Core Viewpoint - The article highlights the integration of traditional cultural heritage with modern financial support, showcasing how specialized loan products are facilitating the preservation and development of intangible cultural heritage in Huangshan, China [1][2][3]. Group 1: Cultural Heritage and Its Preservation - The "Shengzhatang Ancient Oil Press Culture Park" in Huangshan displays nearly a hundred traditional oil extraction tools, emphasizing the rich heritage of Huizhou wood oil craftsmanship [1]. - Yu Hai, a representative inheritor of Huizhou wood oil craftsmanship, established the cultural park in 2008 to promote traditional handcrafts and founded Huangshan Yuxiangyuan Food Co., Ltd. to produce wood-pressed oil [1]. Group 2: Financial Support for Intangible Cultural Heritage - In 2023, China Postal Savings Bank's Huangshan branch launched the "Huizhou Guardian Loan" tailored for inheritors of intangible cultural heritage, offering credit limits based on the level of recognition: up to 3 million yuan for national inheritors, 2 million for provincial, and 1 million for municipal [1][2]. - Other banks, including China Construction Bank and Agricultural Bank of China, have also introduced similar credit products to support intangible cultural heritage [2]. - Financial institutions in Huangshan have provided a total of 430 million yuan in loans to 48 inheritors and 45 enterprises, enabling them to expand operations and invest in new production lines [2]. Group 3: Impact of Financial Products - The introduction of specialized loan products like "Huizhou Guardian Loan" addresses the financing challenges faced by inheritors due to their "light asset and lack of collateral" status, demonstrating the significant role of financial leverage in cultural heritage preservation [3]. - This financial empowerment model serves as a replicable example for sustainable development of intangible cultural heritage [3].

东关花园社区居民周永彦表示，此次活动不仅让人体验到凉州结绳的独特魅力，锻炼了耐心与专注力， 也为个人创业提供了新的思路。 据介绍，本次活动是凉州区推动非遗活化利用、服务社区民生的一次具体实践，通过让结绳技艺从展示 走向实践、从场馆融入日常，实现非遗保护与社区生活的有机融合。"凉州结绳"传承人王莉莉表示，该 技艺看似简单，实则每种编法皆有讲究，每个结形皆具寓意，是凉州文化的生动缩影。希望借助此类活 动，让传统手艺成为可体验、可创造、可融入生活的鲜活传承。 凉州区新时代文明实践中心相关负责人表示，今后将持续打造非遗特色文明实践活动品牌，推动更多非 遗项目走进社区、服务群众，使其成为丰富居民精神文化生活、促进社区和谐发展的重要力量。 凉州 开展"巧手结艺·创业赋能"文明实践活动 每日甘肃网12月25日讯 据武威日报报道（通讯员杨苓曦 马晓宇）近日，凉州区"巧手结艺·创业赋能"文 明实践活动在东关街东关花园社区党群服务中心举行。活动旨在弘扬中华优秀传统文化，探索非遗技艺 传承与促进居民创业增收相结合的新模式。 活动中，"凉州结绳"传承人系统讲解了该项技艺的历史渊源、文化内涵与基本技法，并进行了现场示范 与教学。传承人 ...

Group 1 - The article highlights the importance of skill competitions in fostering talent development and meeting industry needs in Xunyang City [2][4] - Xunyang City has organized 11 skill competitions since last year, attracting over 1,000 participants and adding 650 technical backbones to the talent pool [2] - The "order-based" training model implemented by vocational training schools aligns training with enterprise needs, resulting in 3,044 individuals trained this year [4] Group 2 - The first welding skill competition in Xunyang City serves as a platform for talent selection and skill enhancement, promoting innovation in welding technology [2] - Traditional woodcut printing competitions have significantly contributed to the preservation of intangible cultural heritage and the development of related industries [2] - The emphasis on practical skills and continuous learning is evident, as workers like Xiong Daizhu apply new techniques learned from competitions to improve work efficiency [5][6]

Core Viewpoint - The company Jinshanling Winery has been actively engaging in community service by delivering traditional yellow wine and vinegar to elderly residents in Ningxi Town for eight consecutive years during the Chongyang Festival, fostering a sense of care and tradition in the community [1][5]. Group 1: Community Engagement - Jinshanling Winery has established a tradition of delivering gifts to the elderly, which has become a highly anticipated event for the local seniors since 2018 [1]. - The initiative has not only provided tangible gifts but has also created a warm atmosphere during the festival, enhancing the sense of community and care for the elderly [5]. - The smiles and gratitude expressed by the elderly serve as a testament to the positive impact of the company's efforts on the local community [5]. Group 2: Recognition and Innovation - Jinshanling Winery was recently awarded the "Hua Xia Craftsman Award" for its commitment to preserving and innovating traditional craftsmanship, reflecting the company's dedication to quality and heritage [3]. - The company views this recognition as a motivation to further contribute to society, indicating a strong alignment between business success and social responsibility [3]. Group 3: Social Impact - The company's actions have inspired a growing number of social entities to participate in caring for the elderly, thereby enhancing the overall respect and love for seniors in Ningxi Town [5]. - This collective effort contributes to a more harmonious living environment for the elderly, promoting social civility and positive energy within the community [5].

