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刚拿“影后”就演短剧,她让影视圈最后的鄙视链崩塌?
3 6 Ke· 2025-08-14 08:26
Core Viewpoint - The traditional film and television market is facing significant challenges due to the rise of short dramas, which are gaining popularity and financial success, while the film industry struggles with declining box office revenues and increasing unemployment among actors [2][12][25]. Group 1: Short Drama Market Growth - The short drama market is thriving, with several productions achieving both critical acclaim and financial success, such as "Zhuque Hall," which had a production cost of 40 million and generated 20 million in revenue on iQIYI alone within 10 days [2][5]. - The short drama "Zhuque Hall" has maintained a leading position in the online short drama viewership rankings for 33 consecutive days, achieving a market share of 49% [5]. - The short drama market is projected to grow significantly, with estimates suggesting it will reach 634.3 billion by 2025 and exceed 1 trillion by 2027 [18]. Group 2: Traditional Film Industry Challenges - The film industry is experiencing a downturn, with the summer box office in 2023 only reaching 8.7 billion, significantly lower than previous years [2][12]. - The majority of box office revenue is concentrated in a few films, with "Nezha 2" contributing 15.4 billion, accounting for 52% of the total box office for the first half of 2025 [12][18]. - The number of unemployed actors is rising, with estimates suggesting that nearly 300,000 actors in Beijing are currently out of work due to a lack of productions [14]. Group 3: Industry Trends and Shifts - Major platforms are shifting focus to short dramas, with companies like Tencent and iQIYI launching initiatives to promote short content [24]. - The success of short drama platforms like Douyin's Hongguo Short Drama, which reached 210 million monthly active users in just over a year, indicates a significant shift in viewer preferences [20][21]. - The trend of established actors participating in short dramas is becoming more common, as seen with figures like Wan Qian and Liu Xiaoqing, reflecting a broader acceptance of the format within the industry [3][9][26].