《中国奇谭》

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上海电影:9月29日召开业绩说明会,投资者参与
Sou Hu Cai Jing· 2025-09-30 11:37
证券之星消息,2025年9月30日上海电影(601595)发布公告称公司于2025年9月29日召开业绩说明会。 具体内容如下: 问:公司积极响应国务院、证监会、上海市政府关于推进上市公司高质量发展的政策号召,于2025年6月发布"质增效 重回报"行动方案,目前实施情况? 答:公司作为国有影视文化企业,积极践行中央经济工作会议和中央金融工作会议精神,在提升经营质量、重视股东 报、强化投资者沟通等方面采取系列措施切实推动"提质增效重报"行动,不断增强价值创造能力,维护全体股东利 益。 公司高度重视经营质量的全面提升,在控股股东支持下,通过整合营销、科技引领、资本投资、业务协同,积极构建 顺应时代发展需求的业务布局,深度融合发行、渠道、IP运营等核心业务,持续打造跨界融合的优质生态。 发行与终端一体化结合上影集团的制片优势与内容人才储备,联手全网平台及公域伙伴,高效对接公司院线、影院渠 道,打造从内容生产到终端消费的协同生态,通过整合营销,科技赋能,持续构建新型宣发能力 提升经营质量创新服务方式、产品体系,突破传统影院边界,院线市场份额提升至7.57%,成功开创"联和万物"新零 售模式;SFC上影影城排名连续两年上 ...
我国已建成广播电视和网络视听大国
Ren Min Ri Bao· 2025-09-26 08:24
Core Viewpoint - The news highlights the significant achievements in the broadcasting and online audio-visual industry during the "14th Five-Year Plan" period, emphasizing China's emergence as a major player in this sector in terms of users, content, and industry scale [1] Group 1: Governance and User Experience - The State Administration of Radio and Television (SARFT) initiated a "dual governance" approach in August 2023 to enhance user experience and service levels [2] - Key initiatives include the deployment of millions of micro set-top boxes and integrated TVs, the promotion of a unified remote control for TV viewing, and the expansion of services to various institutions such as hotels and hospitals [2] - The governance efforts have led to 93% of smart TV models allowing users to disable startup ads, with a permanent opt-out option available [2] Group 2: Content Creation and Quality - The broadcasting and online audio-visual sectors have seen a flourishing of content creation, with a focus on high-quality productions that convey mainstream values and resonate emotionally with audiences [3] - Notable works include commemorative productions for the 80th anniversary of the victory in the War of Resistance, such as the series "Our Rivers and Mountains" and documentaries like "Victory" [3] - The domestic animation sector has also made significant strides, with popular series like "Panda+" and "Chinese Folktales" achieving substantial production growth [3] Group 3: Regulatory Framework and Industry Environment - SARFT is committed to creating a favorable environment for content creation by combining top-down and bottom-up approaches, enhancing policy precision, and regulating industry order [4] - Ongoing revisions to regulations, including the "Television Drama Management Measures," aim to provide a solid legal foundation for industry governance [4] Group 4: Ultra-High Definition Development - The development of ultra-high definition (UHD) broadcasting has been prioritized, with new policies supporting its expansion [5] - By 2024, new UHD channels are being launched across various platforms, with a significant increase in UHD content expected [5] - The total number of UHD set-top boxes for cable and IPTV has surpassed 280 million units, with standards for mobile UHD displays and video distribution being developed [6] Group 5: International Outreach and Cultural Exchange - The broadcasting and online audio-visual sectors are playing a crucial role in promoting cultural dialogue and international friendship, with a 40% increase in the export scale of audio-visual programs during the "14th Five-Year Plan" [7] - Chinese audio-visual content has reached over 200 countries, generating an estimated annual overseas revenue exceeding $63 billion [7] - Collaborative initiatives with various countries and regions are being strengthened, enhancing the global presence of Chinese media [8]
内容创作持续繁荣 我国已建成广播电视和网络视听大国
Ren Min Ri Bao· 2025-09-25 23:33
"双治理"扎实有效推进 广电总局从2023年8月份开始开展"双治理"工作。曹淑敏介绍,今年以来,在前期工作的基础上,广电 总局主要围绕"巩固、深化、拓展、提升",持续提升用户体验和服务水平。 9月25日,国务院新闻办公室举行"高质量完成'十四五'规划"系列主题新闻发布会,介绍"十四五"时期广 播电视和网络视听高质量发展成就。中央宣传部副部长、国家广播电视总局局长曹淑敏表示,这5年, 广电视听行业守正创新、攻坚克难、开拓进取,取得了显著成效。当前,我国在用户、内容、产业等规 模上已经成为广播电视大国、网络视听大国。 一是部署实现千万级插入式微型机顶盒和百万级一体化电视机。二是持续推进"一个遥控器看电视"。三 是进一步拓展操作复杂的治理场景。自去年开始酒店治理以来,截至目前,累计实现18.6万家酒店"一 键看直播"和没有开机广告,并在此基础上把治理成果拓展到了养老院、医院、残联机构、学校等多类 场所和2万余家机构、单位,惠及更多人群。四是解决用户反映比较强烈的"自动续费"问题。通过提升 服务标准,把"自动续费"变为"自主续费"。五是强化智能电视机开机广告治理。截至目前,93%的机型 实现了开机广告的"一键关闭"功 ...
