《宫墙厌》

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西湖财政护航文化产业高质量发展
Hang Zhou Ri Bao· 2025-08-08 02:51
Group 1 - The core viewpoint of the article highlights the successful launch of the historical drama "Palace Wall Discontent," produced by Migu Shumedia, which achieved an average rating of 2.166% on Oriental TV, ranking first in its time slot [1] - The West Lake District has implemented a series of targeted support policies for cultural and creative industries, which have effectively revitalized cultural resources and fostered the growth of creative enterprises [1] - Migu Shumedia has signed over 20,000 full copyright online literary works and more than 1,000 scripts, showcasing the impact of supportive policies on content creation [1] Group 2 - In terms of financial support, the West Lake District has allocated 25.5 million yuan for cultural industry cluster development, with 17.75 million yuan already disbursed to 81 enterprises from January to July this year [2] - The district awarded 1 million yuan each to the works "The Long Journey Home" and "The Four Seasons of Tao Sanyuan," which received the "Five One Project" award, and provided 630,000 yuan in IP adaptation rewards to five enterprises [2] - The establishment of a multi-level support system includes various incentives for film and television works, digital culture, and music, ensuring comprehensive policy support throughout the lifecycle of enterprises [1][2]
国产剧三十年欠下的女性情绪,短剧一次还完
Hu Xiu· 2025-04-22 11:26
Core Viewpoint - The rise of short dramas in the Chinese market reflects a shift towards more liberated and sensual portrayals of female characters, contrasting with the restrictive narratives of long dramas [1][6][8] Group 1: Characteristics of Short Dramas - Short dramas are characterized by their explicit sexual tension and bold female leads, often engaging in provocative dialogue and actions [1][2] - The trend of short dramas includes a significant amount of female nudity and sexual themes, which have been largely absent in long dramas for years [2][4] - The narratives in short dramas often intertwine with themes of female empowerment and revenge, allowing audiences to appreciate the female characters without feeling objectified [2][6] Group 2: Evolution of Female Representation - The representation of women in long dramas has historically been restrictive, often portraying them as submissive or in need of male validation [4][5] - Since 2015, there has been a gradual shift in long dramas towards acknowledging women's struggles, but they often lack emotional resolution, leaving viewers unsatisfied [5][6] - The emergence of short dramas since 2023 has allowed for a more direct and impactful representation of female desires and autonomy, moving away from the burdens of traditional narratives [6][7] Group 3: Audience Reception and Emotional Impact - The audience's preference for short dramas can be attributed to their emotional compensation, as they provide a sense of empowerment and satisfaction that long dramas fail to deliver [6][8] - The portrayal of female characters in short dramas often leads to a sense of vicarious victory for viewers, as they resonate with the characters' assertiveness and independence [7][8] - The current trend reflects a broader cultural shift where female viewers seek narratives that validate their experiences and desires, contrasting sharply with the past [6][8]