Core Points - The event "Craftsmanship Inheritance: Beautiful Changjiang" was held in Changjiang Li Autonomous County, featuring a traditional Li textile and dyeing competition with approximately 140 participants including inheritors, enthusiasts, artisans, and youth [2] - Local schools in various towns of Changjiang have introduced courses related to Li brocade, promoting the transmission of intangible cultural heritage skills [2]

Core Viewpoint - The development of rural tourism in Longjiao Village, Guizhou Province, has significantly increased visitor numbers and generated substantial income for the local community through various activities and projects, including traditional paper-making workshops [2][3]. Group 1: Visitor Statistics and Activities - Since the summer of 2025, Longjiao Village has been receiving an average of 17,000 visitors per weekend [2]. - Visitors engage in various activities such as swimming, fishing, camping, barbecuing, and staying in local accommodations, with traditional paper-making being a popular educational project [1][2]. Group 2: Economic Development and Community Involvement - The village established a fully-owned collective economic company in 2021 to manage idle land and improve infrastructure, which has led to the growth of rural tourism [2]. - The main project in the village attracts over 100,000 visitors annually, contributing more than 300,000 yuan to the village's collective economy each year [2][3]. Group 3: Income and Utilization - The collective income of the village is approximately 1.5 million yuan annually, which is used for maintaining scenic facilities and ensuring environmental hygiene [3]. - The local community has diversified tourism offerings, including barbecuing, camping, educational experiences, and outdoor adventures, leveraging the natural beauty of the area [3]. Group 4: Cultural Heritage and Innovation - The traditional paper-making technique, recognized as a national intangible cultural heritage since 2006, is being preserved and promoted through creative products like paper lanterns and umbrellas [3]. - The representative inheritor of the paper-making technique emphasizes the importance of engaging visitors in enjoyable ways to ensure the transmission of this cultural heritage [3].

Core Insights - The article highlights the growth of rural tourism in the Xinjiaobu Buyei Township of Guiyang, particularly in Longjiao Village, where traditional paper-making and various outdoor activities have attracted a significant number of visitors [1][3][4]. Group 1: Tourism Development - Longjiao Village has seen an average of 17,000 visitors per weekend since the summer of 2025, indicating a robust interest in local tourism [3]. - The establishment of a fully-owned collective economic company by the village has facilitated the development of infrastructure and attracted businesses to enhance rural tourism [4]. - The introduction of diverse tourism activities such as barbecuing, camping, and educational workshops has diversified the visitor experience and increased economic opportunities for local residents [6][7]. Group 2: Economic Impact - The tourism project in Longjiao Village receives over 100,000 visitors annually, contributing to a collective economic income of over 300,000 yuan (approximately 46,000 USD) each year [6]. - The total annual income for the village collective is around 1.5 million yuan (approximately 230,000 USD), which is utilized for maintaining scenic facilities and ensuring environmental hygiene [6]. - The local community has benefited from job creation, with some villagers working in tourism-related businesses while others sell recreational equipment and food to visitors [3][6]. Group 3: Cultural Heritage - The traditional paper-making technique, recognized as a national intangible cultural heritage since 2006, plays a crucial role in attracting visitors interested in cultural experiences [3][7]. - The representative inheritor of the paper-making technique has expanded the offerings to include creative products like paper lanterns and umbrellas, enhancing the cultural appeal of the region [7].