用户体验持续提升 内容创作持续繁荣 我国已建成广播电视和网络视听大国(权威发布·高质量完成“十四五”规划)
Ren Min Ri Bao· 2025-09-25 22:00
Core Viewpoint - The news highlights the significant achievements in the broadcasting and network audio-visual industry during the "14th Five-Year Plan" period, emphasizing China's emergence as a major player in this sector in terms of users, content, and industry scale [1]. Group 1: Governance and User Experience - The National Radio and Television Administration (NRTA) initiated a "dual governance" approach in August 2023, focusing on enhancing user experience and service levels [2]. - Key initiatives include the deployment of millions of micro set-top boxes and integrated TVs, the promotion of a unified remote control for TV viewing, and the expansion of services to various institutions such as hotels and hospitals [2]. - The NRTA has addressed user concerns regarding automatic renewal of subscriptions, shifting to a model of voluntary renewal, and has improved the management of startup advertisements on smart TVs, with 93% of models now allowing users to disable these ads [2]. Group 2: Content Creation and Quality - The broadcasting and network audio-visual sectors have seen a flourishing of content creation, with a focus on producing high-quality works that convey mainstream values and resonate emotionally with audiences [3]. - Notable productions include various commemorative works for the 80th anniversary of the victory in the War of Resistance Against Japan, as well as successful documentaries and animated series that reflect cultural heritage and contemporary themes [3]. - The NRTA is committed to fostering a conducive environment for creative works, aligning with the goals set forth in the 20th National Congress of the Communist Party of China [3][4]. Group 3: Ultra-High Definition Development - The development of ultra-high definition (UHD) broadcasting has been prioritized, with new policies supporting its expansion [5]. - By 2024, new UHD channels are being launched across various provinces, and major streaming platforms are increasing their UHD content offerings, with an expected average of over 40% of new programs being UHD by the end of the year [5]. - The total number of UHD set-top boxes for cable and IPTV has surpassed 280 million, and standards for mobile UHD displays are being established to enhance user experience [6]. Group 4: International Engagement and Cultural Exchange - The broadcasting and network audio-visual sectors are playing a crucial role in promoting cultural dialogue and international friendship, with significant growth in the export of audio-visual content [7]. - The NRTA has facilitated the global dissemination of Chinese programs, with exports increasing by over 40% during the "14th Five-Year Plan" period, and has reached audiences in over 200 countries [7]. - Collaborative initiatives with various countries and regions are being strengthened, including the establishment of forums and partnerships to enhance media cooperation [8].
