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Group 1 - The controversy surrounding the translation of feminist works by male translators raises questions about gender identity in literary creation [1][2][4] - The discussion extends to whether specific groups have the legitimacy to interpret certain topics, such as whether male directors can accurately portray female characters or if able-bodied actors can play disabled roles [1][2][15] - The issue of "writing rights" is highlighted, noting that historically, many significant concepts regarding women have been articulated by male authors [4][8] Group 2 - The emergence of identity politics in literature prompts a reevaluation of how identity influences cultural life and artistic expression [2][21] - The distinction between male and female authorship is emphasized, with a focus on the challenges female writers face in gaining recognition and the societal structures that hinder their visibility [9][22] - The concept of "internal perspective" is discussed, suggesting that authentic representation in storytelling requires the involvement of those from the represented group [15][18] Group 3 - The film industry is noted for its evolving dynamics, where the representation of marginalized groups is increasingly being questioned, leading to a demand for more authentic narratives [17][20] - The discussion includes the impact of gender on creative processes, with examples of how female directors may approach filmmaking differently than their male counterparts [20][21] - The need for more diverse voices in literature and film is underscored, as the current landscape often limits creators to narratives tied to their identities [22][23]