吐 槽《赴山海》 ， 成了互联网新的流量密码，也是截至目前2025下半年剧集市场最大的热闹。 《赴山海》的背景注定它自带高声量：是成毅继《莲花楼》站稳顶流位置、待再度验证实绩的力作，也是桃鹅联手vs裤《藏海传》、平台之间S+剧作的 延迟对打。 客观来说，猫眼认证的播出10天有效播放量破7亿、连续10天登顶剧集热度榜，成毅饰演的萧秋水角色热度在爱奇艺破2亿……前方给出的数据认证，成毅 在热度上确实扛起了《赴山海》，而剧集口碑不及预期，也让成毅在这一战暂处下风。 开播时再不好过，临收官也马上好过了。目前剧集已播出大半，网友下场审判的热情稍微褪去，抖音热点#赴山海口碑回升#话题上升，剧方在暗暗发力抢 救口碑基本盘。 同时成毅的新饼消息已经传出，据悉他主演的《两京十五日》即将开机，今日已进组定妆。这部剧为爱奇艺S+古装、改编自马伯庸同名小说、《大明王 朝》《哈尔滨一九四四》导演张黎加盟，搭档演员林更新。算是大制作好饼。 kk曾和很多看客一样好奇，这一次口碑失利，究竟会不会动摇成毅本被市场看好的扛剧能力？而看到成毅戏约不断，将再次带着S+作品进入待检期，这 个尖锐的问题，竟变成了伪命题。 kk总结下《赴山海》的槽点，其 ...

最近，一份《2025云合长尾数据分析》榜单在豆瓣各大影视小组和微博流传，统计了今年开播的剧集在热播期之后的"长尾集均"数据，也让"长尾剧"再度 成为剧粉圈的热门话题。 文娱价值官发现，不仅观众群体开始关注一部剧集的长尾情况，今年爱优腾等长视频平台也将独播剧集的"长尾效应"，作为宣传重点——无论是热播期结 束后，新增播放仍保持逆跌增长，剧集完结后会员拉新仍逆势上涨，还是剧集播出半年依然有新广投放，平台不再仅仅关注剧集播出时的收视表现，而是 日益看重其对于会员拉新、用户留存、商业回报所持续释放出的价值。 面对碎片化叙事、快消费属性的短视频、短剧，视频平台正在努力发挥长剧在叙事层次、内容厚度方面的优势，打造出更多让用户逐渐"上头"的慢热型作 品，社交平台和短视频也为长尾剧集的发酵破圈，提供了条件。 而"长尾"成为行业关键词，也是内容同质化倒逼差异化竞争的结果。当古偶、甜宠等批量生产内容陷入审美疲劳，平台转向通过"长尾价值"证明内容品 质，建立用户信任壁垒。 "优质的头部内容不仅在热播期是成功的，而且要具有长久的长尾效应。"2024年以来，爱奇艺、优酷、腾讯视频等平台的负责人，分别在不同场合强调了 内容"长尾"的重要 ...

《报告》分析称，高增长主要得益于平台在古装、悬疑、都市等赛道的多元布局，如现代偶像剧《难 哄》、都市民生剧《蛮好的人生》、古装权谋剧《藏海传》、司法检察剧《以法之名》等。"我们的目 标是覆盖多种题材，满足不同观众群体的多样化喜好。"《凡人修仙传》监制、虎鲸文娱盘古工作室总 经理张龙此前表示，当时选择开发《凡人修仙传》，最看重的就是其能够帮助平台实现内容品类的多样 化呈现。 近年来，类型丰富度与内容稳定性正成为长视频行业新一轮竞争的关键。"可以看到，自提出精品内容 战略以来，优酷正在稳步提升自制剧比例，从差异化内容的探索期转向精耕期。"该业内人士表示，追 求差异化不能被动等待制片方的内容供给，自制剧内容数量成势才能建构差异化阵地，这也是优酷暑期 档强势反弹的关键因素。据QuestMobile统计显示，2025年1月份至7月份优酷独播率高达87.5%，为四大 长视频平台中最高。 本报讯 （记者李豪悦）9月19日，艾瑞咨询发布的《2025H1中国移动（600941）互联网流量半年报告》 （以下简称"《报告》"）显示，凭借《难哄》《藏海传》《以法之名》等多部大剧的热播，优酷App用 户规模上半年增幅超过长视频行业整体 ...

