今年刚好成立 20 周年的万达电影，曾经走出了中国电影产业很有代表性的一种淘金路径：凭借雄厚 的资本家底，从院线起家，不断增厚电影银幕市占率的过程中，也在一步步借助并购和投资，向上游 的发行、内容投资环节进行渗透。 2024 年，万达电影的控股股东 "万达投资" 股权，已经完成转让，公司控制权也已完成变更。今年 4 月末，新的万达电影同时交出了首份年报以及 2025 年一季报。这两份具有高度连续性的财报，以一 系列震惊眼球的数字，向外界展示了这家公司在去年究竟经历了何种大刀阔斧的破旧立新、以及在今 年开年以来已经获得的阶段性整合成果。 今年 6 月初，陈祉希与我们完成了一场事关万达电影过去 500 天整合历程的复盘对谈，充分回应了外 界对万达电影以及她个人发展的好奇与疑问。 不见其人、先闻其声——步入会议室的前后，陈祉希还在跟身边同事快速对齐下一场内部业务会的开 始时间，手里举着的一个高如炮筒的超大号水杯，侧面还用马克笔随意写着四个字 "越喝越美"，甚至 比她本人更早吸引了我们的目光。 陈祉希说，这个容量惊人的水杯是朋友送她的履新礼物。也对，一个人每天的会议量确实应该跟她喝 水量成正比。 随后，在我们的对谈中 ...

Group 1 - The core theme of the article revolves around director Jia Ling's new film "Turning Point," which shifts focus from previous themes of "mother-daughter relationships" and "weight loss" to a narrative centered on "anti-pyramid schemes" [1][2] - The film's plot involves a housewife who transitions from resistance to actively assisting the police in solving a pyramid scheme case, featuring actors Zhang Xiaofei and Yang Zi in significant roles [2][38] - The marketing strategy for "Turning Point" is under scrutiny, especially following the mixed reception of Jia Ling's previous film "Hot and Spicy," which faced criticism for excessive marketing and a disconnect between promotional content and the film's actual themes [5][10][41] Group 2 - The article discusses the evolving perception of Jia Ling as a director, noting the challenges she faces in transitioning from a comedic background to tackling serious themes in her films [20][30] - It highlights the audience's skepticism regarding the effectiveness of her storytelling in addressing real societal issues, particularly in the context of her previous works that may not have fully engaged with the complexities of reality [32][36] - The anticipation for "Turning Point" is mixed, with some viewers expressing hope for a more profound exploration of female perspectives in crime narratives, especially in light of the film's focus on the struggles of pyramid scheme victims [39][40]

Core Viewpoint - The popularity of derivative content from films on short video platforms has raised concerns about the quality and depth of storytelling, despite contributing significantly to platform traffic [1][2]. Group 1: Types of Derivative Content - Derivative short videos are primarily categorized into two types: summary videos that condense the main plot and character arcs, and analysis videos that explore themes, styles, and historical context [1]. - Summary videos cater to the fast-paced lifestyle of viewers, allowing them to grasp the essence of a film in a few minutes, which aligns with the trend of fragmented viewing habits [1]. Group 2: Quality Concerns - Summary videos often rely on fixed story templates and oversimplified character labels, which can lead to a distorted understanding of the original content [2]. - The artistic and aesthetic value of films, which is achieved through various audiovisual techniques, cannot be replicated by summary videos, as they lack the depth of narrative and performance [2]. Group 3: Viewer Preferences - As audiences seek quality films, the interest in analysis and documentary-style videos about films, including behind-the-scenes content and creator interviews, is increasing, while summary videos are becoming less popular [3]. - This trend indicates that the unique cinematic experience offered by theaters remains valuable and irreplaceable in the age of short video content [3].

