Core Viewpoint - The article emphasizes the need for both tolerance and active guidance in the cultural expressions of young people, allowing youth and internet culture to maintain vitality while achieving spiritual elevation and value sedimentation [1][3]. Group 1: Cultural Expression and Youth Engagement - The recent adaptation of the song "Li Bai" by young singers has sparked heated discussions on social media, highlighting the contrasting views on its artistic merit and cultural relevance [1][2]. - The shift in music appreciation among young people has moved from merely enjoying melodies to seeking personal connections with the music, reflecting their age, experiences, and life situations [1][2]. Group 2: Interaction Between Art and Society - The evaluation of artistic works like "Li Bai" now encompasses not only artistic and innovative aspects but also personal life experiences, emotional values of youth, and the symbolic significance of traditional cultural icons [2]. - The complexity of the interaction between artistic works and social life has increased, making the realization of value a collaborative effort among creators, viewers, and platforms [2]. Group 3: The Role of Digital Platforms - The rise of short videos, live streaming, and AI-generated content has democratized artistic creation, allowing young people to express themselves without professional training, leading to diverse forms of artistic acceptance [2]. - In the new public artistic ecosystem where "everyone can be artistic," contemporary audiences, especially the youth, are accustomed to intertwining life and art, expressing their attitudes, values, and spiritual needs through artistic creation [2]. Group 4: Guiding Youth Expression - It is crucial to recognize that young people are in the process of establishing their worldviews, and their expressions are evolving from "deconstruction" to "reconstruction," reflecting their search for self-identity [3]. - There is a need to provide both a space for tolerance and active guidance in youth cultural expressions, ensuring that the vibrancy of youth and internet culture can lead to lasting values and personal growth [3].

Core Viewpoint - The recent success of songs like LIBI's "Jumping Machine" and Cloud9's diss track "New Feudalism Rap 2025" has sparked criticism about the state of the Chinese music industry, suggesting a decline in quality and artistic merit [3][7][11]. Summary by Sections Market Performance - "Jumping Machine" has achieved over 10 million collections on QQ Music and NetEase Cloud Music, with QQ Music's hot song chart ranking for 137 weeks, earning double platinum certification from Tencent Music [7]. - The song has also gained popularity in Southeast Asia and regions like Hong Kong and Taiwan, indicating a broad market appeal [7]. - Cloud9's diss track has similarly elevated the artist's profile, leading to recognition and opportunities in the industry [9]. Criticism and Public Perception - Both songs have faced significant backlash, being labeled as low-quality and detrimental to the music scene, with critiques focusing on their lyrical content and perceived lack of depth [9][13]. - Critics argue that the songs reflect a trend towards superficiality in music, prioritizing catchy hooks over meaningful lyrics [13][14]. Emotional Resonance and Commercial Success - The phenomenon of these songs highlights the emotional resonance they create, which is a key factor in their commercial success, regardless of artistic quality [11][15]. - The current music landscape favors emotionally driven content that aligns with audience preferences, often at the expense of traditional musicality [14][16]. Changing Music Aesthetics - The article discusses the evolving nature of music consumption, where the distinction between high and low art becomes blurred, as audiences seek entertainment and emotional feedback rather than artistic integrity [15][20]. - The rapid consumption habits driven by short video platforms have led to a focus on immediate emotional impact, often resulting in songs that are catchy but lack depth [14][20]. Conclusion - The success of these "internet hits" prompts a reevaluation of what constitutes good music in a commercial context, suggesting that market dynamics and audience engagement are increasingly influential [19][21]. - The article emphasizes that music appreciation is subjective, and the commercial viability of a song does not necessarily correlate with its artistic value [20].