东西问｜洛伦斯：生命周期倡议中，中国为何不可或缺？ 中新社杭州12月22日电 题：生命周期倡议中，中国为何不可或缺？ ——专访联合国环境规划署生命周期倡议秘书长洛伦斯·米拉·伊·卡纳尔斯 作者 鲍梦妮 李英洁 2025年是联合国环境规划署提出生命周期倡议23年，该倡议揭示了循环方法在社会、环境和经济影响之间的权衡，融 入中国实践的《生命周期评价决策者指南》中文版于今年发布。2025年也是"绿水青山就是金山银山"理念提出20年。 生命周期倡议中，中国为何不可或缺？"生命周期"与"两山"理念有何共通之处？近日，联合国环境规划署生命周期倡 议秘书长洛伦斯·米拉·伊·卡纳尔斯(Llorenç Milà i Canals)就此接受中新社"东西问"专访。 现将访谈实录摘要如下： 中新社记者：什么是生命周期倡议？20多年前其为何被提出？ 洛伦斯："生命周期"是一个概念，它指的是一个产品从原材料提取、加工制造、分配、使用，直至最终废弃或回收处 理的整个过程。我们借助"生命周期思维"(Life Cycle Thinking)可以全面理解每一个环节中的资源消耗、环境影响和社 会效应。这种思维为可持续决策提供了基础——不论是政策制 ...

Core Viewpoint - The article discusses the fundamental differences between celebrities and internet influencers, focusing on aspects such as digital autonomy, procedural justice, monetization paths, and lifecycle, using Zhao Lusi as a case study [1][4][36]. Group 1: Digital Autonomy - Internet influencers possess unlimited digital autonomy, allowing them to engage in controversial behaviors for quick audience engagement, unlike celebrities who must maintain a positive public image [7][8]. - Zhao Lusi's decision to cancel her Weibo account, despite having over 31.22 million followers, illustrates her pursuit of digital autonomy as an influencer [8][9]. - Celebrities prioritize platforms like Weibo for maintaining fan connections and managing public relations, which is crucial for their career sustainability [10][11]. Group 2: Procedural Justice - The article raises questions about the importance of results versus procedural justice in charitable actions, suggesting that the process should be transparent and accountable [12][15]. - Fans of influencers often focus on the outcomes rather than the processes involved, contrasting with the expectations placed on celebrities to ensure transparency in their charitable efforts [13][16]. Group 3: Monetization Paths - The monetization paths for celebrities and influencers differ significantly; celebrities rely on artistic works and endorsements, while influencers capitalize on direct content monetization through social media [20][21]. - Zhao Lusi's shift towards influencer activities can be seen as a strategic decision to shorten her monetization path, allowing for quicker financial returns [26][28]. - Influencers can achieve immediate sales conversions through live streaming and social media, contrasting with the longer, more complex paths of traditional celebrities [28][29]. Group 4: Lifecycle - The influencer model, while offering quick financial gains, is characterized by a short lifecycle due to the fleeting nature of public attention [33]. - In contrast, the careers of actors can be more enduring, as evidenced by long-lasting careers of established actors who have built their reputations over decades [34]. - Zhao Lusi's choice to transition from a celebrity to an influencer raises questions about the long-term implications of such a decision in the entertainment industry [36].

Core Insights - The article highlights the journey of a photographer, Zhan Youbing, who has dedicated 23 years to documenting the lives of migrant workers in China's manufacturing sector, capturing over 2 million photographs and creating numerous publications [1][20]. Group 1: Background and Early Life - Zhan Youbing, originally from Hubei, moved to Guangdong in 1995 after learning about job opportunities in Shenzhen, which was bustling with factories [3][4]. - He faced challenges in finding work initially, as many factories preferred experienced workers or female employees, leading him to take on a job as a hotel security guard [4][5]. Group 2: Photography Career Development - Zhan's interest in photography began in 2002 when he purchased his first second-hand camera, which marked the start of his journey in capturing the lives of workers [7][10]. - His early photography focused on more conventional subjects, but he gradually shifted to documenting the daily lives of migrant workers after receiving encouragement from online communities [8][10]. Group 3: Collection and Documentation - Over the years, Zhan has collected approximately 6 tons of artifacts related to migrant workers, including work documents, uniforms, and photographs, which he believes could contribute to a future museum dedicated to their history [16][20]. - His work includes a project titled "Labor Chronicles," which aims to compile his extensive documentation of migrant workers' lives into a comprehensive narrative [18][20]. Group 4: Personal Growth and Achievements - Zhan transitioned from factory work to becoming a recognized photographer and media center reporter in Dongguan, showcasing his growth and adaptation to changing circumstances [20]. - His publications, including "So Working for 30 Years," reflect on the evolution of the migrant worker experience over three decades, highlighting both challenges and changes in their lives [22].