晁福林 《上古中国的神：先秦时期的彼岸世界》 晁福林 著 新星出版社 彼岸世界是一个恒久不衰的话题，每个时代的人对它都有不一样的感悟、不一样的认知和愈益深刻的思 考。我国先秦时期关于彼岸世界的认识，大体可以分为两大类。 一类认识是将人迹罕至的非常遥远的界域视为彼岸世界。这是人生在世时可望而不可即的地方。严格说 来，它是存在于现实世界（即此岸世界）的人想象中的世界，还不能算是严格意义上的"彼岸世界"。对 于这类彼岸世界的描绘不乏赞美和向往。用现在的话来说，它就是人们理想中的"诗与远方"。这个地方 的一切都美妙绝伦，人世间一切高级优雅的所在都集中于此。它是神仙居住的地方，这个地方在《山海 经》和庄子的书里有非常细致的描绘。在那里居住和生活完全可以无忧无虑，庄子说： 和此类遥不可及的美妙的"诗与远方"的彼岸世界不同，在先秦时代人们的认知里，彼岸世界还有另一种 所在。它们也在非常遥远的地方，但并不美妙，而是让人感到奇怪和恐怖。《山海经》里所描绘的许多 怪人和怪兽，以及奇怪的树木和花草，都是人所未见但又能够"确认"的实在。因奇怪而产生的恐怖，在 屈原的笔下有具体的描绘。他在《招魂》诗里写遥远的东方"十日代出，流金铄石" ...

Core Viewpoint - The article discusses the evolving preferences of film enthusiasts, particularly the shift towards horror films during film festivals, reflecting a broader cultural trend in audience engagement and experience [11][32]. Group 1: Film Festival Dynamics - There exists a hierarchy of film preferences among festival-goers, with horror films often placed at the lower end of the desirability scale [3][4]. - The article highlights the unique atmosphere of horror film screenings at festivals, where audiences come together to share a collective experience of fear and excitement [12][13]. Group 2: Personal Experiences and Observations - The author recounts personal experiences of attending horror film screenings, emphasizing the communal aspect and the emotional responses elicited during these events [20][31]. - Specific films like "The Shining" and "The Conjuring" are mentioned as significant experiences that illustrate the intense reactions and shared moments among viewers [19][22][24]. Group 3: Cultural Commentary - The article reflects on the changing nature of film appreciation, suggesting that the pressures of adult life lead to a preference for more straightforward, engaging content like horror films [11][32]. - It also critiques the elitism in film selection, where mainstream or popular films are often looked down upon compared to obscure or critically acclaimed works [3][4].