中国经济网北京11月21日讯（记者 成琪）11月21日，由北京市文物局、西城区人民政府、朝阳区人民政府、荣宝斋有限公司、北京首都旅游集团有限 公司联合主办的2025北京·中国文物国际博览会（以下简称文博会）在北京琉璃厂古文化街荣宝斋大厦正式启幕。本届文博会以"古韵今辉·魅力文物"为主 题，采用线上+线下的办会方式，并同步启动"一展双交"（即"展览+交易+交流"）三大版块的多元活动。 展览板块重点呈现中华文化的艺术魅力和深厚底蕴："玉德金声——北京市文物交流中心收藏古代砚台展"遴选130余方古砚，讲述文房雅器背后的历史 故事；"千年漆韵——中国漆器艺术大展"以时间为轴，呈现跨越3至20世纪的漆器珍品；第五届潘家园民间收藏艺术品展集中展示民间精品，倡导健康收藏 理念；"北京博物"热搜榜线上汇集百件重点博物馆文创精品爆款，实现线上线下联动文化传播。 交易版块涵盖"京华文博甄选会""2025金秋文物艺术品拍卖季""国际文物艺术品线上交易会""文物艺术品惠民拍卖"四大核心活动。其中，"京华文博甄选 会"以琉璃厂古文化街、北京古玩城、潘家园旧货市场为核心，打造"街区即展馆"的沉浸式消费场景，工行北京分行提供消费满减活动， ...

交流版块聚焦互动体验与行业赋能，包括多场全城公益鉴定活动，为市民提供专业鉴宝服务；"科技向 实·文化向新"行业研讨会，探讨科技赋能文物鉴定、IP活化等热门话题；在"京华文博寻宝之旅"，市民 可打卡地图并赢得奖励；"指尖考古局"互动体验活动将打破展览壁垒，让观众近距离感受文物魅力。 (完) 来源：中国新闻网 2025北京·中国文物国际博览会启幕 四项展览助文化传承 中新网北京11月21日电(记者 徐婧)2025北京·中国文物国际博览会(简称"文博会")21日启幕。本届文博会 以"古韵今辉·魅力文物"为主题，采用线上+线下的办会方式，集中呈现北京国际文物艺术品交易中心建 设成果，并同步启动展览、交易、交流三大版块的活动。 本届文博会立足首都"四个中心"功能定位，汇聚文物、艺术、科技、交易多元力量，依托北京文物艺术 品行业龙头优势，突出浓厚的收藏底蕴、鲜明的产业特色、丰富的文物艺术品消费供给，系列活动将持 续至12月21日。 开幕式上发布了多项北京市"十四五"时期国际文物艺术品交易中心建设的成果。《"北京指数"2025年半 年度报告》揭晓。数据显示，北京文物艺术品市场活力日益恢复，呈现回暖向好的发展态势，北京作为 ...

