三年前，《中国奇谭》以中式奇幻美学与深刻人文内核惊艳全网，成为国漫标杆；2026年伊始，续作 《中国奇谭2》（见下图）回归，前三集播出后引发热议。新一季前两集《如何成为三条龙》《耳中 人》延续了第一季《小妖怪的夏天》《鹅鹅鹅》的创作脉络，而第三集《今日动物园》则大胆涉足现实 主义题材，以动物隐喻职场人生，开辟了系列创作的新维度。这场"守正"与"创新"的碰撞，不仅展现了 中国动画学派的传承与成长，更印证了现实主义题材作为创作富矿的强大潜力。 《中国奇谭2》的"守正"，首先体现在前两集对第一季成功模式的呼应与深化。第一集《如何成为三条 龙》由《林林》导演杨木执导，讲述三条小蛇为求飞升帮助村民解决旱灾，最终被奉为龙王的故事。这 与《小妖怪的夏天》有着异曲同工之妙。而《如何成为三条龙》还通过传统民乐配器的背景音乐、祭祀 拜神时严谨考究的非遗傩戏等，呈现出更具质感的国漫视听效果。 第二集《耳中人》则是第一季中《鹅鹅鹅》导演胡睿的风格延续，改编自《聊斋志异》同名故事。《耳 中人》延续了黑白水墨的怪诞美学，甚至保留了"零台词+氛围配乐"的创作手法；此外，创新性地加入 昆曲《牡丹亭》念白与正常听觉、顺风耳听觉、耳中小人主观听 ...

Core Viewpoint - The novel "Going Home" by Wang Luqi explores the complex emotional landscape of children who have been abducted and later reunited with their biological families, highlighting the lasting trauma and emotional conflicts they face. Group 1: Story Overview - The protagonist, Qin Song, is abducted at the age of 3 years and 4 months and later returns to his biological parents at the age of 11, but the story does not present a happy ending [2][18]. - Wang Luqi emphasizes that the experiences of abducted children leave deep psychological scars, making it difficult for them to lead normal lives [3][28]. Group 2: Character Development - Qin Song's journey includes being raised by a new family, the Jin family, where he develops a bond with them, complicating his feelings towards both families [17][28]. - The novel illustrates the emotional conflict faced by children like Qin Song, who may develop attachments to their abductors, creating tension with their biological families [30][32]. Group 3: Themes and Social Commentary - The narrative addresses societal issues such as the preference for male children, as seen in the Jin family's treatment of Qin Song, which reflects broader cultural attitudes [40][56]. - Wang Luqi critiques the superficial nature of the Jin family's care for Qin Song, suggesting it is more about control than genuine love [33][63]. Group 4: Author's Perspective - Wang Luqi shares her personal reflections on the emotional weight of writing about such difficult subjects, revealing her struggles with guilt and the desire to address uncomfortable truths [91][93]. - The author identifies as a "wild" writer, having taken an unconventional path in her literary career, which influences her storytelling style [84][98].

Core Viewpoint - The Qingming Festival film market continues to show strong performance, with a diverse range of films appealing to various audience preferences [1][2]. Group 1: Box Office Performance - As of April 6, 2025, the box office for the Qingming Festival period (April 4-6) has surpassed 300 million yuan [2]. - "My World Movie" leads the box office with over 91 million yuan, followed by "Sunshine Flower" and "The Silent Love," each exceeding 60 million yuan [2]. - The film "Nezha: The Devil Child Is Coming" remains popular, generating over 2 million yuan daily even after more than two months of release, with a total box office exceeding 15.1 billion yuan [4]. Group 2: Film Variety and Themes - This year's Qingming Festival features 16 films, showcasing a variety of genres including realism, youth themes, suspense, comedy, and animation [2]. - Notable films include "The Silent Love," focusing on the challenges faced by hearing-impaired individuals, and "Sunshine Flower," directed by Feng Xiaogang, which tells the story of reintegration into society after imprisonment [3]. - The increasing presence of realism and youth-themed films reflects the growing diversity in audience viewing preferences [3]. Group 3: Re-releases and Upcoming Films - Re-releases of high-grossing films have become a common strategy in smaller film periods, with films like "Hot" and "Break: Hell - Gratitude Special Edition" included in the Qingming Festival lineup [4]. - Several films have already been scheduled for the upcoming May Day holiday, including titles like "Dumpling Queen" and "Adventure Bear" [4].