享有"楚韵汉风、南秀北雄"美誉的徐州 拥有2600年建城史 作为汉高祖刘邦故里 这里是汉王朝和汉文化的发祥地 汉墓、汉俑、汉画像石和汉玉 以其"汉代四绝"的非凡气韵 揭示着大汉王朝的文化密码 当考古者的手铲拂开沉睡的泥土 一个震撼世人的地下世界渐露真容 依山开凿的龟山汉墓如同微缩的王宫 这里不仅有墓主人安息的主室 还有武库、乐舞厅、仓库、水井等 这些汉画像石上的宴饮生活画面 每一处细节都彰显着汉代高超的建筑技艺 汉代墓葬中的画像石被誉为"石刻史书" 汉画像石题材十分广泛 大量反映现实生活的题材尤为引人注目 如车马出行、迎宾宴飨 六博对饮、舞乐百戏等 2025年江苏省城市足球联赛赛场上 徐州啦啦队队服上飞扬的纹饰 灵感就来源于画像石上古人"蹴鞠"的场景 不仅是对汉代上层社会 奢华生活的生动写照 更反映出墓主人的显赫地位 徐州汉墓出土的陶俑有6000余件 从造型设计大体分为兵马俑、仪仗俑 乐舞俑和侍俑等 执兵俑是兵马俑的一种 兵俑们或背负箭箙，引弓待发 或头戴风盔，身着厚甲 印证了史书中楚兵劲悍的记载 让人仿若置身于烽火连天的大汉疆场 来自驮篮山楚王墓的乐舞俑 体态定格为优美的"S"形瞬间 其上体前倾，左臂自然舞 ...

享有"楚韵汉风、南秀北雄"美誉的徐州 拥有2600年建城史 作为汉高祖刘邦故里 这里是汉王朝和汉文化的发祥地 汉墓、汉俑、汉画像石和汉玉 还有武库、乐舞厅、仓库、水井等 每一处细节都彰显着汉代高超的建筑技艺 汉代墓葬中的画像石被誉为"石刻史书" 汉画像石题材十分广泛 大量反映现实生活的题材尤为引人注目 以其"汉代四绝"的非凡气韵 揭示着大汉王朝的文化密码 当考古者的手铲拂开沉睡的泥土 一个震撼世人的地下世界渐露真容 依山开凿的龟山汉墓如同微缩的王宫 这里不仅有墓主人安息的主室 如车马出行、迎宾宴飨 六博对饮、舞乐百戏等 2025年江苏省城市足球联赛赛场上 徐州啦啦队队服上飞扬的纹饰 灵感就来源于画像石上古人"蹴鞠"的场景 这些汉画像石上的宴饮生活画面 不仅是对汉代上层社会 奢华生活的生动写照 更反映出墓主人的显赫地位 徐州汉墓出土的陶俑有6000余件 从造型设计大体分为兵马俑、仪仗俑 乐舞俑和侍俑等 执兵俑是兵马俑的一种 兵俑们或背负箭箙，引弓待发 或头戴风盔，身着厚甲 印证了史书中楚兵劲悍的记载 让人仿若置身于烽火连天的大汉疆场 来自驮篮山楚王墓的乐舞俑 体态定格为优美的"S"形瞬间 其上体前倾，左臂自然舞 ...

Core Viewpoint - The article highlights an ancient Han Dynasty brick that captures a thrilling acrobatic performance from 1800 years ago, showcasing the complexity and artistry of Han-era entertainment [2][4]. Summary by Sections Acrobatic Performance - The brick depicts a high-difficulty acrobatic act involving performers on a flying wire, demonstrating remarkable skills as they balance and climb [10][14]. - The performance features two horse-drawn carts with vertical poles, where performers execute intricate movements while the carts are in motion, emphasizing the combination of equestrian skills and acrobatics [14][16]. Historical Context - The integration of acrobatics with horse-drawn vehicles, known as "xiche," was a popular and challenging form of entertainment during the Han Dynasty, as documented in historical texts [16][18]. - The performance style reflects the cultural significance of chariots in ancient China, symbolizing military prowess and societal status [14][16]. Variety of Han Dynasty Acrobatics - Han Dynasty acrobatics were diverse, including strength acts, body techniques, juggling, high-altitude performances, equestrian acts, and illusions, making it a vital part of both court and public entertainment [21][29]. - Specific acts included strength displays like "lifting pots," body techniques centered around balancing, juggling acts like "throwing balls," equestrian performances, and magical illusions [21][23][27]. Artistic Representation - The brick serves as a visual narrative, employing line and surface techniques to depict the dynamic nature of Han acrobatics, providing a glimpse into the vibrant life of that era [29].

Core Viewpoint - The article highlights the rich archaeological discoveries from the Han Dynasty in the Beijing region, showcasing the social life and daily activities of the people during that era through various artifacts and exhibitions [5][7]. Group 1: Archaeological Discoveries - Recent archaeological work in the Beijing area has led to significant findings from the Han Dynasty, including artifacts that reflect the social life and aspirations of the people [5]. - The exhibition "Sunrise in Youyan - Social Life in the Han Dynasty in the Beijing Area" features artifacts transferred to the Renmin University Museum, emphasizing the collaboration between the Beijing Cultural Relics Bureau and the university [5][7]. Group 2: Daily Life and Industry - The Han Dynasty saw a rapid development in agriculture and handicrafts, with archaeological evidence indicating an expansion in production scale and specialization within industries [6]. - Artifacts such as pottery, textiles, and tools illustrate the daily routines and cultural practices of the people, including their culinary habits and social interactions during meals [6][7]. Group 3: Exhibition and Educational Impact - The exhibition is characterized by a unique collaboration model between the university and the community, with many artifacts sourced from construction sites in the Tongzhou campus area [7]. - The planning of the exhibition by students and faculty aims to enhance professional skills and academic interest while providing an engaging experience for the public [7].

Core Viewpoint - The article highlights the significance of the Wushi Shrine in Jining, Shandong Province, as a cultural heritage site that preserves the largest and most complete collection of Han stone inscriptions and image stones in China [1][4]. Group 1: Historical Significance - The Wushi Shrine was built by the Wushi family, who served as officials for generations during the late Eastern Han period, and includes multiple halls, tombs, stone tablets, and sculptures [4]. - The Wuliang Shrine, the only hall with a confirmed owner, features the earliest known depictions of the Three Sovereigns and Five Emperors, showcasing the foundational figures of Chinese civilization [4][10]. Group 2: Cultural Artifacts - The shrine contains over 40 pieces of Han image stones that reflect the aesthetic and cultural depth of the Eastern Han period, covering themes from mythology to historical narratives [4]. - Notable scenes, such as the meeting between Confucius and Laozi, are depicted in the stone carvings, illustrating the exchange of ideas between Confucianism and Daoism [6]. Group 3: Modern Relevance - The Han image stones from the Wushi Shrine have garnered attention from researchers both domestically and internationally, with successful exhibitions and restoration projects enhancing their visibility [8]. - The restoration project initiated by Capital Normal University Library has revitalized the ancient art, allowing for renewed appreciation of traditional culture and its enduring spirit [8][10].