Core Viewpoint - The article discusses the evolving aesthetic trend in the entertainment industry, particularly the "嬷化" phenomenon, where male actors are increasingly portrayed with delicate and fragile characteristics, challenging traditional masculinity [1][10]. Summary by Sections Stage 1: Economic Suitable Men - The early 2010s saw the dominance of the "economic suitable man" archetype, represented by actors like Tong Dawei, who portrayed stable, warm, and reliable characters [3][4]. - These characters reflected a societal shift towards valuing stability and emotional support in relationships, resonating with female audiences seeking reliable partners [5]. Stage 2: The "Wimp" Archetype - As societal pressures increased and women's self-awareness grew, the "economic suitable man" image became less relatable, leading to the emergence of the "wimp" archetype, exemplified by actors like Lei Jiayin and Guo Jingfei [6][7]. - These characters, often flawed and vulnerable, allowed female viewers to empathize with their struggles, reflecting a more complex understanding of masculinity [7]. Stage 3: The "Good Husband" Trend - The "wimp" archetype evolved into the "good husband" trend, represented by actors like Bai Ke, who embody a service-oriented, emotionally supportive male figure [8][9]. - This character type provides a sense of security and emotional stability, appealing to audiences in uncertain times [9]. Stage 4: The "嬷化" Trend - The "嬷化" trend marks a significant shift where male actors and their teams actively design and market a more delicate and feminine image, moving from passive acceptance to proactive engagement with audience expectations [10][16]. - This trend is characterized by a collaborative effort to redefine male aesthetics, allowing actors to gain empathy and increase their appeal in a competitive market [16]. Notable Examples - Actors like Cheng Yi and Luo Yunxi exemplify the "嬷化" aesthetic through their roles and public personas, emphasizing fragility and beauty in their portrayals [2][12]. - The trend is not limited to television but extends to idol groups and other entertainment forms, showcasing a broader cultural shift towards embracing softer male images [15].