部分影院回应：已收到日本电影撤档通知 中新网北京11月17日电(记者 任思雨)17日，有消息称，原定于近期上映的日本电影《工作细胞》《蜡笔小新：灼热的春日部舞 者们》将撤档，新档期待定。记者就此采访了一些影院。 电影《蜡笔小新：炽热的春日部舞者们》海报。 公开信息显示，动画电影《蜡笔小新：灼热的春日部舞者们》原定于12月6日上映，电影《工作细胞》原定于11月22日上映，该 片现已开启预售。 17日下午，电影《蜡笔小新：灼热的春日部舞者们》片方工作人员向记者表示，目前还没有接到正式通知；截至17日18时，记 者仍能在购票平台查询到《工作细胞》22日在部分影院的购票信息，相关工作人员表示，他们暂未收到撤档消息。但也有其他 影院工作人员向记者证实，已收到上述两部电影的撤档消息。 电影《工作细胞》海报。 除《工作细胞》《蜡笔小新：灼热的春日部舞者们》外，还有两部日本电影《初吻》《昨日青春》将于12月5日上映。此外，还 有部分日本电影确认引进但档期待定，包括《8号出口》《复仇公主斯嘉丽》《蓝色巨星》等。 另有消息称，正在上映的日本动画电影《鬼灭之刃：无限城篇 第一章 猗窝座再袭》会提前下映。相关影院工作人员均表示，目 ...

Group 1 - The article discusses the concept of "economic upward beauty," reflecting on nostalgia for early 2000s aesthetics and cultural elements, such as fashion and music, which symbolize a confident and optimistic economic period [1][2][3] - The rise of rapper Lan Lao, who surpassed Jay Chou in monthly listeners on Spotify, is seen as a representation of "economic downward beauty," contrasting the past's confidence with a current aesthetic that reflects economic challenges [1][8] - The discussion includes how economic cycles influence perceptions of beauty and aesthetics, questioning whether nostalgia for the past is genuine or merely a filtered memory [1][12] Group 2 - The conversation highlights the duality of beauty in economic contexts, with "economic upward beauty" associated with modernity and optimism, while "economic downward beauty" reflects a return to local roots and cultural identity [12][13] - The participants express that nostalgia is not just about longing for the past but also about reconnecting with one's identity and cultural heritage in the face of economic uncertainty [12][13] - The article suggests that the current cultural landscape is marked by a blend of nostalgia and innovation, where past aesthetics are reinterpreted to address contemporary emotional needs [17][18]