贾玲全资持股大碗娱乐。 天眼查信息显示，5月22日，北京大碗娱乐文化传媒有限公司(以下简称"大碗娱乐")投资人发生变更，三亚市文艺小红文化传媒有限公司退出，现由贾俞玲（贾玲） 全资持股。 | 序号 | 变更日期 | 变更项目 变更前 变更后 | | --- | --- | --- | | | | 投资人变更(包括出洛 贾俞玲(出资额:65万元,出资比例:65%) | | | 2025-05-22 | 额、出资方式、出资日 三亚市文艺小红文化传媒有限公司（出资额：35万元，出资比例：3 贾俞玲（出资额：100万元，出资比例：100%) | | | | 期、投资人名称等) 5%) 【退出】 | 去年9月，大碗娱乐曾发布公告称，旗下张小斐、许君聪等艺人经纪合约到期不续约，未来将"换一种形式继续合作"。大碗娱乐将不再负责艺人业务，贾玲将不再担 任公司任何职务。 天眼查信息显示，大碗娱乐成立于2016年7月，注册资本100万人民币，经营范围包括组织文化艺术交流活动、影视策划、经济贸易咨询等。目前，大碗娱乐法定代 表人为贾文田，同时也是公司董事、经理、财务负责人。据多家媒体报道，贾文田为贾玲父亲。 2021年8月，北京文 ...

图片来源：视觉中国 北京大碗娱乐文化传媒有限公司(大碗娱乐)股权再次发生变更。 5月26日消息，天眼查App显示，大碗娱乐发生工商变更，原先持股35%的三亚市文艺小红文化传媒有 限公司于5月25日退出，贾俞玲(贾玲)的持股比例从65%增至100%。目前，贾玲未在该公司担任相关职 务。 去年9月，大碗娱乐发布公告称，旗下张小斐、许君聪等艺人经纪合约到期不续约，未来将"换一种形式 继续合作"。大碗娱乐将不再负责艺人业务，贾玲将不再担任公司任何职务。 大碗娱乐成立于2016年7月，注册资本100万人民币，经营范围包括组织文化艺术交流活动、影视策划、 经济贸易咨询等。该公司法定代表人、经理、财务负责人、董事等均为贾玲父亲贾文田。 2021年8月，北京文化发布公告称，公司拟将持有的大碗娱乐20%股权转让给三亚市文艺小红文化传媒 有限公司，转让价款为人民币2500万元。该公司称，这有利于优化资产结构，缓解资金压力，提高管理 效率。同年9月，北京文化退出大碗娱乐。 天眼查APP显示，贾玲名下关联企业有5家，其中仅大碗娱乐一家处于存续状态。贾玲(上海)影视文化工 作室、北京酷口文化艺术传播公司、三亚市红禾里文化传媒合伙企业等 ...

Group 1 - Beijing Dawan Entertainment Culture Media Co., Ltd. (Dawan Entertainment) has undergone a change in shareholding, with the original 35% shareholder, Sanya Wenyi Xiaohong Culture Media Co., Ltd., exiting on May 25, resulting in Jia Yuling's (Jia Ling) shareholding increasing from 65% to 100% [1] - Dawan Entertainment announced in September last year that it would not renew contracts with artists such as Zhang Xiaofei and Xu Juncong, indicating a shift in its business model away from artist management [1] - Dawan Entertainment was established in July 2016 with a registered capital of 1 million RMB, focusing on cultural and artistic exchange activities, film and television planning, and economic trade consulting [1] Group 2 - Jia Ling has five associated enterprises, with only Dawan Entertainment currently in operation; the other four have been deregistered [2] - Jia Ling is recognized as the first female director in Chinese film history to achieve annual box office champion status, with her films "Hi, Mom" and "Hot and Spicy" grossing over 8.831 billion RMB and her starring films exceeding 10 billion RMB in total box office [2] - At the 27th National Film Promotion Conference, Wanda Film promoted Jia Ling's new work "Turning Flower Bloom," which is described as another realistic theme project following her previous successful films [2]

5月2 1日，在第2 7届全国影片推介会上，万达影视推介贾玲导演新作《转念花开》， 称这是 贾玲继《你好，李焕英》《热辣滚烫》后的又一部现实主义题材作品 ，万达影视确认其仍在 制 作 中 ， 尚 未 公 布 具 体 上 映 时 间 。 此 前 路 透 显 示 拍 摄 工 作 已 进 入 中 期 ， 但 可 能 存 在 进 度 调 整。 视频：武汉广播电视台 该片聚焦反传销题材 ，讲述一名家庭主妇被警方招募协助破案，从最初的抵触到深入犯罪组 织最终协助破获大案的故事。剧情融合现实批判与人物成长，试图揭露传销组织洗脑话术及 社会底层群体的生存困境。 公 开 资 料 显 示 ， 贾 玲 ， 1 9 8 2 年 出 生 于 湖 北 省 襄 阳 市 宜 城 市 ， 中 国 内 地 喜 剧 女 演 员 、 电 影 导 演、编剧，毕业于中央戏剧学院。 近 年 来 ， 贾 玲 自 导 自 演 的 2 部 电 影 《 你 好 ， 李 焕 英 》 《 热 辣 滚 烫 》 创 下 佳 绩 ， 票 房 口 碑 双 丰 收 。 据 猫 眼 专 业 版 数 据 ， 2 0 2 4 年 年 度 票 房 冠 军 为 贾 玲 执 导 并 主 ...

