1985年的冬天，当第一台辽宁春晚在简陋的演播厅里录制时，没人想到这个地方台的春节特别节目会成为持续多年的文化现象。随着不断发展， 这台晚会逐渐形成了"语言类节目为王"的鲜明特色，一批喜剧人从这里走向全国，让全国人民记住了东北人骨子里的幽默。 "今年的语言类节目延续了辽宁春晚'喜剧高地'的美誉，占比依旧超过60%。"辽宁广播电视集团文艺中心主任、《2026辽宁春晚》总体设计吴凌 说。晚会中，语言类节目《你好，学爸》聚焦教育焦虑、《夜市新星》演绎市井温情、《诚信为本》突出诚信才是经营之道……这些作品不悬 浮、不说教，把家长里短、市井生活的酸甜苦辣搬上舞台，让观众在密集包袱中看见自己的生活，在欢笑里收获共鸣。 新华社沈阳2月18日电（记者丁非白、赵洪南）开场秀《骏马奔腾向北方》中，真马与AR虚拟马群相映，燃爆全场；"辽宁春晚把洛神赋图演活 了"等话题登上热搜……马年春节，将仪式感、年味儿、文化气息拉满的辽宁春晚受到人们的关注与热议。 "过年心里那根笑的'弦'，被辽宁卫视'拨'动了。"这句观众的朴素评价，道出了辽宁春晚的鲜明特色。 虽然语言类节目是辽宁春晚的"压舱石"，但辽宁春晚从不拒绝创新。舞蹈《洛神赋图》借助X ...

Core Viewpoint - The 2025 "Zhejiang Media Good Books" list has been officially announced, showcasing 15 outstanding publications that reflect diverse themes and high quality, responding to contemporary issues and cultural aspirations of the Zhejiang Publishing Group [1] Group 1: Award Overview - The "Zhejiang Media Good Books" selection has been held annually since 2018, becoming a significant cultural brand in Zhejiang, with over 100 selected works, including 6 that received national awards [1] - This year's selection process involved independent evaluations by industry experts and scholars, focusing on cultural value, social impact, and market sales [1] Group 2: Categories and Notable Works - In the theme publishing category, notable works include "Breaking the Urban-Rural Dual Structure" and "Mars, We Are Coming," which address major national issues and depict the spirit of contemporary figures [3] - The humanities and social sciences category features "The Story of Go" and "Reading China: The Silk Road in Dunhuang Han Bamboo Slips," which promote traditional Chinese culture to a broader audience [3] - In the literature and arts category, works like "The Spring and Autumn of Silverware" and "Earth-Friendly, You Are Running" highlight historical narratives and environmental achievements [3][4] - The popular science category includes "Planting a Grain of Light," which combines medical knowledge with humanistic care [4] - For youth literature, "Beidou in the Sky" and "Hello, Mr. Toad" aim to inspire self-discovery and confidence in children [4] Group 3: Publishing Group's Achievements - The selection reflects the Zhejiang Publishing Group's systematic review and display of its publishing achievements for 2025, emphasizing brand development and quality publishing [5] - The group has established a brand project matrix and organized events to integrate creative, academic, and publishing resources, enhancing collaborative development [5] - The systematic layout driven by brand leadership and platform support has resulted in significant social and economic benefits in the field of quality publishing [5]

新浪科技讯 2月10日晚间消息，阅文集团发布盈利预警公告。公告称，因计提新丽18亿元商誉减值，将 造成阅文2025年亏损7.5亿元至8.5亿元。同时因新丽利润减少，2025年阅文扣非利润将下降至8至9亿 元。 公告显示，近年来，观众对长剧和电影行业高品质内容的期待日益上升，同时在2025年短剧凭借碎片化 的观看习惯与快速迭代的生产特点持续高速增长，并对长剧和电影内容制作生态产生显著影响。面对这 一新的变化，新丽传媒始终坚守头部内容创作者定位，坚定不移地投入高品质精品视频内容制作。与此 同时，新丽传媒在生产策略上做出更为谨慎的调整，有意控制创作节奏，以期通过更充分的打磨来提升 内容质量。该举措可能延长剧本孵化、前期筹备、拍摄、后期制作等环节的周期，从而可能对新丽传媒 的利润预期产生重大影响。考虑到这些变化，阅文对新丽传媒的商誉进行了减值测试并计提减值拨备， 本次减值后，新丽传媒的商誉已全额减值。因此，不再存在需对新丽传媒商誉进行进一步计提减值的金 额。 公告内容还提到，从战略角度来看，在信息碎片化时代，精品长视频内容所构建的IP价值与情感沉淀， 形成了独特的核心壁垒，对阅文IP生态至关重要。阅文希望新丽传媒继续 ...

