《凡骨:问道篇》

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别只盯着女频,男频也开始在短剧市场抢“钱”了
3 6 Ke· 2025-08-12 10:55
Core Insights - The male-oriented short drama market is rapidly gaining popularity, with the series "Yipin Buyi" achieving over 1 billion views within five days of its release on the Hongguo platform, indicating a shift from niche to mainstream [1][20] - The success of male-oriented short dramas is attributed to various factors, including the expansion of male user bases by platforms, the evolution of content that emphasizes character growth and complex narratives, and improved production quality that approaches that of long dramas [1][7][20] Group 1: Market Dynamics - The male-oriented short drama market is transitioning from a "low quantity, low price" phase in 2024 to a "content quality and competitive strategy" phase in 2025, highlighting the importance of quality content creation [1][20] - The audience's preference has shifted from simplistic narratives to more intricate storytelling that focuses on character development and logical progression, which resonates more with viewers [2][11] Group 2: Audience Engagement - Female viewers are increasingly engaging with male-oriented short dramas, with "Yipin Buyi" attracting 39% female viewership, challenging the notion that such content is exclusively for male audiences [8][10] - The appeal of male-oriented dramas lies in their ability to present compelling stories without relying on clichéd romantic tropes, making them attractive to a broader audience [11][14] Group 3: Content Quality and Production - Recent male-oriented dramas are characterized by their focus on substantial narratives rather than superficial action, which has helped to reshape perceptions of the genre [7][11] - The industry is witnessing a diversification of themes and storytelling techniques in male-oriented dramas, which were previously underdeveloped compared to female-oriented content [20][24] Group 4: Commercial Viability - Platforms are recognizing the commercial potential of male-oriented short dramas, as evidenced by significant investments in productions like "Xingdaozhe Jian Ershisi," indicating a shift in strategy towards high-quality content [21][24] - The willingness of male audiences to financially support engaging content suggests a lucrative market opportunity for well-crafted male-oriented dramas [21][27]