我们的对话触动了我五十五年前的自身经验：一九七〇年告别港台影坛，原本习舞的我，除了身躯之外 一无所有，世界上唯有舞蹈唯一需要的工具就是躯体，工具还在，除了去运用那本是自己一技之长的舞 蹈，用自己的躯体，我也别无选择的余地，这个信念支撑着我找回了原点——舞蹈，从此走了下去。而 谢德庆所有的作品，信念与躯体的极限挑战正是其创作的工具，在一次采访中他说："我的作品用的都 是我自己本身，那方面才是我比较……厉害或者擅长，我的语言不是属于那种文字的，也不是body language（身体语言），我的语言是我要去实践出来，那才是我的语言啊！" 2025年10月4日，江青（右）、谢德庆合影于迪亚毕肯美术馆回顾展 （来源：上观新闻） 二〇二五年十月四日去纽约上州迪亚毕肯美术馆（Dia Beacon）看"谢德庆：1978—1999生命作品 展"（上图），猝不及防地惹我眼眶发热，马上八十岁的人了，究竟是什么触动了我？一时之间说不清 也道不明，决定探望老朋友聊一下，也许可以找到答案。 两个月后，去了谢德庆位于布鲁克林的家，距离上一次去那栋楼下他和太太合开的The Market的咖啡屋 用点心已事隔多年，疫情时咖啡屋关门大吉，也耳闻 ...

Core Viewpoint - The article discusses the rising popularity and pricing of birch sap, highlighting its marketing as a health drink with exaggerated benefits, while also critiquing the consumer behavior surrounding it [5][14][21]. Group 1: Product Overview - Birch sap is marketed as a premium health drink, often priced significantly higher than other beverages, with claims of being a "plant gold" and a "liquid cordyceps" [5][7]. - The harvesting process is heavily emphasized, with claims that it can only be collected every three years and only from specific trees, which adds to its allure [7][14]. Group 2: Consumer Behavior - Consumers, particularly middle-aged men, are drawn to birch sap for its perceived health benefits and the experience of drinking it, likening it to a connection with nature [21][22]. - The article suggests that the appeal of birch sap is more about the ritual and experience rather than its actual nutritional value, which is often overstated [16][19]. Group 3: Market Dynamics - The birch sap market is characterized by high sales volumes on e-commerce platforms, indicating strong consumer demand despite the questionable health claims [14]. - There is a critique of the authenticity of the product, with some sellers allegedly using tree bark and sugar to create a similar product, raising concerns about quality and transparency [18][19].

Core Viewpoint - The exhibition "Beyond: Infinite Possibilities of Avant-Garde Art" showcases 18 Japanese avant-garde artists, marking the opening of the 2025 Yangyun Art Season, emphasizing the dialogue between contemporary art and Eastern aesthetics [1][3]. Group 1: Exhibition Overview - The exhibition features key figures from the Japanese Concrete Art movement, aiming to bridge Eastern and Western avant-garde art [1][3]. - The Concrete Art movement, established in Japan, sought to transcend the boundaries of abstract art, influencing contemporary art significantly despite the dissolution of the Concrete Art Association in 1972 [3]. Group 2: Artistic Themes and Influences - Japanese artists have creatively transformed Western artistic ideas while reflecting on their local culture and history, exploring more experimental and free forms of creation [5]. - The Mono-ha movement, represented by Lee Ufan, emphasizes the relationship between materials and their environment, merging Western philosophical thoughts with traditional Japanese views on nature [7]. - The first generation of non-form artists, influenced by abstract expressionism and post-abstract expressionism, focuses on the exploration of abstract forms and spatial relationships [7][8]. Group 3: Upcoming Exhibitions and Themes - The "Cloud Hidden: Contemporary Awakening of Family Beauty" exhibition, curated by Su Mang, serves as the prologue to the 2025 Yangyun Art Season, exploring Eastern aesthetics through various artistic expressions [12][13]. - The "Slower" segment features the solo exhibition of Canadian ink artist Xia Huiwen, emphasizing a "slow philosophy" through contemporary ink art [17]. - The "Step Forward: Inner Reflection and Journey of Landscape" exhibition will showcase new works by Liu Jiutong, aiming to create a dialogue between traditional and modern art [19].