Core Viewpoint - The return of the long-standing variety show "Day Day Up" is a significant focus at the Mango Spring 2025招商会, indicating a strategic attempt by Mango to stabilize its programming lineup after the departure of "Happy Camp" [1][8] Group 1: Background and Context - "Day Day Up" was expected to be discontinued due to declining market appeal, with its last broadcast occurring in early 2022, while "Happy Camp" ended its 24-year run the same year [2][4] - The show attempted a rebranding towards cultural and public welfare programming, which temporarily extended its lifespan but ultimately could not reverse its downward trend [2][7] Group 2: Market Performance - The show's ratings plummeted to around 0.4% by the end of 2021, failing to rank among the top local channels, and it did not make the top 20 in online viewership in the first half of 2022 [4] - "Day Day Up" once generated significant revenue for Mango, with sponsorship fees peaking at 250 million in 2015, but by 2022, it struggled to secure sponsors, leading to a lack of financial support [5][7] Group 3: Strategic Considerations for Return - The decision to revive "Day Day Up" comes as the variety show market lacks strong weekly programming, with "Hello Saturday" being the only notable competitor, suggesting a potential gap for "Day Day Up" to fill [11] - The show’s unique blend of talk show elements and cultural exchange could differentiate it in a market increasingly dominated by stand-up comedy formats [12][16] Group 4: Challenges Ahead - The revival faces challenges in re-establishing the "Day Day Up" brand and its "Day Day Brothers" IP, which needs to be revitalized to regain audience interest [15][16] - Balancing entertainment and cultural content will be crucial, as previous attempts to focus solely on cultural themes did not yield positive results [16]

转自：证券日报网 本报记者 何文英 图⑤公司红色沉浸式演出《恰同学少年》青春剧场演出现场 公司供图 于氤氲晨雾间登临岳麓之巅，纵览星城千年画卷；在五一商圈的阡陌巷弄中，感受市井肌理碰撞出的时代脉搏；信步橘子洲头，追寻伟人意气风发的历 史足迹——浸润楚汉文脉的古城长沙，正以科技与人文交织的璀璨光谱，勾勒出中广天择传媒股份有限公司的产业经纬，并昭示着数字传媒生态的无限可 能。 近日，中广天择传媒股份有限公司董事长彭勇在接受《证券日报》记者独家专访时，全景勾勒出企业战略的发展蓝图："公司将坚守主流内容价值高 地，在确保基本盘稳健增长的同时，持续输出兼具社会价值与经济效应的优质内容。此外，公司正开辟'科技+文旅+体育'多维产业赛道，通过战略聚焦与生 态布局，加速培育创新增长极，确保实现2025年营收规模与盈利能力的双重跨越。" 前沿技术赋能内容创作 内容创作是中广天择传媒股份有限公司的核心竞争力。提到公司或许知之者不多，但其出圈代表作《守护解放西》不仅带火了一座城，更引爆了一个现 象级的文旅流量。 图①公司办公大楼外景 图②公司文旅项目"长沙之眼"设计效果图 图③公司出品的医疗纪录片《你好，儿科医生》 图④公司出品的 ...

Group 1 - The documentary "Hello, 12315" presents a realistic view of market regulation through various stories related to consumer protection, showcasing the challenges faced by both regulatory personnel and individual merchants [1] - The film uses a light-hearted and entertaining approach to combine professionalism, documentary style, and humor, effectively conveying the human aspect of administrative law enforcement [1] - There are noted gaps in the documentary's ability to reflect the complexities of grassroots work, with insufficient follow-up observations and an overuse of stylized effects that may detract from the narrative [1] Group 2 - The documentary aims to maintain a balance between warmth in storytelling and depth in observation and reflection, which remains a challenge for social documentary works [1]