Core Viewpoint - Liangzhu civilization is an outstanding representative of the coordinated development of material and spiritual civilization, with its development experience and values still holding significant relevance for contemporary society [1]. Group 1: Historical Significance - The Liangzhu site, meaning "beautiful island in the water," was first discovered in 1936 and was inscribed on the World Heritage List on July 6, 2019 [2]. - Continuous discoveries of important relics, including the core area of Liangzhu Ancient City and surrounding water conservancy systems, are gradually opening a door to the society of over 5,000 years ago [2]. Group 2: Agricultural Development - The climate in the lower Yangtze River region over 5,000 years ago was warm and humid, attracting many early settlers who brought diverse techniques and experiences, leading to the creation of early rice agriculture [3]. - Liangzhu's rice paddy fields have been found to have a yield of up to 141 kilograms per mu, indicating a highly developed level of productivity [7]. Group 3: Urban Planning and Infrastructure - The ancient city was strategically located at the junction of mountains and plains, allowing for flood avoidance and effective water management through a sophisticated water conservancy system [5]. - Over 30 water dam sites have been discovered, showcasing a system that served multiple functions, including flood control, irrigation, and transportation [5]. Group 4: Material Civilization - Archaeological findings indicate a highly developed material civilization, with large-scale ancient rice fields that closely resemble modern layouts [6]. - The presence of large storage pits containing carbonized rice, with estimates of up to 360,000 pounds, reflects a well-organized grain reserve system [7]. Group 5: Craftsmanship and Social Structure - Liangzhu civilization featured a complete handicraft system, with artifacts made from wood, bone, horn, and stone, demonstrating advanced craftsmanship and social division of labor [9]. - The production of jade artifacts and lacquerware represents significant achievements in both material and spiritual civilization, becoming important symbols of Chinese culture [11]. Group 6: Spiritual Civilization - The integration of diverse settlers over centuries led to a shared value system, exemplified by the widespread acceptance of the "human-animal face pattern," reflecting a systematic understanding of the relationship between heaven, earth, and humanity [11]. - The coordinated development of material and spiritual civilization in Liangzhu, along with the philosophy of harmony between humans and nature, continues to inspire contemporary society [11].

Core Viewpoint - The 2025 Jingdezhen Tao Xi Chuan Spring and Autumn Fair has commenced, showcasing a vibrant platform for artists and craftsmen from various countries to present their handmade works, reflecting a blend of traditional and contemporary craftsmanship [1][2]. Group 1: Event Overview - The fair runs from October 17 to October 19, featuring thousands of artists and craftsmen from dozens of countries and regions [1]. - The event aims to create a marketplace that transcends tradition, integrating creativity, fashion, and design trends in handmade crafts [1]. Group 2: Cultural Exchange - Artists from diverse backgrounds, such as Robert from Uganda and Manon from France, express the importance of cultural exchange and inspiration gained from interactions with other creators [2]. - The fair serves as a platform for young designers, independent brands, and university students to collaborate and innovate within the realm of arts and crafts [1].

Core Insights - The lacquerware industry in China is experiencing significant growth, driven by increasing cultural consumption demand and a shift towards personalized and quality-oriented consumption [1][6][7] - The retail price of lacquerware crafts is projected to reach 362.2 CNY per piece in 2024, with a market size of 16.02 billion CNY, and is expected to grow to 365 CNY per piece and 17 billion CNY by 2025 [7] - The industry is characterized by a diverse range of participants, with a notable increase in the number of enterprises from 1,709 in 2018 to 2,193 by September 2025 [12][14] Industry Definition and Categories - Lacquerware refers to daily utensils and art pieces made by applying lacquer to various surfaces, primarily using natural lacquer sourced from lacquer trees [2][6] - The main types of lacquerware in China include Beijing carved lacquer, Beijing gold lacquer inlay, Fuzhou脱胎 lacquer, and Yangzhou mother-of-pearl lacquer [2] Current Industry Status - The lacquerware industry is recognized as a cultural treasure of China, with its artistic charm and craftsmanship playing a vital role in both daily life and the arts [6][7] - The market is transitioning from quantity-driven consumption to a focus on quality and lifestyle enhancement, aided by the rise of internet production and e-commerce [6][7] Industry Value and Market Dynamics - In 2024, the production of lacquerware crafts is expected to reach 54.34 million pieces, with a market demand of 44.24 million pieces and a net export volume of approximately 10.1 million pieces [7] - By 2025, production is projected to increase to 56.93 million pieces, with demand at 46.59 million pieces and net exports at around 10.35 million pieces [7] Industry Chain - The lacquerware industry relies heavily on the upstream lacquer tree industry, primarily located in the Yunnan, Guizhou, and Sichuan regions, which is facing resource scarcity [6][8] - The downstream market includes lacquerware collectibles, appealing to individuals, enterprises, and foundations [6][8] Technological Innovation - The lacquerware sector is embracing modern technology while preserving traditional craftsmanship, with 63 patent applications in 2024 and 9 in the first eight months of 2025 [9][10] Competitive Landscape - The low entry barriers in the lacquerware production segment have led to intense competition, with a significant increase in the number of related enterprises [12][14] - The market is expected to see a segmentation where high-end markets are dominated by companies with core intangible cultural heritage skills, while mid-range markets will focus on practical and innovative designs [14] Development Trends - The lacquerware industry is increasingly integrating green and sustainable design principles, emphasizing the use of natural materials and eco-friendly practices [16][17] - The focus on product durability and practicality, alongside aesthetic appeal, aligns with contemporary consumer preferences for quality and sustainability [16][17]

