转自：扬子晚报 随着岁末钟声临近，电影院线迎来一年中颇具仪式感的跨年档。记者注意到，这个跨年档影片类型丰 富，有承载集体记忆的IP重启，也有紧贴社会脉搏的现实题材；有喜剧IP的回归，也有爱情电影的奇幻 突围。此外，《阿凡达3》与《疯狂动物城2》仍在发挥长尾效应，它们的持续热度将为观众提供更丰富 的观影选择。 IP续作引发怀旧潮 但"安全牌"也未必好打 《寻秦记》无疑是今年跨年档"情怀杀"的代表。剧版播出20多年后，电影版召集了古天乐、林峯、宣萱 等原班人马回归。电影故事承接剧版结局：项少龙已携家人归隐田园，秦王则一统天下，登基为帝。然 而，一群借助时光机强行闯入的穿越者，手持枪械等现代武器，企图颠覆整个王朝。面对前所未有的危 机，秦王不得不求助于同为穿越者的师父项少龙。电影中，新旧穿越者相遇，冷兵器与热武器交锋，师 徒情谊与天下霸权面临终极考验。影片能否以新技术、新叙事唤醒观众回忆，而非单纯贩卖情怀，仍需 市场检验。 同样打"安全牌"的还有 《情圣3》 。2016年《情圣》在元旦档的成功，奠定了该系列在都市喜剧领域的 地位。新作沿用肖央、乔杉、常远等喜剧面孔，加入谭卓，试图围绕夫妻信任危机这一现实议题制造笑 ...

12月20日，电影《翠湖》主创见面会在云南昆明举办，导演卞灼携李振平、王娟、李红梅、祖尚炳皓等主创人员与观众近 距离互动，并邀请麻园诗人乐队主唱苦果共同发布电影推广曲《昆明》。 作为一部诞生于昆明、以翠湖为情感核心的现实题材电影，《翠湖》此次"回家"具有特殊意义。导演卞灼表示，作为翠湖 边长大的孩子，希望以克制而真实的影像，呈现城市日常生活中的情绪流动与家庭温度，让观众在熟悉的空间中看见自己与家 人的关系。 几位主演也结合各自的角色，分享了拍摄过程中的体会与感受。他们表示，《翠湖》并非刻意渲染冲突，而是在平实的生 活细节中，展现家庭成员之间复杂而真实的情感连接。 电影主创团队合影（12月20日摄）。新华网发（杨桢宇 摄） 见面会现场发布了电影全国推广曲《昆明》MV。歌曲《昆明》由麻园诗人乐队主唱苦果于2019年创作。对于《昆明》中大 量出现的昆明元素，苦果表示，作为一个对昆明怀有深厚感情的创作者，歌词在一定程度上是他个人经历的投射。"正是基于深 深植根于昆明这座城市的情感与记忆，我们的影片和这首歌才如此契合。"卞灼说。 此前，由青年导演卞灼（本名：王籽璇）执导的电影《翠湖》在第27届上海国际电影节首映，并获得 ...

Core Insights - The National Day film market in 2025 is vibrant, with multiple new releases catering to diverse audience needs, particularly highlighting the success of realistic-themed films [1][4] Group 1: Characteristics of Realistic Films - Realistic films are deeply rooted in everyday life and explore social issues, with titles like "The Proof of Bi Zhengming" focusing on anti-theft themes and "Thunderous" telling the story of a lawyer serving the hearing-impaired community [1][3] - The creative process for these films involves thorough research and immersion in the subjects, as seen in "Thunderous," where the team visited law firms and deaf families to authentically portray their experiences [1] Group 2: Character Development and Storytelling - Films like "Wang Wang Life" draw from real-life narratives, showcasing a family's resilience against life's challenges, with each character having a rich backstory to enhance performance depth [4][5] - Critics note that these films effectively depict the complexities of human nature and societal issues through micro-narratives, reflecting broader themes in contemporary society [5] Group 3: Genre Exploration and Narrative Techniques - Many films combine realistic themes with genre filmmaking techniques to enhance viewer engagement, as seen in "Wang Wang Life," which uses dark humor to address conflicts and evoke emotional responses [6][9] - The narrative style in "The Proof of Bi Zhengming" employs sharp editing and dynamic cinematography, blending crime storytelling with real-life relevance, thus appealing to a wider audience [6][9]

Group 1 - The core theme of the article revolves around director Jia Ling's new film "Turning Point," which shifts focus from previous themes of "mother-daughter relationships" and "weight loss" to a narrative centered on "anti-pyramid schemes" [1][2] - The film's plot involves a housewife who transitions from resistance to actively assisting the police in solving a pyramid scheme case, featuring actors Zhang Xiaofei and Yang Zi in significant roles [2][38] - The marketing strategy for "Turning Point" is under scrutiny, especially following the mixed reception of Jia Ling's previous film "Hot and Spicy," which faced criticism for excessive marketing and a disconnect between promotional content and the film's actual themes [5][10][41] Group 2 - The article discusses the evolving perception of Jia Ling as a director, noting the challenges she faces in transitioning from a comedic background to tackling serious themes in her films [20][30] - It highlights the audience's skepticism regarding the effectiveness of her storytelling in addressing real societal issues, particularly in the context of her previous works that may not have fully engaged with the complexities of reality [32][36] - The anticipation for "Turning Point" is mixed, with some viewers expressing hope for a more profound exploration of female perspectives in crime narratives, especially in light of the film's focus on the struggles of pyramid scheme victims [39][40]

Core Insights - The article discusses the upcoming Qingming Festival film market, highlighting the continued success of "Nezha: The Devil's Child" and the potential for new hits among the 15 films set to release during this period [1][4]. Film Performance - "Nezha: The Devil's Child" has surpassed a real-time box office of 14.965 billion, making it the first film series in Chinese history to exceed 20 billion in total box office with just two films [1]. - The film's release has been extended until April 30, indicating strong ongoing interest and box office performance [1]. Upcoming Films - This year's Qingming Festival will feature 15 films, including notable titles such as "Towards the Sun: Flower" and "The Next Typhoon," which are expected to resonate with audiences due to their realistic themes [4][6]. - "Towards the Sun: Flower," directed by Feng Xiaogang and starring Zhao Liying, focuses on the challenges faced by women reintegrating into society after incarceration [6][10]. - "The Next Typhoon," featuring Zhang Zifeng and Zhang Weili, tells the story of two women facing life-altering decisions during a typhoon [6][7]. Themes and Trends - The article notes a trend towards films that address social issues and the struggles of marginalized groups, with several films focusing on women's issues and the lives of individuals with disabilities [10][13]. - "The Next Typhoon" and "The Silent Love" are highlighted for their unique perspectives on female experiences and the challenges faced by the hearing-impaired community [10][13]. Market Dynamics - The article mentions the competitive landscape for the upcoming May Day holiday, with over six films already announced for release, indicating a diverse range of options for audiences [19]. - The success of "Nezha: The Devil's Child" and the anticipated performance of new films suggest a robust market for both blockbuster and smaller, emotionally-driven films [19].