上海网络视听内容创作者大会大V谈:创作优质内容,懂得共情经济学
Di Yi Cai Jing· 2025-09-20 12:56
Core Insights - The 2025 Shanghai Network Audio-Visual Content Creators Conference focused on high-quality content creation and the balance between traffic and empathy [1] - Bilibili's CEO Chen Rui emphasized the importance of passion for content, platform support, and time for creators to develop their unique style [3][4] - The conference highlighted the concept of "empathy economics," where understanding genuine consumer needs can lead to better products and services [6][7] Group 1: Content Creation - Chen Rui defined high-quality content as creative, unique, and emotionally resonant, stressing the need for creators to have a genuine love for their work [3] - The conference featured discussions on the necessity of passion in content creation, with industry leaders advocating for a balance between creative instincts and market demands [4] Group 2: Empathy Economics - The roundtable on empathy economics discussed how to balance traffic and emotional connection, with industry professionals suggesting that true engagement can lead to greater traffic [6][7] - Notable speakers argued that empathy towards consumers is crucial for brand building and operational success, rather than solely focusing on sales [7] Group 3: Industry Growth - The "2025 White Paper on Network Audio-Visual Content Creators" revealed that by the end of 2024, the network audio-visual industry is expected to exceed 12.2 trillion yuan, with over 757,000 related enterprises [6] - The number of online video users is projected to surpass 1.07 billion, indicating nearly universal coverage among internet users, while short video creator accounts have reached 1.62 billion [6]
2025上海网络视听内容创作者大会
第一财经· 2025-09-18 11:56
Core Viewpoint - The Chinese online audio-visual industry is experiencing explosive growth and profound transformation, becoming a core part of the digital economy and a main platform for cultural dissemination [1] Group 1: Event Overview - The "2025 Shanghai Online Audio-Visual Content Creator Conference" will be held on September 19-20, 2025, in Yangpu District, Shanghai, focusing on the theme "Many Voices Create Harmony" [1] - The conference aims to gather regulatory bodies, leading platforms, top creators, and industry leaders to explore the future of the digital content industry [1] - The event seeks to establish Shanghai as a "dream factory" for high-quality internet content, promoting the growth of creators alongside the city [1] Group 2: Key Sessions and Speakers - Various sessions will feature discussions on topics such as transforming local dialects into social currency, bridging heavy topics with public interest through food, and the role of AI in connecting technology with human empathy [3][4] - Notable speakers include industry leaders and creators, such as the producer of the game "Miracle Warm" and the head of Tencent Video's AI products [3][4] - The conference will also include performances by well-known music creators from platforms like Bilibili [6] Group 3: Opening Ceremony and Keynotes - The opening ceremony will feature performances and the release of the "2025 Online Audio-Visual Content Creator White Paper" [7] - Keynote speeches will cover topics like quality content in the internet age and innovative urban narratives in the short video era [7][8] - The event will culminate in a roundtable discussion on the impact of content creation in the current digital landscape [12][15]
翻过浪浪山,中国动画有更大天地!
Yang Guang Wang· 2025-08-31 11:58
Core Insights - The film "Wang Wang Mountain Little Monsters" has become a top performer in the summer box office, ranking first in the history of Chinese animated films, indicating a potential revival of 2D animation in China [1][5] - The success of the film has inspired confidence among industry professionals, suggesting that genuine content can attract audiences [5][10] - The film's production emphasizes the unique artistic expression of 2D animation, which is seen as a vital part of Chinese culture [5][6] Industry Trends - The 2D animation sector has faced challenges, including a decline in industry professionals and lower box office ceilings compared to 3D animation, but recent successes may signal a turnaround [5][10] - The film's production involved a significant number of artists, highlighting the labor-intensive nature of 2D animation compared to the more industrialized 3D animation process [5][6] - The industry is witnessing a growing audience base, which is crucial for the development of new and original content [10] Company Strategy - The production team aims to build a "Qitan Universe" around the IP of "Chinese Tales," with plans for future installments, indicating a long-term strategy for IP development [9] - The company is focused on balancing the development of classic IPs while also exploring new original stories that resonate with contemporary audiences [9][10] - The creative philosophy emphasizes not imitating others and continuously integrating new elements into the storytelling process, reflecting a commitment to innovation within the traditional framework [6][7]
数娱工场 | 小妖怪也有大世界,上影集团探索“奇谭宇宙”
Xin Hua Cai Jing· 2025-08-26 06:02