Group 1: Art Exhibitions - The "Urban Space Art Season" is held at Fuxing Island Shipyard Park from September 30 to December 13, featuring the theme "Quantum City, Reviving the Future" and integrating technology with art across 16 sub-venues [3] - The "Accidental! Fluxus!" exhibition at West Bund Museum runs from September 26, 2025, to February 22, 2026, showcasing the Fluxus movement's impact on contemporary art and its origins in the 1950s [5] - Lin Tianmiao's solo exhibition "Nothing Fun!" at Shanghai Contemporary Art Museum from September 30, 2025, to January 4, 2026, presents 40 representative works exploring themes of gender, family, and daily objects [7] Group 2: Cultural Heritage Exhibitions - The "Red and Green: Treasures of Song, Yuan, and Ming Lacquerware" exhibition at Shanghai Museum from September 26 to November 23 features 127 lacquerware pieces, highlighting the craftsmanship and cultural significance of lacquerware in East Asia [9] - "Orange Yellow and Green Time" at Long Museum (Pudong) from September 6 to November 30 showcases over 40 contemporary artworks reflecting autumn themes [11] - "Creating Modernity: Treasures from the Musée d'Orsay" at Pudong Museum from June 19 to October 12 presents significant works from French art history, emphasizing the relationship between art and political contexts from 1848 to 1914 [13] Group 3: Contemporary Art and Cultural Exchange - The exhibition "The Song of the Ouroboros: Art and Collection from Female Perspectives" at Shanghai Jiushi Museum from September 6 to October 22 features 44 works by female artists from China and Spain, highlighting commonalities in their artistic expressions [14] - "One Thousand and One Pages: Comics from Lucerne" at Tsinghua University Art Museum from August 26 to November 16 presents selected works from the Lucerne Comic Festival, exploring themes of courage, history, and social commentary [16] - "Seeing Yin Shang: Unveiling Shang Dynasty Civilization" at Beijing Grand Canal Museum from May 19 to October 12 showcases 338 artifacts, revealing the historical significance of the Shang Dynasty [18] Group 4: Illustration and Contemporary Practices - The "Ten Years: Bologna Illustration Exhibition" at Beijing Today Art Museum from July 12 to October 12 features 385 illustrations, reflecting trends in contemporary illustration [22] - "Tanaka Koji: Temporary Community" at UCCA from September 27, 2025, to January 4, 2026, presents works focusing on the interaction between people and objects, emphasizing the significance of everyday actions [23] - "Bao Pei: Where the Butterfly Has Been" at Beijing Baishi Gallery from September 27 to November 15 showcases 19 representative works, blending traditional and contemporary techniques in printmaking [26]

