游戏界一年一度的盛会科隆游戏展昨晚开幕，长达两小时的开幕式， 多款 3A 大作和独立佳作轮番亮相，激起全球玩家一波又一波的讨论。 除了一起床就刷屏各大社媒平台的《黑神话：钟馗》，科隆游戏展还给我们带来了哪些值得期待的游戏？ 存在感越来越高的国产游戏 虽然离第一梯队还有距离，但国产游戏在科隆游戏展的存在感越来越高，甚至还成为了整个开幕式最惊喜的作品。 《黑神话：钟馗》 预告中抢眼的老虎坐骑和大刀武器明显来自「钟馗骑虎」和「钟馗斩鬼」的古画以及传说，网友纷纷猜测玩法和战斗系统：召唤老虎作为坐骑突 进，然后利用「斩鬼刀」设计连招。 这个被网友戏称「鬼灭之刃」的玩法，预计能和前作的「棍法」有明显差异。 玩法、剧情、实机画面一点没透露的情况下，《黑神话：钟馗》的首支 CG 先导预告成为了今年略显沉闷的科隆最振奋人心的压轴大菜。 从标题可以看出，这次游戏的主角是中国民间传说著名的捉鬼神仙「钟馗」。游戏还处于早期开发阶段，目前的信息较少，官方定义为「单机 · 动作 · 角色扮演」游戏，发行时间未知，将登陆 PC 和主流主机平台。 比起《悟空》对《西游记》这个家喻户晓的 IP 重新演绎，《钟馗》对大众，特别是海外玩家来说都比 ...

Group 1 - The article discusses the controversies surrounding the drama "Cang Hai Chuan" and its comparison to "Nirvana in Fire," highlighting a cultural disconnect in the current audience's preferences for ancient costume dramas [1] - The ancient costume drama market has shifted focus towards suspense and power struggles, while traditional martial arts dramas have become niche, indicating a significant change in content consumption [1] Group 2 - The history of martial arts dramas in China is traced back to the 1970s and 1980s, with significant contributions from Hong Kong production companies adapting works from famous authors like Jin Yong and Gu Long [2][4] - The 1983 version of "The Legend of the Condor Heroes" marked a turning point, achieving an average viewership rating of 60% and a peak rating of over 90%, indicating its immense popularity [4] - The 2000s were considered the "golden decade" for mainland martial arts dramas, with over a hundred productions, yet only 14 received ratings above 8 on Douban [11] Group 3 - The rise of fantasy dramas has overshadowed martial arts dramas, with "Xianjian Qixia Zhuan" being a notable example that achieved high ratings and shifted audience interest towards fantasy elements [12][14] - The decline of martial arts dramas is attributed to the oversaturation of adaptations and a lack of original content, leading to a dilution of the genre's appeal [18] - The emergence of female-centric narratives in fantasy dramas has further shifted audience preferences, leading to the development of ancient idol dramas [20] Group 4 - The production quality and audience expectations have evolved, with modern viewers demanding high visual effects and star power, which has made traditional martial arts dramas less viable [25][27] - The cultural significance of martial arts dramas is diminishing, as the ideals of chivalry and justice portrayed in these dramas do not resonate with contemporary societal values [30][31] - New interpretations of martial arts themes are emerging, blending elements of mystery and emotional growth, as seen in recent productions like "Xue Zhong Han Dao Xing" and "Lian Hua Lou" [28]