"你好我的城我的梦我的西安，遇见你总觉得相见恨晚。有朋从远方来自东北西南，我会为你歌唱 与你推杯换盏……"1月15日，西安本地歌手崔一乔的原创歌曲《你好，我的西安》亮相"三秦四季 畅旅 欢歌"——陕西省优秀旅游歌曲展演，用质朴温情的旋律，表达对家乡烟火日常的深深眷恋。 "我在网上刷到许多关于陕西的本土原创歌曲，希望有机会去陕西看看。"1月24日，网友程程说。 第一篇章"山河颂歌"以三秦大地壮阔山河为底色，用歌声勾勒陕西的自然与人文之美。《天下黄 河》唱出"黄河之水天上来"的奔腾磅礴气势，《棣花之恋》描绘了地处秦岭腹地的商洛棣花古镇的浪漫 景致。第二篇章"烟火人间"聚焦陕西特色民俗与美食，《汇通面又开张了》等以陕西特色面食为主题的 歌曲，让听众在歌声中品味三秦饮食文化的独特魅力。第三篇章"大地回声"立足陕西各地市的地域特 色，《大秦岭》歌颂秦岭的雄伟与生态之美，《安康味道》勾勒安康的美食与人文风情，《天地长安》 抒发对古都长安的深厚情感。第四篇章"三秦之约"以城市为核心，《六楼情思》展现塞上名城榆林的深 厚历史底蕴，《你好，宝鸡》《你好，我的西安》《安康一直都在等你咧》《西安人的歌》等歌曲用音 乐搭建起一座情感 ...

Core Viewpoint - The article highlights the systemic issue of gender imbalance in the film industry, particularly during the Spring Festival film season, where male actors dominate both the cast and narrative focus, leading to a marginalization of female roles and stories [2][12][31] Group 1: Gender Imbalance in Film - The Spring Festival film season has become a clear indicator of the "absence" of female representation, with a significant imbalance in the roles and narratives centered around male characters [12][31] - The upcoming Spring Festival film lineup features predominantly male-led projects, reinforcing the trend of sidelining female characters and creators [13][14] - The industry’s decision-making power remains largely in the hands of male executives, directors, and writers, perpetuating a narrative structure that favors male-driven stories [21][24] Group 2: Market Dynamics and Female Representation - Despite women making up a majority of moviegoers, the narratives presented in films often do not reflect their experiences or perspectives, leading to a disconnect between audience demographics and film content [14][31] - The film industry has a tendency to undervalue female-led projects, often viewing them as higher risk compared to male-led narratives, which are seen as more commercially viable [24][25] - The lack of female representation in major films contributes to a narrow storytelling landscape, limiting the diversity of narratives available to audiences [31][32] Group 3: Call for Change - The article advocates for a shift in the industry to embrace female perspectives and stories, suggesting that successful female-led films can achieve significant commercial success and cultural impact [28][29] - It emphasizes the need for more women in decision-making roles within the industry to foster a more diverse and inclusive storytelling environment [29][31] - The call to action is for the industry to recognize and invest in female narratives, which can enrich the cinematic landscape and resonate with a broader audience [26][31]

近年来，虎鲸文娱高度重视人才吸纳与培养，已陆续吸引敦淇、尹香今、鄢蓓、王锦、算、刘吾驷、栗 坤、李蔚然、郝姗等众多行业头部人才加入并成立工作室。此次卜钰的加入和"点头耶斯"工作室的成 立，也将为平台注入更丰富的创作视角和内容活力。 据介绍，卜钰早在几年前就与虎鲸文娱旗下的大麦娱乐在电影项目上保持着紧密合作。在长期并肩作 战、双向奔赴的过程中，虎鲸文娱对内容创作者的充分尊重、公平开放的创作氛围以及平台资源对项目 的加持，也成为吸引卜钰正式加入虎鲸文娱的关键。卜钰表示："虎鲸文娱创作氛围融洽，项目开发流 程也十分人性化。合作中，很多优秀的伙伴会从专业的角度，为我们的内容创作提供极具价值的宝贵意 见。这种平台和创作者同心协力、群策群力的状态，也让我坚信加入虎鲸文娱后，我们的团队可以更专 注于内容创作，获得更多施展空间。" 未来，卜钰及其"点头耶斯"工作室将继续发挥自身在喜剧类型创作上的优势，持续深耕喜剧赛道，并在 常规喜剧题材内容创作的基础上，探索喜剧与科幻、悬疑、惊悚等更多类型元素的创新结合，开发更多 根植于现实，能够引发观众情绪共振、情感共鸣的优秀作品。此外，卜钰也透露，"点头耶斯"这一工作 室名称，承载着团队 ...

