Core Viewpoint - The article discusses the viral success of the song "大展鸿图" (Great Ambitions), highlighting its cultural significance and the phenomenon of internet songs in contemporary society [10][11][12]. Group 1: Song Popularity and Impact - "大展鸿图" has gained immense popularity, with over 20 billion plays across platforms, leading to an estimated 60 billion written versions by the artist [2][11]. - The song's dance challenge on TikTok contributed significantly to its viral spread, resulting in over 1 million likes and 500,000 shares on Douyin [11]. - The song's success has led to a notable increase in the artist's monthly listeners, surpassing 3.02 million on Spotify, overtaking well-known artists like Jay Chou [12]. Group 2: Cultural Significance - The song's lyrics and themes reflect cultural nuances, such as the preference for "银龙鱼" (Silver Arowana) over "金龙鱼" (Golden Arowana) in Guangdong, indicating regional tastes and economic status [15][18]. - The title "大展鸿图" is often confused with "大展宏图," showcasing the evolving usage of language and the impact of internet culture on traditional expressions [20][21][22]. - The song's lyrics and their interpretation highlight the cultural differences in understanding concepts like "研墨下笔" (grinding ink), emphasizing the need for cross-cultural explanations [27][29]. Group 3: The Dual Nature of Internet Songs - The article explores the dual nature of "大展鸿图" as both a local and trendy song, illustrating how perceptions change based on audience exposure [38][39]. - The rise of short video platforms has accelerated the cultural exchange and popularity of various music genres, including rap and jazz, indicating a shift in how music is consumed [40].

Core Viewpoint - The status of internet songs has dramatically changed, transitioning from being considered "non-mainstream" to gaining acceptance on mainstream platforms like music variety shows [3][12][16]. Group 1: Rise of Internet Songs - The song "Don't Let Love Wither" has become a viral hit, with over 1.17 million users on a short video platform [5]. - Another internet song, "Jumping Machine," has also gained significant popularity, appearing in multiple music shows [6]. - The discussion around whether internet songs should be featured on mainstream stages is intensifying on social media [9][10]. Group 2: Historical Context - Internet songs were once viewed as low-quality music, often characterized by simple melodies and crude lyrics, limiting their presence on mainstream platforms [12][15]. - The breakthrough of songs like "Mouse Loves Rice" in 2005 marked a turning point, showing that simple, catchy songs could achieve massive commercial success [23][24]. - The success of "Two Butterflies" and "You Are My Rose" by singer Pang Long exemplifies the lucrative potential of internet songs, with earnings exceeding 200 million [33][36]. Group 3: Cultural Impact - The rise of internet songs has led to a cultural shift, with many artists now embracing this genre, blurring the lines between mainstream and internet music [16][19]. - The phenomenon of "KTV" and "square dance" culture has further propelled internet songs into the public consciousness, making them a staple in social gatherings [63][65]. - The viral nature of songs like "Little Apple" demonstrates the ability of internet songs to reach global audiences, even winning international awards [70][74]. Group 4: Current Trends - The advent of short video platforms has created an environment where internet songs can proliferate rapidly, often following a formulaic approach to songwriting [80][82]. - The focus on catchy hooks and repetitive melodies has led to a surge in similar-sounding songs, making it challenging for traditional music to compete [90][91]. - Despite the commercial success of internet songs, there is a growing concern about the quality and depth of music being produced, as seen in the limited discussion surrounding new releases from established artists [93][96].

Core Viewpoint - The recent success of songs like LIBI's "Jumping Machine" and Cloud9's diss track "New Feudalism Rap 2025" has sparked criticism about the state of the Chinese music industry, suggesting a decline in quality and artistic merit [3][7][11]. Summary by Sections Market Performance - "Jumping Machine" has achieved over 10 million collections on QQ Music and NetEase Cloud Music, with QQ Music's hot song chart ranking for 137 weeks, earning double platinum certification from Tencent Music [7]. - The song has also gained popularity in Southeast Asia and regions like Hong Kong and Taiwan, indicating a broad market appeal [7]. - Cloud9's diss track has similarly elevated the artist's profile, leading to recognition and opportunities in the industry [9]. Criticism and Public Perception - Both songs have faced significant backlash, being labeled as low-quality and detrimental to the music scene, with critiques focusing on their lyrical content and perceived lack of depth [9][13]. - Critics argue that the songs reflect a trend towards superficiality in music, prioritizing catchy hooks over meaningful lyrics [13][14]. Emotional Resonance and Commercial Success - The phenomenon of these songs highlights the emotional resonance they create, which is a key factor in their commercial success, regardless of artistic quality [11][15]. - The current music landscape favors emotionally driven content that aligns with audience preferences, often at the expense of traditional musicality [14][16]. Changing Music Aesthetics - The article discusses the evolving nature of music consumption, where the distinction between high and low art becomes blurred, as audiences seek entertainment and emotional feedback rather than artistic integrity [15][20]. - The rapid consumption habits driven by short video platforms have led to a focus on immediate emotional impact, often resulting in songs that are catchy but lack depth [14][20]. Conclusion - The success of these "internet hits" prompts a reevaluation of what constitutes good music in a commercial context, suggesting that market dynamics and audience engagement are increasingly influential [19][21]. - The article emphasizes that music appreciation is subjective, and the commercial viability of a song does not necessarily correlate with its artistic value [20].