Core Viewpoint - The article emphasizes the enduring legacy and evolution of traditional craftsmanship in China, highlighting how ancient skills are being revitalized through modern technology, thus preserving cultural heritage while adapting to contemporary needs [1] Group 1: Traditional Craftsmanship - Chinese artisans demonstrate exceptional skill through meticulous processes, such as the creation of a Longquan sword, which requires 30,000 strikes, and the crafting of flexible silver threads through numerous perforations [1] - The craftsmanship is characterized by a deep connection between generations, where the skills of fathers, mentors, and apprentices intertwine to safeguard the essence of civilization [1] Group 2: Integration of Technology - The article discusses how traditional arts are experiencing a renaissance through technological advancements, with examples like the revival of Miao silver patterns in digital formats and the assembly of mortise and tenon structures in spacecraft [1] - This integration signifies that craftsmanship is not obsolete but rather evolving, allowing artisans to continue shaping the identity of China in innovative ways [1] Group 3: Global Significance - The pursuit of excellence and precision in craftsmanship is presented as a significant cultural export from China, showcasing the country's rich heritage and its ability to adapt and thrive in a modern context [1] - The article positions this craftsmanship as a timeless emblem of China's identity, offering a unique perspective to the world [1]

Group 1 - Guizhou Province is actively promoting the protection of folk art copyrights to aid in the transmission and innovation of traditional culture, establishing a unique path for copyright protection that aligns with local realities [1] - The province has developed cultural and creative products that blend traditional and modern elements, making traditional culture a "new fashion" while continuously advancing copyright protection efforts [1][2] - Guizhou has established a copyright registration platform utilizing blockchain technology to provide efficient and secure services for folk art creators, enhancing copyright service capabilities [1][3] Group 2 - The province organizes regular activities such as live streaming sales, cloud exhibitions, and copyright protection forums, leveraging cultural exchange platforms to build the "Guizhou Copyright Brand" [2] - Guizhou is promoting folk art works like Miao embroidery and wax dyeing at international exhibitions to increase their visibility and influence [2] - The province has registered over 60,000 folk art works and conducted more than 280 copyright knowledge training sessions, supporting over 4,300 creative enterprises and individual studios [3] Group 3 - Guizhou aims to further integrate resources to strengthen the foundation of folk art copyright protection and enhance the value of folk art copyrights, showcasing the province's diverse ethnic culture on a larger stage [4]

Group 1 - The World Youth Development Forum focused on cultural heritage protection and transmission, emphasizing the role of youth in safeguarding global cultural assets [1] - The forum highlighted the importance of innovative methods for youth engagement in cultural heritage, with examples from various countries including Egypt, Japan, Mongolia, and Spain [2] - The event featured practical experiences and case studies from Chinese cultural heritage management, showcasing the significance of hands-on activities in promoting intangible cultural heritage [3] Group 2 - The Egyptian museum director discussed the cultural dialogue between Egypt and China, stressing the collaborative efforts of youth in cultural heritage protection [2] - The Japanese youth organization presented case studies on community activities that effectively engage youth in preserving cultural traditions [2] - The interactive session on intangible cultural heritage attracted foreign youth, who actively participated in traditional craft-making, highlighting the appeal of cultural heritage [3]

Core Insights - The exhibition "Viewing the World: The Ming Dynasty's World" organized by the Nanjing Museum has attracted over 3 million visitors, highlighting the significance of cultural exchange during the Ming Dynasty [1] - The book "Viewing the World: The Ming Dynasty's World" extends the exhibition's content, focusing on the 14th to 17th centuries when the first wave of globalization occurred [1] Economic Impact - The Ming Dynasty was the world's largest economy, engaging in a global economic system based on silver as currency, facilitated by the trade of high-quality goods such as porcelain, tea, silk, and cotton [2] - The monetization of silver during the Ming period led to significant changes in national systems and promoted the diversification of the economy, particularly in the Jiangnan region [2] Cultural Exchange - Western philosophy, art, and science began to enter China, leading to a rich cultural exchange, exemplified by the works of Matteo Ricci and the introduction of Western maps and texts to Chinese scholars [3] - This interaction fostered a shift in the Chinese worldview, encouraging a new "world consciousness" as they began to understand their place in a larger global context [3] Conclusion - The historical narrative emphasizes that the brilliance of civilization arises from dialogue and integration rather than isolation, showcasing the mutual enlightenment between Chinese and world civilizations [3]