根据报告，长视频领域已步入低增长成熟期，2025年上半年整体用户规模增幅仅为0.7%，而优酷增幅 达6%，尤其自5月起《藏海传》等大剧的播出，使其用户规模数量级从2.7亿增长至2.8亿。 北京商报讯（记者 卢扬 程靓）9月19日，艾瑞咨询发布《2025H1中国移动互联网流量半年报告》。报 告显示，凭借《难哄》《藏海传》《以法之名》等多部剧的热播，优酷APP用户规模1-6月增幅超过长 视频行业整体增幅8倍以上，增速位居长视频APP榜首。 云合数据显示，优酷在暑期档包揽全网累计播放榜单TOP2，实现"双爆款"。其中，《藏海传》自上线 以来有效播放突破13亿，以超过40%的市占率领跑暑期档；《以法之名》同样播放量破13亿，连续霸 榜；《凡人修仙传》《七根心简》等也稳定在榜单前列。 报告分析称，高增长主要得益于平台在古装、悬疑、都市等赛道的多元布局，如现代偶像剧《难哄》、 都市民生剧《蛮好的人生》、古装权谋剧《藏海传》等。业内人士指出，在长视频用户规模增长趋缓的 形势下，精品剧集的拉动效应愈发明显。像《藏海传》这样的现象级大剧，能触达到远比粉丝群体广泛 得多的观众，成为兼具热度、口碑和商业价值的全民级、甚至国际级爆款 ...

爱奇艺亲自盖章"2025品牌主们最爱投的剧"，播至18集，双平台剧集品牌露出各达25家，与《赴山海》热播效应同步炸裂的，是它的招商能力。 大剧市场吸金能力依旧？这似乎毋庸质疑。甚至在刚过去的暑期档，它还打破了一些类型题材的限制：严肃文学改编的农村群像剧《生万物》合作品牌数 37家，古装权谋大剧《藏海传》合作品牌数达48个再攀新高。更细化的维度，《锦绣芳华》刷新了集均广数、单集广数等纪录。 但这又不是全部。相比去年同期，超过40家品牌合作的剧集数量大幅下滑，即使面对最头部的内容，客户入局也愈发谨慎；对于大部分剧集，"全集有 广"更是跨不过的硬指标，尤其是到了8月只有一部《生万物》实现了全集有广，其余皆"沦陷"。 与剧集市场"整体降温、两极分化"的走势不同，综艺市场的招商表现在整体上更为"平稳"。这是个喜忧参半的词：一方面，头部综艺动辄10+品牌合作的 时代确实已经过去，综艺招商高点基本落在了8个品牌合作上；另一方面，新综艺在声势和吸金能力上，相比往年更加亮眼。 我们常说"春江水暖鸭先知"，长视频招商能力的分化背后，是娱乐营销品牌池的加速洗牌，以及内容市场最真实的发展趋势。前者是消费市场的风向变化 也在真切作用于 ...

Core Viewpoint - Recent mainland Chinese dramas have gained popularity in Taiwan, showcasing various elements of Chinese culture that resonate well with local audiences [1][2]. Group 1: Popularity of Mainland Dramas - Several mainland dramas, such as "Longan's Lychee" and "Jin Yue Ru Ge," have become hits in Taiwan, with viewers praising the depiction of Chinese cultural elements [1][2]. - The rise of these dramas has led to significant engagement on social media platforms, with dedicated groups for discussing mainland dramas amassing tens of thousands of members [2]. Group 2: Cultural Elements and Audience Engagement - The intricate portrayal of traditional Chinese culture, including costumes, food, and rituals, has captivated Taiwanese viewers, leading to a deeper appreciation of cultural heritage [2]. - Taiwanese audiences are increasingly seeking recommendations for mainland dramas and engaging in discussions about plot developments and character stories on social media [2]. Group 3: Broader Cultural Impact - The success of mainland dramas is part of a larger trend, with Chinese-themed games and films also gaining traction in Taiwan, indicating a growing interest in Chinese culture [3]. - Cultural exchanges, such as the rise of "Guochao" culture in Taiwan, are seen as a bridge for deeper understanding between the two sides, countering political narratives that promote "de-Sinicization" [5].

Core Viewpoint - The summer season has marked a significant transformation in the short drama industry, shifting from a focus on "traffic supremacy" to "quality supremacy," reshaping the content landscape of the domestic entertainment market [5]. Group 1: Performance Data - The summer season attracted 31.1 billion views for short dramas, surpassing the 15.6 billion views of the top 20 long dramas, indicating a shift in consumption patterns [7]. - The top short drama, "Eighteen-Year-Old Grandma 2," achieved an average of 25 million views per episode, while several long dramas averaged over 30 million views, showing a narrowing gap in viewership [7]. - A total of 16 short dramas exceeded 1 billion views, with the summer season setting multiple records for rapid viewership growth [9]. Group 2: Content Trends - The short drama industry is experiencing a self-iteration capability, moving beyond superficial changes in themes to systemic innovations in narrative modes, character settings, and aesthetic styles [14]. - New short dramas are breaking traditional narrative patterns, focusing on realistic portrayals and character authenticity, thus redefining the balance between popularity and quality [15]. - The integration of social issues into short dramas has redefined their potential, with themes like intergenerational relationships and national pride resonating with audiences [19]. Group 3: Platform Policies - Major platforms like Hongguo, Tencent Video, and iQIYI are implementing new policies to encourage high-quality content creation, shifting the focus from mere traffic to content quality and user engagement [22]. - Hongguo's recent policy changes include increasing minimum guarantees and revenue-sharing ratios, aiming to attract quality creators and establish a more structured creative ecosystem [23]. - Tencent Video and iQIYI have also enhanced incentives for exclusive quality content, emphasizing long-term viewer engagement over new user acquisition [24].