Core Viewpoint - The event highlights the importance of cultural exchange and the preservation of traditional crafts, specifically through the experience of clay sculpture, which fosters a connection between Taiwanese and Wuhan youth [1][6]. Group 1: Event Overview - The event took place on July 7 as part of the "Lohas Cross-Strait - 2025 Han-Taiwan Youth Cultural and Sports Carnival" [1]. - Participants included 11 Taiwanese individuals and 10 youth representatives from Wuhan, who engaged in a clay sculpture experience at the Guishan Chucai Taofen Academy [1][8]. - The activity was guided by Hu Zuolin, a representative inheritor of Huangpi clay sculpture, who introduced the key steps involved in creating clay sculptures [2][3]. Group 2: Learning Experience - The process of creating a clay sculpture involves critical steps such as selecting soil, kneading clay, shaping, drying, firing, and coloring [2]. - Participants learned to replicate a clay doll from the Tianjin "Mud Man Zhang" style, specifically the "Chinese Dream Doll" [2]. - Hu Zuolin provided detailed, hands-on instruction throughout the process, emphasizing the intricacies of shaping and proportion [5]. Group 3: Cultural Significance - Participants expressed a deep appreciation for the experience, noting the blend of traditional techniques with modern elements, which makes the craft more relatable to younger generations [5][6]. - The event allowed participants to appreciate the historical and cultural richness of Wuhan, as they experienced traditional crafts in a setting that reflects both history and innovation [7]. - Awards were given to eight participants for their exemplary work, reinforcing the value of cultural engagement and skill development [7]. Group 4: Future Initiatives - The event was co-hosted by the Chucai Competition Committee Office and the Education Department of the United Daily News, indicating a collaborative effort to promote cultural exchange [8]. - Future initiatives will continue to support cultural exchange projects between Han and Taiwanese youth, aiming to deepen cultural and national identity through shared experiences [8].

Core Perspective - The article highlights the innovative transformation of birch bark craftsmanship from practical utility to artistic expression, led by the master craftsman Fu Zhanxiang, who integrates traditional techniques with modern artistic methods [2][3][4]. Group 1: Craftsmanship Techniques - Birch bark is noted for its waterproof and anti-corrosive properties, making it lightweight and durable for crafting [2]. - Fu Zhanxiang employs traditional techniques such as mortise and tenon joints and fire hardening, while also incorporating carving and pyrography to enhance the artistic quality of birch bark products [2][3]. - The fire hardening technique requires precise temperature control, with Fu adjusting the heat based on the material's response to achieve the desired shape [3]. Group 2: Artistic Innovation - Fu Zhanxiang transitioned from practical applications to artistic expressions, experimenting with birch bark as a medium for painting, evolving from flat to three-dimensional artworks [3][4]. - He enriches the texture and visual depth of his artworks by layering multiple sheets of birch bark and integrating various artistic techniques [3][4]. - Traditional patterns from the Hezhe ethnic culture are incorporated into his works, reflecting cultural heritage and personal experiences [4]. Group 3: Educational and Cultural Impact - In 2009, a cultural heritage center was established in the Hezhe community, where Fu Zhanxiang serves as a cultural station director, promoting birch bark craftsmanship among students [4]. - Fu has expanded the educational outreach by becoming a guest professor at Harbin Normal University, turning the center into a practical classroom for students [4][5]. - New cultural and creative products have emerged from this initiative, revitalizing traditional craftsmanship and making it relevant in contemporary contexts [5].

Core Viewpoint - The article highlights the dedication and efforts of Yang Xirong, a representative inheritor of the lacquerware craftsmanship, in reviving and promoting the nearly lost art of rhinoceros skin lacquerware, emphasizing the importance of integrating traditional craftsmanship into modern life [2][3][4]. Group 1: Background and Personal Journey - Yang Xirong grew up in an environment rich in lacquer art, developing a strong passion for the craft from a young age [2]. - She began her formal training in lacquerware at the age of 16, working in a craft factory and mastering various techniques over the years [2]. - The intricate process of creating lacquerware involves multiple steps, including making the base, applying cloth, polishing, and finishing, which can take several months [2]. Group 2: Techniques and Challenges - The technique of polishing lacquerware requires thousands of repetitions to achieve a reflective finish, often taking an entire day [2]. - Timing is crucial in the application of gold leaf, as it must be done at the right moment for optimal adhesion and shine [2]. - Yang faced significant challenges in recreating the complex textures of rhinoceros skin lacquer, which took her three years of experimentation to successfully produce a piece [4]. Group 3: Achievements and Contributions - Yang's work has been recognized with awards, including the "China Arts and Crafts Cultural Creative Award" at the China (Shenzhen) International Cultural Industry Expo [2]. - In 2018, she donated her successful piece, the "脱胎犀皮漆瓶" (脱胎 rhinoceros skin lacquer bottle), to the Guangdong Folk Art Museum, showcasing the continuity of her family's craftsmanship [4]. - Yang is actively exploring ways to make traditional lacquerware more relevant to modern consumers, aiming to integrate it into everyday life [4].