Group 1 - The A-share gaming sector showed strong performance at the beginning of trading, with Glacier Network rising over 10% and Zhangqu Technology increasing over 5% [1] - Other companies such as Dihun Network, Fuchun Co., Giant Network, Xinghui Entertainment, Shengtian Network, Xunyou Technology, and Youzu Network also experienced gains [1] - According to Gamma Data's recent report, the Chinese gaming market size reached 28.051 billion yuan in May 2025, representing a year-on-year growth of 9.86% and a month-on-month increase of 2.56% [1]

Group 1: Tencent Games - Tencent's online gaming revenue reached 59.5 billion yuan in Q1 2025, with international market revenue at 16.6 billion yuan, marking a 23% year-on-year increase and setting a record for three consecutive quarters [1] - The actual sales revenue of Chinese self-developed games in overseas markets was $4.805 billion, reflecting a year-on-year growth of 17.92%, indicating that overseas revenue has become a significant part of Chinese gaming companies' income [1] - The strong performance of leading companies like Tencent is expected to accelerate overall industry growth [1] Group 2: Sony - Sony announced a financial forecast for the next fiscal year, predicting a loss of 100 billion yen (approximately 4.872 billion yuan) due to tariff impacts [2] - To mitigate losses, Sony is considering relocating production to the U.S. and increasing consumer product prices [2] - This strategy may accelerate Sony's transition towards content services, with its game subscription business showing resilience with a user base in the millions [2] Group 3: Black Myth: Wukong Exhibition - The "Black Myth: Wukong" art exhibition has been postponed to July 25 due to high public demand, having already attracted over 130,000 visitors since its opening on April 10 [3] - The exhibition has generated ticket revenue exceeding 7 million yuan, and when including sales of related merchandise, the total commercial value may surpass 20 million yuan [3] - The success of the exhibition highlights the cross-sector influence of "Black Myth: Wukong," potentially leading to a re-evaluation of the valuation system for quality cultural products in the capital market [3]