Core Insights - The long video platforms are facing challenges with revenue growth slowing down and profitability becoming more difficult, prompting a shift towards optimizing content costs and exploring new revenue sources like micro-short dramas, AIGC, IP derivatives, and content globalization [37] Industry Overview - Long video platforms are entering a new phase of project reduction and AI efficiency improvements due to stagnation in membership growth and weak advertising revenue [1][5] - The rise of short videos has significantly impacted the user base of long video platforms, with monthly active users (MAU) for Tencent Video, iQIYI, and Youku projected to drop from 5.3 billion, 5.65 billion, and 4.7 billion in August 2018 to 3.63 billion, 3.56 billion, and 2.01 billion by June 2025, respectively [3] Company-Specific Insights iQIYI - iQIYI reported a decline in revenue and net profit in the first two quarters, with major business segments like membership services and online advertising also experiencing downturns, although other income streams showed growth [7] - The platform is focusing on a balanced approach between long and short content, emphasizing high-quality productions to enhance user engagement and attract advertisers [15] - iQIYI's international membership revenue grew by 35% year-on-year, and the company is leveraging AI to reduce costs and enhance efficiency [13] Youku - Youku's strategy centers on content quality, series development, and cross-industry integration, with successful shows like "藏海传" achieving significant viewership and advertising revenue [16][19] - The platform is expanding its talent pool by recruiting notable industry figures to enhance content creation capabilities [19] Tencent Video - Tencent Video reported a paid membership count of 111.4 million, the only platform to disclose such figures, and is focusing on high-quality content to improve viewer retention [22] - The platform is shifting its strategy to prioritize A+ and S+ level projects, aiming to enhance the return on investment and avoid resource wastage [25] Mango TV - Mango TV's revenue for the first half of 2025 was 5.964 billion yuan, a decline of 14.31%, with significant drops in its content e-commerce segment [29][32] - The platform is increasing its investment in content, particularly in short dramas, with a reported 1179 micro-short dramas set to launch, marking a nearly sevenfold increase from the previous year [36]

Core Insights - The report by Yunhe Data highlights the strong performance of Youku during the 2025 summer season, with two major dramas, "Cang Hai Chuan" and "Yi Fa Zhi Ming," taking the top two spots in the cumulative effective view rankings across all platforms [1][3] Group 1: Performance Metrics - In the summer of 2025, a total of six long dramas achieved effective views exceeding 1 billion, with Youku holding the top two positions [1] - "Cang Hai Chuan" has accumulated over 1.36 billion effective views since its launch on May 18, 2025, achieving a market share of over 40% [2][4] - "Yi Fa Zhi Ming" also performed well, with effective views surpassing 1.36 billion, ranking first in average views per episode during its peak [2][4] Group 2: Content Strategy - Youku's success is attributed to its mature content creation mechanism and operational strategies, covering diverse genres such as historical suspense, realistic judicial themes, fantasy, and urban romance [3][5] - The platform's efficient coordination in theatrical operations and scheduling has contributed to its high market share during the summer season [3][5] - The focus on diverse content aims to meet the varied preferences of different audience segments, as emphasized by the producers of "Cang Hai Chuan" and "Yi Fa Zhi Ming" [4][5] Group 3: Industry Trends - The strong rebound of Youku's summer lineup signifies a systemic evolution from merely betting on hits to sustainably producing quality content [5] - In addition to dramas, Youku has also made notable strides in the animation sector, with "Yun Shen Bu Zhi Meng" becoming a significant topic in the summer lineup, appealing to female audiences [5]

Core Insights - The article highlights the significant transformation of Youku during the 2025 summer season, showcasing its diverse content strategy and strong performance in various genres [1][2][6] Content Strategy - Youku's content production strategy focuses on "multi-line incubation and stable supply," which has led to a strong rebound in its performance this summer [2][15] - The platform has successfully diversified its offerings, with notable series such as "Cang Hai Chuan," "Yi Fa Zhi Ming," and "Fan Ren Xiu Xian Chuan," which have collectively enhanced its presence in the market [7][9][11] Audience Engagement - There is a noticeable shift in audience preferences from seeking single blockbuster hits to valuing stability and quality across multiple genres [6][7] - Youku's ability to cater to diverse interests has allowed it to maintain viewer engagement without relying solely on individual hits [9][13] Production Mechanism - The maturation of Youku's studio system and the implementation of a producer-centered approach have strengthened its content production capabilities [15][20] - The platform's focus on original stories and high-quality narratives has resonated with audiences, as seen in the success of "Yi Fa Zhi Ming" [17][18] Industry Expansion - Youku's expansion into sports and children's content has created new consumer touchpoints and engagement opportunities [24] - The introduction of innovative user relationship management and consumption models has redefined social consumption, particularly in sports and children's sectors [24][22] Summary - Youku's strong rebound this summer is attributed to its comprehensive changes in content layout, production systems, and industry expansion, leading to improved content quality and enhanced user engagement [24]