Core Viewpoint - The article highlights the success of the animated film "浪浪山小妖怪" (Wang Wang Mountain Little Monsters), which has resonated with audiences of all ages and achieved significant box office success, surpassing 1.2 billion RMB as of August 25, 2023, ranking second in the summer box office [1][12]. Group 1: Film Success and Audience Reception - "浪浪山小妖怪" has become a summer blockbuster, with a box office exceeding 1.2 billion RMB, making it the second highest-grossing film of the summer season [1]. - The film appeals to a wide audience, successfully engaging both children and adults through its relatable themes and humor [2][5]. - The film's narrative, focusing on lesser-known characters from traditional stories, allows for emotional connections with viewers, enhancing its appeal [8]. Group 2: Cultural and Artistic Elements - The film draws heavily from Chinese traditional culture, incorporating elements from various art forms such as paper-cutting, shadow puppetry, and traditional music [3][4]. - The character design and storytelling reflect a commitment to maintaining a distinctly Chinese aesthetic, which has been a hallmark of the Shanghai Animation Film Studio's approach [3][4]. - The film's visual style aims to blend traditional Chinese painting techniques with modern animation, creating a unique viewing experience [4][7]. Group 3: IP Development and Future Plans - The success of "浪浪山小妖怪" is part of a broader strategy to develop the "奇谭宇宙" (Qitan Universe) IP, which aims to create an open platform for various creators and expand into different media [9][10]. - The film's marketing strategy includes collaborations with over 30 brands, resulting in more than 800 licensed products across various consumer categories [10]. - Future plans for the IP include immersive experiences and themed events to enhance audience engagement beyond the cinema [11]. Group 4: Industry Trends - The article notes a significant shift in the Chinese animation industry, with recent films like "大圣归来" and "哪吒之魔童闹海" achieving remarkable box office success, indicating a growing recognition of domestic animated films [12]. - The industry is evolving to incorporate modern storytelling techniques while remaining rooted in traditional cultural narratives, reflecting a dynamic and expanding animation ecosystem in China [12].
希望有更多好作品从这里走向世界
Si Chuan Ri Bao· 2025-08-22 21:53
Group 1 - The second Golden Panda Award aims to gather global filmmakers in Chengdu, China, in September, promoting cultural exchange and cinematic excellence [1] - The award is seen as a responsibility for the industry, with hopes to showcase the progress of Chinese filmmakers and their storytelling capabilities [2][4] - The Golden Panda Award has already influenced the box office, with the animated film "Wang Wang Mountain Little Monster," derived from the award-winning "Chinese Strange Tales," setting new records for domestic animated films [2] Group 2 - The award's evaluation process is recognized for its professionalism and international representation, contributing to its authority in the film industry [3] - The Golden Panda Award is positioned as a bridge for cultural exchange, emphasizing the importance of mutual understanding and collaboration among diverse cultures [4][5] - There is a strong desire for the award to serve as a platform for showcasing contemporary Chinese narratives and fostering new talent in the film industry [4][5]
《浪浪山小妖怪》成暑期档“大黑马”,为何这部电影会如此成功?
第一财经· 2025-08-18 14:48
Core Viewpoint - The article highlights the success of the animated film "Wang Wang Mountain Little Monster," which has surpassed a box office of 1 billion yuan, becoming a significant player in the summer film market and entering the top ten of China's animated film box office history [3][6]. Group 1: Film Performance - "Wang Wang Mountain Little Monster" has achieved a cumulative box office of 1.0026 billion yuan, surpassing "Kung Fu Panda 3" and ranking among the top ten animated films in Chinese history [3][6]. - The total box office for the summer film season (June to August) in 2025 has exceeded 10 billion yuan, with "Nanjing Photo Studio," "Wang Wang Mountain Little Monster," and "Lychee of Chang'an" leading the box office rankings [3]. Group 2: Reasons for Success - The film's success is attributed to its relatable storytelling and high-quality production, similar to the "Nezha" series, which resonates with both children and adult audiences [6][8]. - The narrative of "Wang Wang Mountain Little Monster" innovatively focuses on ordinary characters, such as the little pig monster and the toad spirit, providing a fresh perspective on the classic "Journey to the West" tale [6][8]. Group 3: Themes and Audience Engagement - The film addresses real-life challenges faced by adults, such as workplace struggles and personal growth, creating a strong emotional connection with viewers [7][8]. - It encourages audiences to reflect on overcoming life's obstacles, symbolized by the metaphor of "crossing the Wang Wang Mountain," appealing to the modern individual's quest for self-actualization [7][8]. Group 4: Animation Industry Insights - The success of "Wang Wang Mountain Little Monster" signifies a new era for domestic animation, blending traditional storytelling with innovative content and high-quality visuals [9]. - The film's production incorporates elements of traditional Chinese art, showcasing the beauty of Chinese culture while appealing to a broad audience [8][9].