Group 1 - The 53rd Annie Awards announced nominations, with "K-POP: The Witch-Hunting Girl" leading with 13 nominations, indicating strong momentum for the upcoming awards season [1][3] - "K-POP: The Witch-Hunting Girl" received nominations in major categories including Best Animated Feature, Best Character Animation, Best Visual Effects, and Best Music, while Pixar's "Earth Agent" followed with 10 nominations [3] - The film has already won two awards at the 2026 Critics' Choice Awards for Best Animated Feature and Best Song, showcasing its competitive edge against traditional animation giants [3] Group 2 - Since its release on Netflix in June 2025, "K-POP: The Witch-Hunting Girl" has become Netflix's most-watched film, accumulating over 541 million hours of viewing time globally [4] - The film's soundtrack has performed exceptionally well, with the song "Golden" reaching the top of the Billboard Hot 100 for five weeks, setting a record for animated works [4] - With strong audience reception, commercial success, and early award wins, "K-POP: The Witch-Hunting Girl" is positioned as a frontrunner for the Best Animated Feature at the 98th Academy Awards [5]

Core Viewpoint - Hengdian Group, known as the "Oriental Hollywood," has evolved into the world's largest film shooting base, contributing significantly to the local economy through its diverse business operations, including film and tourism, electronics, and pharmaceuticals [3][24][42]. Group 1: Company Overview - Hengdian Group has transformed from a small silk factory established in 1975 to a large conglomerate with total assets exceeding 100 billion yuan, operating across four major sectors: film and tourism, electronics, pharmaceuticals, and modern services [3][12][36]. - The company has six publicly listed subsidiaries, including Hengdian Film and Television, which is the only listed entity in its film and tourism segment [9][36]. Group 2: Film and Tourism Industry - Hengdian Film City has become a popular destination, attracting over 15 million visitors in 2023 and generating significant revenue from tourism and related services [8][30]. - The decision to waive location fees for film crews since 2000 has led to a surge in film production in Hengdian, with 25% of China's films and 66% of historical dramas being shot there [7][30]. Group 3: Financial Performance - In 2024, Hengdian Group reported revenues of 94.2 billion yuan, with a net profit of 3.12 billion yuan [14][36]. - The film and tourism sector generated approximately 157 billion yuan in revenue in 2020, with tourism income exceeding 20 billion yuan [8][30]. Group 4: Challenges and Adaptation - The company faces challenges such as declining market share in the magnetic materials sector and competition from short-form content in the film industry [20][42]. - Hengdian Group is adapting by investing in new projects, including a 12GW new energy battery project and expanding its film city to cater to changing market demands [21][43].

Core Viewpoint - The company Baina Qiancheng (300291.SZ) plans to acquire 100% equity of Zhonglian Century through a combination of issuing shares and cash payment, while also raising matching funds. This announcement follows a recent management reshuffle within the company [1]. Financial Performance - Baina Qiancheng, originally named Hualu Baina, has seen a decline in net profit from 1.12 billion in 2020 to a loss of 1.86 billion in 2023, with further losses projected at 3.93 billion in 2024. Revenue figures for the years 2020 to 2024 are 284 million, 803 million, 469 million, 432 million, and 739 million respectively [5]. - The company's revenue and net profit have both declined significantly, with a reported revenue of 178 million in the first three quarters of 2025, down 73.43% year-on-year, and a net profit of -68 million, down 24.89% year-on-year [5]. Business Challenges - The core reason for the decline in performance is the severe contraction of traditional film and television business. In the first half of 2025, film revenue plummeted by 70.68% to 16.08 million, accounting for less than 12% of total revenue. The series business also saw a sharp decline, with revenue dropping to less than 9 million [6]. - The company faced difficulties in recovering accounts receivable due to underperforming films and series, leading to asset impairment provisions of 399 million in 2024 and an additional 103 million in 2025 [6]. Strategic Shift - In 2022, Baina Qiancheng initiated a "Content+" transformation strategy, attempting to pivot towards cultural tourism, marketing, and IP operations, but results have been underwhelming [7]. - The company's marketing and cultural tourism business margins have also decreased, with marketing gross margin down by 7.14 percentage points and cultural tourism gross margin down by 21.63 percentage points in the first half of 2025 [8]. Industry Context - The challenges faced by Baina Qiancheng reflect broader industry trends, with the Chinese film industry experiencing significant losses, potentially exceeding 10 billion annually across major players [8]. - The acquisition target, Zhonglian Century, is a data-driven technology company with strong growth, reporting revenue of 6.417 billion in 2024 and serving over 3,000 clients across various sectors [9]. If the acquisition is successful, it may enable Baina Qiancheng to integrate AI technology with its film and television resources, transitioning to a dual-driven model of "Film + AI" [9].

Group 1 - The core point of the article is that the leading film company, Baiana Qiancheng, is planning to acquire 100% equity of Xiamen Zhonglian Century Co., Ltd. through a combination of issuing shares and cash payment, while also raising supporting funds [1][3] - The transaction is currently in the planning stage, with Baiana Qiancheng in discussions with shareholders of the target company and having signed a letter of intent for equity acquisition [3] - Zhonglian Century, established in 2013, is a data-driven technology company focusing on AI and big data, providing comprehensive digital services to over 3,000 clients across various industries [3][5] Group 2 - Zhonglian Century's client base includes major industry players such as Tencent Advertising, Kuaishou, and TikTok, and it has established deep partnerships with leading digital ecosystem partners in China [5] - The company has a team of over 500 members, with more than 30% in R&D, led by senior engineers focusing on AI model algorithm innovation [7] - Baiana Qiancheng, founded in 2002 and listed on the A-share market in 2012, has produced over 100 TV series and more than 30 films, achieving a cumulative box office of over 16 billion yuan [7][8]