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《繁花》维权事件,浮华背后是封建与腐朽
Hu Xiu· 2025-10-21 13:05
Core Viewpoint - The article discusses the ongoing conflict between screenwriter "Gu Er" and the production team of the series "Blossoms," highlighting issues of authorship, industry respect for writers, and the broader implications of the director-centered system in the film industry [1][2][19]. Group 1: Industry Dynamics - The incident involving Gu Er is a reflection of a common issue in the industry where screenwriters frequently seek to assert their rights, indicating a persistent struggle for recognition and respect [8][21]. - The film industry operates on a director-centered model, which often marginalizes the contributions of screenwriters, leading to a lack of acknowledgment for their creative labor [12][19]. - The lack of a strong union or regulatory framework for screenwriters exacerbates their vulnerability, making it difficult for them to protect their rights and contributions [17][21]. Group 2: Educational and Professional Challenges - The traditional apprenticeship model in screenwriting education fails to equip aspiring writers with the necessary skills to navigate the industry, leading to a perception that their work is undervalued [9][10]. - The industry's project-based compensation system contributes to a culture where screenwriters are seen as expendable, further diminishing their perceived value [21][24]. - Many talented screenwriters are leaving the industry due to its unfavorable working conditions and lack of recognition, indicating a significant talent drain [25][26]. Group 3: Cultural and Social Implications - The ongoing debate around Gu Er's claims highlights a broader cultural issue within the industry, where the contributions of screenwriters are often overshadowed by the prominence of directors and stars [26][29]. - The prevailing narrative in the industry tends to favor established figures, reinforcing a cycle of power dynamics that marginalizes emerging talent and their contributions [28][29]. - The article suggests that the industry's current trajectory, characterized by a lack of respect for creative labor, may lead to a decline in the quality and diversity of storytelling in film and television [24][30].