Group 2: Daily Life and Industry - The Han Dynasty saw a rapid development in agriculture and handicrafts, with archaeological evidence indicating an expansion in production scale and specialization within industries [6]. - Artifacts such as pottery, textiles, and tools illustrate the daily routines and cultural practices of the people, including their culinary habits and social interactions during meals [6][7]. Group 3: Exhibition and Educational Impact - The exhibition is characterized by a unique collaboration model between the university and the community, with many artifacts sourced from construction sites in the Tongzhou campus area [7]. - The planning of the exhibition by students and faculty aims to enhance professional skills and academic interest while providing an engaging experience for the public [7].

Core Viewpoint - The article highlights the significance of the Wushi Shrine in Jining, Shandong Province, as a cultural heritage site that preserves the largest and most complete collection of Han stone inscriptions and image stones in China [1][4]. Group 1: Historical Significance - The Wushi Shrine was built by the Wushi family, who served as officials for generations during the late Eastern Han period, and includes multiple halls, tombs, stone tablets, and sculptures [4]. - The Wuliang Shrine, the only hall with a confirmed owner, features the earliest known depictions of the Three Sovereigns and Five Emperors, showcasing the foundational figures of Chinese civilization [4][10]. Group 2: Cultural Artifacts - The shrine contains over 40 pieces of Han image stones that reflect the aesthetic and cultural depth of the Eastern Han period, covering themes from mythology to historical narratives [4]. - Notable scenes, such as the meeting between Confucius and Laozi, are depicted in the stone carvings, illustrating the exchange of ideas between Confucianism and Daoism [6]. Group 3: Modern Relevance - The Han image stones from the Wushi Shrine have garnered attention from researchers both domestically and internationally, with successful exhibitions and restoration projects enhancing their visibility [8]. - The restoration project initiated by Capital Normal University Library has revitalized the ancient art, allowing for renewed appreciation of traditional culture and its enduring spirit [8][10].